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Okay, José (1935)

A Salesman tries to locate a notorious Mexican bandit, comedy musical

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Storyline

A Salesman tries to locate a notorious Mexican bandit, comedy musical

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Genres:

Comedy | Musical | Short

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Details

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Release Date:

7 December 1935 (USA)  »

Also Known As:

Broadway Brevities (1935-1936 season) #9: Okay, José  »

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Technical Specs

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(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Vitaphone production reels #7071-7072 See more »

Quotes

José Pedro Carlos Hernandez II: Aw, señorita. I am the great José Pedro Carlos Hernandez and who are you?
Knute Knudsen: [Disguised as a blonde señorita] Call me Goldilocks.
José Pedro Carlos Hernandez II: Enter Señorita Goldilocks. Aw, my tender little dove. You blush like a beautiful rose. You give Jose one little kiss, yes?
Knute Knudsen: I von't say yes and I von't say no.
José Pedro Carlos Hernandez II: You say maybe?
Knute Knudsen: Perhaps, maybe.
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Soundtracks

Cielito lindo
(uncredited)
Written by Quirino Mendoza
Played during the opening credits
Sung and danced during the production number
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User Reviews

 
Down Mexico Way
13 May 2003 | by See all my reviews

A WARNER BROTHERS VITAPHONE Short Subject.

A Minnesota Swede finds himself in big trouble in Mexico when he is forced to capture a notorious bandito.

Dialect comedian El Brendel, who enlivened several films in the 1930's, finds a good outlet for his talent in OKAY, JOSÉ. The very silly plot - which includes Mexican music & dancing - allows him to give hilarious impersonations of a mustachioed outlaw and a flirtatious blonde señorita. The eye-pleasing Technicolor photography is still vivid and bright.

Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.


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