Aniruddh, a law-abiding college student, in love with Niharika, gets caught up in college politics and crime and must fight it out for himself when his friend becomes his foe.

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Cast

Credited cast:
...
Aniruddha 'Ani' Sharma
...
Niharika Singh
...
Ranvijay Singh (as Irrfan)
...
Gauri Shankar Pandey
...
Mr. Sharma
Rest of cast listed alphabetically:
Murad Ali ...
Badri Shankar Pandey
...
Javed
Rajiv Gupta ...
SP
...
Newspaper vendor
Dadhey Pandey ...
Munna
...
Chief Minister Kabanlal Tiwari
...
Niharika's mother
Nagesh Salwan ...
Gangster
...
Mr. Singh
Arvind Tiwary
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Storyline

When college student Aniruddha meets pretty co-ed Niharika, they quickly become romantically involved. Unfortunately, their relationship can't escape the politics involved in sex and gang life. When Aniruddha meets Ranvijay, a big man on campus prone to toting a gun, he believes he's merely helping his fellow student escape from a rival gang. It's not long into their friendship, however, that Aniruddha realizes Ranvijay is just using him as a means to get to Niharika. Written by gavin@sunny_deol2009@yahoo.com

Plot Summary | Add Synopsis

Plot Keywords:

politics | love | murder | train | cinema | See All (58) »

Genres:

Crime | Drama | Romance

Certificate:

PG-13 | See all certifications »
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Details

Country:

Language:

|

Release Date:

16 May 2003 (India)  »

Also Known As:

Сила духа  »

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Did You Know?

Trivia

Manoj Bajpayee was offered Irrfan Khan's role in the film. Manoj did not want to play the role of a villain and declined the part. See more »

Connections

Features Nayak: The Real Hero (2001) See more »

Soundtracks

Aankhon Mein Tumhari
Written by Kauser Pandey and Vinoo Mahendra
Composed by Lalit Pandit and Jatin Pandit
Performed by Shaan, Shraddha Pandit and Shweta Pandit
Courtesy of Times Music India
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User Reviews

Whether You Love It Or Hate It, Politics Runs A Country
22 March 2008 | by (Fraggle Rock) – See all my reviews

Politics. there are many of us who hate it and refuse to be part of it. Yet, politics is what runs a nation. To quote a fellow commenter, 'if we don't take part in politics, someone else less worthy will take the reins in their hands'. This is what Haasil does. While the more recent films like 'Rang De Basanti' which glamourizes violence or an insipid 'Yuva' which fails to get the message through due to its several weaknesses have been hugely successful (the former being a commercial success while the latter was a critical success), 'Haasil' is one film that received comparative little attention but excels both films (notwithstanding the fact that it was released before).

The screenplay is quite innovative and the narrative flows very well. Dhulia's storytelling is refreshing and he portrays the events with grit, realness and sensitivity. An example is the very gradual and somewhat subtle way he shows a carefree Anirudh's movement towards Ranvijay's party. Unlike 'Yuva' and 'Rang de Basanti' this one has no stars. It has actors, and that too, some of the best.

Irfan Khan is phenomenal as Ranvijay. While we see Ranvijay as a brave ambitious leader, we see his weakness towards the opposite sex, particularly the woman he desires. Shergill too is fantastic as the young and naive Anirudh who's slowly drawn into the web of politics. Both these characters are very well-written with different shades. Ashutosh Rana is strictly okay as his character borders on caricature. Hrishita Bhatt has a strong presence and she holds her own. She and Shergill have a wonderful chemistry and their love story is quite genuine and well-handled. Tinnu Anand is quite likable as the father who's unsuccessfully trying to bridge the generation gap between his son and himself. Rajpal Yadav doesn't have much to do.

The songs are quite nice but some could have easily been left out. For example, the Qawali sequence towards the finale, looked a little too dramatic and Bollywoodish. Actually the whole mosque sequence looks a little out of place. The screenplay is a little imbalanced. In the first half it balances the love story and the political chaos but in the latter half it shifts towards Ranvijay's obsession (why?) for Niharika. The sudden change in Irfan's character looks a little drastic, especially his outburst at Niharika's parents followed by his insane hunt. Then again, perhaps the outburst scene reflects his sexual frustration, a hint of which we see in an earlier scene when Anirudh jokes to him about his weakness with women. The ending too looks a little odd and rushed but one can understand why the director wanted to round it up this way. Also some situations required further development. For example, Ranvijay's attraction towards Niharika or how did Ranvijay manage to convince Niharika's father to marry her off to him?

'Haasil' is a brilliant effort in spite of its flaws. It isn't exactly a masterpiece but is a lot more real and effective than the other successful films (I already gave two examples) trying to convey a similar message. Worth the watch!


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