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Paul Lewis Ferguson,
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Young couple Jackie and Leo move from North London to a suburban home in the green belt paradise of Southern England. At the birthday party of a neighbor, they soon discover the strict social hierarchies of village life.
Ten years ago, after being accused of a hideous murder of a mother and her twin daughters, Sean Veil became paranoid, filming himself along twenty-four hours a day to have an alibi if necessary. The small time psychologist Saul Seger became a famous forensic profiler and writer with the case and every now and then he accuses Sean Veil of the crime. The reporter Katie Carter believes in Sean's innocence. When the body of the missing Mary Shaw is found, Sean has to prove where he was five years ago. However, the tapes that can prove that he is not guilty have mysteriously disappeared from the storage shelf and Sean suspects that Saul has stolen them to incriminate him. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Lee Evans actually shaved his head and eyebrows for the film, despite being warned that his eyebrows may not grow back again. See more »
During the reconstruction video, the mother lights five candles on a birthday cake. As she lifts the cake, one of the candles goes out, but in the next shot, the candle has been re-lit. See more »
You seem kind of relaxed, if you don't mind me saying. For a man who's about to spend the next 30 years sucking unwashed dick.
You seem kinda jealous, if you don't mind me saying.
See more »
Sean Veil is the ultimate paranoiac, a man so convinced that everyone is out to get him that he's even begun spying on HIMSELF. However, there is actually a method to his madness, for unlike many paranoiacs, Sean has a valid reason to be fearful and suspicious of those around him. About ten years prior to the time of the story, Sean was falsely arrested for the brutal slaying of a woman and her two young daughters
a crime for which he was eventually acquitted, although the
experience has left him emotionally devastated and psychologically damaged. His reputation ruined, Sean has since devised an elaborate system whereby he can videotape himself 24/7, so that he will always have an alibi if someone ever attempts to accuse him again of a crime he didn't commit. Unfortunately, Sean soon discovers that even the latest in modern technology can't guarantee his safety if the forces out to get him can figure out how to beat him at his own game.
This quirky and original Irish film suffers a bit from the constraints of its budget and the amateurishness of some of the performances. Director John Simpson's split screen technique, though intriguing at first, becomes a bit trying after awhile, and the storyline is not always as cleanly and clearly developed as it might be, although the drab, colorless look of the film perfectly reflects the drab, colorless life of its protagonist.
The movie overrides most of its flaws thanks to one element that is the real thing: Lee Evans' searing and uncompromising portrayal of an innocent man driven to the brink of madness by his obsessive need to prove that innocence. With his nervous, soft-spoken demeanor and constant look of terrified submission, Evans makes what could have been a creepy, repulsive character into a thoroughly sympathetic figure. We find ourselves so drawn to his predicament and so involved in his fate that, even at those moments when the movie itself falls flat, we stick with it anyway.
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