| Photos (See all 48 | slideshow) | Videos (see all 5) |
| Liam Neeson | ... | Alfred Kinsey | |
| Laura Linney | ... | Clara McMillen | |
| Chris O'Donnell | ... | Wardell Pomeroy | |
| Peter Sarsgaard | ... | Clyde Martin | |
| Timothy Hutton | ... | Paul Gebhard | |
| John Lithgow | ... | Alfred Seguine Kinsey | |
| Tim Curry | ... | Thurman Rice | |
| Oliver Platt | ... | Herman Wells | |
| Dylan Baker | ... | Alan Gregg | |
| Julianne Nicholson | ... | Alice Martin | |
| William Sadler | ... | Kenneth Braun | |
| John McMartin | ... | Huntington Hartford | |
| Veronica Cartwright | ... | Sara Kinsey | |
| Kathleen Chalfant | ... | Barbara Merkle | |
| Heather Goldenhersh | ... | Martha Pomeroy | |
| Dagmara Dominczyk | ... | Agnes Gebhard | |
| Harley Cross | ... | Young Man in Gay Bar | |
| Susan Blommaert | ... | Staff Secretary | |
| Benjamin Walker | ... | Kinsey at 19 | |
| Matthew Fahey | ... | Kinsey at 14 | |
| Will Denton | ... | Kinsey at 10 | |
| John Krasinski | ... | Ben | |
| Arden Myrin | ... | Emily | |
| Romulus Linney | ... | Rep B. Carroll Reece | |
| Katharine Houghton | ... | Mrs. Spaulding | |
| David Harbour | ... | Robert Kinsey | |
| Judith J.K. Polson | ... | Mildred Kinsey | |
| Leigh Spofford | ... | Anne Kinsey | |
| Jenna Gavigan | ... | Joan Kinsey | |
| Luke Macfarlane | ... | Bruce Kinsey (as Luke MacFarlane) | |
| Mike Thurstlic | ... | Kenneth Hand | |
| Jarlath Conroy | ... | Grocer | |
| Bill Buell | ... | Dr. Thomas Lattimore | |
| Michelle Federer | ... | Gall Wasp Class Coed (as Michele Federer) | |
| Alvin Keith | ... | Black Student | |
| Amy Wilson | ... | Marriage Class Coed | |
| Maryellen Owens | ... | Female Assistant Professor | |
| Roderick Hill | ... | Clerical Worker | |
| Peg Small | ... | Retired Teacher | |
| Don Sparks | ... | Middle-aged Businessman | |
| Joe Zaloom | ... | Janitor | |
| Kate Reinders | ... | Female Student #1 | |
| Mara Hobel | ... | Female Student #2 | |
| Lindsay Schmidt | ... | Female Student #3 | |
| Jason Patrick Sands | ... | Male Student #1 | |
| Marcel Simoneau | ... | Male Student #2 | |
| Bobby Steggert | ... | Male Student #3 | |
| Johnny Pruitt | ... | Male Student #4 | |
| John Epperson | ... | Effete Man in Gay Bar | |
| Jefferson Mays | ... | Effete Man's Friend | |
| Mark Mineart | ... | Slavic Man | |
| Martin Murphy | ... | Bartender | |
| Kate Jennings Grant | ... | Marjorie Hartford | |
| Barry Del Sherman | ... | IU Reporter #1 | |
| Fred Burrell | ... | IU Reporter #2 | |
| Michael Arkin | ... | NYC Reporter #1 | |
| Dan Ziskie | ... | NYC Reporter #2 (as Daniel Ziskie) | |
| Tuck Milligan | ... | NYC Reporter #3 | |
| Edwin McDonough | ... | Mr. Morrissey | |
| John Ellison Conlee | ... | Bookstore Clerk | |
| Arthur French | ... | Sharecropper | |
| Chandler Williams | ... | Prison Inmate | |
| Jaime Roman Tirelli | ... | Hispanic Man | |
| Draper Shreeve | ... | Ballet Teacher | |
| Philip Kushner | ... | Bellhop (as Phillip Kushner) | |
| Joseph Badalucco Jr. | ... | Radio Repairman (as Joe Badalucco) | |
| Henrietta Mantooth | ... | Poet | |
| Doris Smith | ... | Old Woman | |
| Reno | ... | Male Impersonator | |
| Pascale Armand | ... | Young Black Woman | |
| Sean Skelton | ... | Staff Photographer | |
| Steven Edward Hart | ... | Reverend | |
| Clifford David | ... | Professor Smithson | |
| Randy Redd | ... | Student | |
| Lynn Redgrave | ... | Final Interview Subject | |
| rest of cast listed alphabetically: | |||
| Beth Adubato | ... | 40s Housewife (uncredited) | |
| Mike Bash | ... | Student (uncredited) | |
| Maria Bianco | ... | College Student (uncredited) | |
| David E. Fischer | ... | Interview Student (uncredited) | |
| Brute Force | ... | Himself (uncredited) | |
| Christy Lee Hughes | ... | Interview Subject (uncredited) | |
| Deric McNish | ... | Sex-Ed Student (uncredited) | |
| Kevin Kean Murphy | ... | Interview Subject (uncredited) | |
| Katherine O'Sullivan | ... | Woman Leaving Lecture (uncredited) | |
| Amber Paul | ... | Fiance of Clyde Martin (uncredited) | |
| Dina Plotch | ... | Student (uncredited) | |
| Richard Preshong | ... | University Guide (uncredited) | |
| Cameron Stevens | ... | Student (uncredited) | |
| Alexander Wraith | ... | Patient (uncredited) | |
Directed by | |||
| Bill Condon | |||
Writing credits(WGA) | ||
| Bill Condon | (written by) | |
Produced by | |||
| Francis Ford Coppola | .... | executive producer | |
| Kirk D'Amico | .... | executive producer | |
| Valerie Dean | .... | associate producer | |
| Richard Guay | .... | co-producer | |
| Michael Kuhn | .... | executive producer | |
| Gail Mutrux | .... | producer | |
| Bobby Rock | .... | executive producer | |
| Adam Shulman | .... | associate producer | |
| Joel Hatch | .... | line producer: reshoots (uncredited) | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Frederick Elmes | (director of photography) | ||
Film Editing by | |||
| Virginia Katz | |||
Casting by | |||
| Douglas Aibel | |||
| Cindy Tolan | |||
Production Design by | |||
| Richard Sherman | |||
Art Direction by | |||
| Nicholas Lundy | |||
Set Decoration by | |||
| Andrew Baseman | |||
Costume Design by | |||
| Bruce Finlayson | |||
Makeup Department | |||
| Roy Bryson | .... | key hair stylist | |
| Mindy Hall | .... | makeup artist: Ms. Linney | |
| Wayne Herndon | .... | hair stylist | |
| Todd Kleitsch | .... | special effects makeup artist | |
| Michael Laudati | .... | makeup artist: Mr. Neeson | |
| Jeffrey Sacino | .... | key hair stylist | |
| James Sarzotti | .... | additional makeup artist | |
| Carla White | .... | key makeup artist | |
| Donna Marie Fischetto | .... | hair stylist (uncredited) | |
| Paula Kelly | .... | additional makeup artist (uncredited) | |
| Mary Anne Spano | .... | additional makeup artist (uncredited) | |
| Colleen Wheeler | .... | hair stylist (uncredited) | |
Production Management | |||
| Steven Kaminsky | .... | post-production supervisor | |
| Tim Pedegana | .... | post-production supervisor | |
| Diana Schmidt | .... | unit production manager | |
| Mark Wolfe | .... | executive in charge of production: N1 | |
| Linda Sophie Chiu | .... | executive in charge: Myriad Pictures (uncredited) | |
Art Department | |||
| JoAnn Atwood | .... | set dresser (as Joann Atwood) | |
| Joseph Badalucco Jr. | .... | assistant property master (as Joe Badalucco) | |
| Peter Bundrick | .... | construction foreman | |
| Anthony Dimeo | .... | property master | |
| Justine Dolan-Coates | .... | assistant property master (as Justine Dolan-Cote) | |
| Joni Finlay | .... | set dresser | |
| Richard Hebrank | .... | construction coordinator | |
| Jon Ringbom | .... | scenic foreman | |
| Amy Safhay | .... | greensperson | |
| Jennifer Santucci | .... | art department coordinator | |
| Francesco Sciarrone | .... | scenic foreman | |
| Steven Shellooe | .... | set scenic | |
| Dick Tice | .... | leadman (as Richard J. Tice) | |
| Gary Cergol | .... | art department coordinator (uncredited) | |
| David Cooney | .... | illustrator (uncredited) | |
| Dan DeTitta | .... | props buyer (uncredited) | |
| Daniel Geary | .... | carpenter (uncredited) | |
| Lisa Kent | .... | set buyer (uncredited) | |
| Rebecca Meis DeMarco | .... | assistant set decorator (uncredited) | |
| Gifford Meyer | .... | props (uncredited) | |
Sound Department | |||
| Gregg Barbanell | .... | foley artist | |
| Nancy Barker | .... | first assistant sound editor | |
| Lance Brown | .... | sound re-recording mixer | |
| Harriet Fidlow | .... | adr editor: New York | |
| Michael Geisler | .... | foley supervisor | |
| Paul Hackner | .... | dialogue editor | |
| Ann Hadsell | .... | adr mixer: Los Angeles | |
| Kenton Jakub | .... | adr editor: New York | |
| Eric Lindemann | .... | supervising sound editor (as Eric Warren Lindemann) | |
| David Lott | .... | foley editor | |
| Kimberly Ellen Lowe | .... | supervising adr editor (as Kimberly Lowe Voigt) | |
| Kimberly Ellen Lowe | .... | supervising dialogue editor (as Kimberly Lowe Voigt) | |
| Kim Maitland | .... | cable person | |
| Chris Navarro | .... | adr recordist: Los Angeles | |
| T.J. O'Mara | .... | sound mixer | |
| Dan Paikin | .... | cable person (as Daniel Paiken) | |
| Steve Pederson | .... | sound re-recording mixer (as Stephen Pederson) | |
| Jason Piatt | .... | foley mixer | |
| Alex Raspa | .... | adr recordist: New York | |
| Gary Ritchie | .... | sound recordist | |
| Michael Scott | .... | boom person | |
| Nathan Whitehead | .... | apprentice sound editor | |
| Richard E. Yawn | .... | supervising sound editor | |
| Paul J. Zydel | .... | adr mixer: New York | |
| Todd Niesen | .... | dialogue denoising (uncredited) | |
| Dan Paikin | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Connie Brink | .... | special effects (as Connie Brink Sr.) | |
Visual Effects by | |||
| Michael Adkisson | .... | senior digital compositor: Title House Digital (as Mike Adkisson) | |
| Martin Avitia | .... | digital editor: Title House Digital | |
| Joshua D. Comen | .... | visual effects producer: Title House Digital (as Josh Comen) | |
| Rob Englin | .... | digital compositor: Title House Digital (as Robb Englin) | |
| Elton Garcia | .... | visual effects designer | |
| Mike Ocoboc | .... | digital compositor: Title House Digital | |
| Marlo Pabon | .... | visual effects supervisor | |
| Clay Sparks | .... | digital editor: Title House Digital | |
| Randall Balsmeyer | .... | visual effects (uncredited) | |
| Derek Bird | .... | digital compositor (uncredited) | |
| Randy Brown | .... | digital compositor (uncredited) | |
| Elton Garcia | .... | digital effects artist (uncredited) | |
| Holly Gregory Horter | .... | visual effects (uncredited) | |
| Francis Puthanangadi | .... | digital artist: THDX (uncredited) | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator (as George Aguilar) | |
| Blaise Corrigan | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Bill Almeida | .... | rigging gaffer (as William Almeida) | |
| Robert M. Andres | .... | key grip (as Robert A. Andres) | |
| Alison Barton | .... | best boy grip | |
| Angela Bellisio | .... | loader | |
| Braden Belmonte | .... | second assistant camera: "a" camera | |
| Keith Bunting | .... | company grip (as Keith Bunting Jr.) | |
| Tony Campenni | .... | dolly grip | |
| Mel Cannon | .... | company grip | |
| Patrick Capone | .... | camera operator | |
| Stephen Consentino | .... | Steadicam operator | |
| Lamont Crawford | .... | company grip | |
| Ralph G. Crowley | .... | best boy electric (as Ralph Crowley) | |
| Peter J. Donoghue | .... | company grip (as Peter Donahue) | |
| Samuel G. Friedman | .... | company electric (as Sam Friedman) | |
| Jamie Gallagher | .... | generator operator | |
| Dennis Green | .... | video playback | |
| Carlos Omar Guerra | .... | first assistant camera (as Carlos Guerra) | |
| Scott Kincaid | .... | company electric | |
| Christopher Liscinsky | .... | company electric (as Chris Liscinsky) | |
| Clay Liversidge | .... | generator operator | |
| Tommy Lohmann | .... | Steadicam operator | |
| Jonathan Lumley | .... | gaffer | |
| Michael Papadapolous | .... | rigging best boy (as Michael Papadopoulos) | |
| Ken Regan | .... | still photographer | |
| Tom Shinn | .... | company electric | |
| Chris Skutch | .... | rigging grip | |
| Patrick Taistra | .... | company grip (as Pat Taistra) | |
| Mark van Rossen | .... | rigging best boy (as Mark Van Rossen) | |
| Sebastián Almeida | .... | camera intern (uncredited) | |
| Donald M. Angst | .... | electrician (uncredited) | |
| Dennis T. Benatar | .... | additional photographer (uncredited) | |
| Chris Drechsler | .... | electrician (uncredited) | |
| Stanley Fernandez Jr. | .... | first assistant camera (uncredited) | |
| Timothy Healy | .... | key construction electric (uncredited) | |
| Jesse Mather | .... | lighting technician (uncredited) | |
| Tom Vulliez | .... | grip (uncredited) | |
Casting Department | |||
| Laura Cass | .... | casting assistant | |
| Barbara Harris | .... | voice casting | |
| Meredith Jacobson | .... | extras casting (as Meredith Jacobson Marciano) | |
| Matt Schreiber | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Kevin Draves | .... | costume supervisor: men (as J. Kevin Draves) | |
| Kelly Gregson | .... | set costumer (as Kelly Lee Gregson) | |
| Hilary Niederer | .... | assistant costume designer | |
| Deirdre N. Williams | .... | costume supervisor: women (as Deirdre Williams) | |
| Alethea McElroy | .... | additional costumer (uncredited) | |
Editorial Department | |||
| Aina Abiodun | .... | editorial production assistant | |
| Kenny Becker | .... | color timer | |
| Jim Bruce | .... | assistant editor | |
| Laura Congleton | .... | assistant editor | |
| Steve Harrow | .... | post-production consultant: N1 | |
| Mo Henry | .... | negative cutter: D. Bassett & Assoc. | |
| Todd Schechter | .... | editorial production assistant (as Todd Daniel Schechter) | |
| John Vladic | .... | colorist: dailies (uncredited) | |
Music Department | |||
| Nadine Asin | .... | musician | |
| Ken Bichel | .... | musician | |
| Carter Burwell | .... | conductor | |
| Carter Burwell | .... | orchestrator | |
| Michael Farrow | .... | music scoring mixer | |
| Tony Finno | .... | music preparation | |
| Brian Godshall | .... | music clearances | |
| Todd Kasow | .... | music editor | |
| Lisa E. Kim | .... | musician (as Lisa Kim) | |
| Jon Manasse | .... | musician | |
| Barbara McDermott | .... | music editor | |
| John Palatucci | .... | musician (as John Patatucci) | |
| Sandra Park | .... | musician contractor | |
| Dean Parker | .... | score production manager | |
| Frankie Pine | .... | music supervisor | |
| Robert Rinehart | .... | musician | |
| Tom Sevcofic | .... | musician | |
| Stacy Shames | .... | musician (as Stacey Shames) | |
| Alan Silverman | .... | score recordist | |
| Alan J. Stepansky | .... | musician (as Alan Stepansky) | |
| Shelley Woodworth | .... | musician (as Shelly Woodworth) | |
| Sharon Yamada | .... | musician | |
| Seth Boggess | .... | assistant score engineer (uncredited) | |
| Jason Stasium | .... | digital score recordist (uncredited) | |
Transportation Department | |||
| Maurice Fitzgerald | .... | transportation co-captain | |
| Kevin Keefe | .... | transportation captain | |
| Doug Dovichi | .... | transportation coordinator (uncredited) | |
Other crew | |||
| Thomas Ahlers | .... | production assistant | |
| Alexandra Arlango | .... | assistant: Mr. Kuhn, Qwerty Films | |
| Jonathan Bernier | .... | production assistant (as Jon Bernier) | |
| Susan H. Bodine | .... | production legal counsel (as Sue Bodine) | |
| Ciara Bresnihan | .... | production assistant | |
| Andrea F. Cannistraci | .... | production legal counsel (as Andrea Cannistraci) | |
| Andrew Cesana | .... | production assistant (as Andy Cesana) | |
| Felix Chen | .... | payroll accountant | |
| Kathy Ciric | .... | location manager | |
| Annabel Clark | .... | intern | |
| Adam Cook | .... | assistant: Mr. Condon | |
| Kathryn Craig | .... | head of legal affairs: Qwerty Films | |
| John 'JR' Craigmile | .... | production accountant (as J.R. Craigmile) | |
| Jennifer Crammer | .... | assistant production coordinator (as Jen Crammer) | |
| Sara Curran | .... | production legal counsel | |
| Mary Cybulski | .... | script supervisor | |
| Nina Fiore | .... | production assistant | |
| Julie Hansen | .... | post-production accountant: Film Auditors, Inc. | |
| Steve Harrow | .... | pre-production consultant: N1 | |
| Deborah Hecht | .... | dialect coach | |
| Andrew Hildebrand | .... | head of commercial and business affairs: Qwerty Films | |
| Steven Jacobson | .... | assistant: Ms. Mutrux | |
| Kim Krafsky | .... | animal trainer | |
| Robert A. Levine | .... | unit publicist (as Robert Levine) | |
| Eli Lichter-Marck | .... | intern | |
| Laura Lim | .... | production assistant | |
| Peter Lüke | .... | production executive: N1 | |
| Steve McAuliff | .... | animal trainer | |
| Caitlin McGinty | .... | production secretary | |
| Kati Meister | .... | film researcher | |
| Hillary Meyer | .... | first accountant | |
| Bruno Michels | .... | production assistant | |
| Montez A. Monroe | .... | production coordinator | |
| Melissa Mugavero | .... | production assistant | |
| Sarah Nuttall | .... | production coordinator: Qwerty Films | |
| Emre Ozpirincci | .... | production assistant | |
| Justin Pandolfino | .... | intern (as Justin M. Pandolfino) | |
| Deborah Ricketts | .... | film researcher | |
| Guadalupe Rilova | .... | assistant: Ms. Mutrux | |
| Malcolm Ritchie | .... | production executive: N1 and Qwerty Films | |
| Cara Rosenbloom | .... | assistant: Mr. Guay | |
| Henri Sann | .... | production assistant | |
| Mollie A.J. Smith | .... | production assistant (as Mollie Smith) | |
| Jill Tandy | .... | production executive: N1 and Qwerty Films | |
| Nick Vanderpool | .... | production assistant (as Nicholas Vanderpool) | |
| Kristen von Hoffman | .... | intern (as Kristen Von Hoffman) | |
| Mark Woolley | .... | chief financial officer: Qwerty Films | |
| Alexa Alden | .... | additional script supervisor (uncredited) | |
| Peter Bobrow | .... | location assistant (uncredited) | |
| Kofi Burke | .... | production accountant: Qwerty Films (uncredited) | |
| Elena Calvo | .... | set intern (uncredited) | |
| Jared Cauliffe | .... | set production assistant (uncredited) | |
| Linda Sophie Chiu | .... | assistant: Mr. D'Amico, Myriad Pictures (uncredited) | |
| Alison S. Cohen | .... | production counsel (uncredited) | |
| Frank Covino | .... | location scout (uncredited) | |
| Steve Faughnan | .... | location assistant (uncredited) | |
| John J. Fitzgerald | .... | additional set production assistant (uncredited) | |
| Elton Garcia | .... | title designer (uncredited) | |
| Gary Giudice | .... | location scout (uncredited) | |
| Bobby Guay | .... | office production assistant (uncredited) | |
| Kenny Guay | .... | production assistant intern (uncredited) | |
| Shannon Lail | .... | production executive: Zoetrope (uncredited) | |
| Julie Landholt | .... | graphic artist: titles (uncredited) | |
| Jessica Lichtner | .... | script supervisor: second unit (uncredited) | |
| Susan Orga | .... | location production assistant (uncredited) | |
| Jurgen Proschinger | .... | finance manager: Qwerty Films (uncredited) | |
| Jonathan Roumie | .... | location scout (uncredited) | |
| Doyle Smith | .... | effects artist (uncredited) | |
| Anita Sum | .... | production coordinator (uncredited) | |
Thanks | |||
| Wayne Alexander | .... | the producers wish to thank (as L. Wayne Alexander) | |
| Alan M. Brunswick | .... | the producers wish to thank (as Alan Brunswick) | |
| Keith Clark | .... | the producers wish to thank | |
| Maureen Duffy | .... | the producers wish to thank | |
| Jonathan Gathorne-Hardy | .... | the producers wish to thank: "Sex/the Measure of All Things" | |
| Charles Moore | .... | the producers wish to thank | |
| Jack Morrissey | .... | the producers wish to thank | |
| Richard Phillips | .... | the producers wish to thank | |
| David Shoner | .... | the producers wish to thank: NYPD | |
| Greg Trattner | .... | the producers wish to thank | |
| Bart Walker | .... | the producers wish to thank | |
| Diane Ward | .... | the producers wish to thank | |
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| Notes on a Scandal | The Good Shepherd | Easy A | My Own Private Idaho | The Reader |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb USA section |
Writer/Director Bill Condon does a thoroughly detailed, fascinating study of the life of famed sex researcher Alfred Kinsey in the drama, Kinsey. What would on surface seem unfilmable is done with great sensitivity and honesty.
Condon knows how to tell stories about real people (Gods and Monsters), and here is a life filled with curiosity and far reaching accomplishment.
Raised in a repressed family dominated by a stern father, Kinsey is portrayed as an isolated teen who rebels against not only his father, but against sexual convention. As a science instructor in college, he meets a student who becomes his wife. As other students look more and more to him for sexual advice, his original interest in insect studies changes to sex adviser and ultimately sex researcher. His team of assistants and even their wives become involved in the research. As Kinsey's study requires sample interviews across the country, a diverse, amazing discovery of sexual habits and statistics are revealed. The study ultimately becomes published in a groundbreaking best seller amid a swell of damnation from the public.
Condon interweaves the science with the human element in a very intelligent screenplay. It is remarkable that such a coherent storyline emerges from a multitude of scientific and news sources. The movie also says a lot about the state of the country at a time in mid twentieth century America when the Red Scare was in full swing and the populace was guided by the morals and sensibilities of its time. Kinsey's relationship with his wife is the thread that ties the film together thematically. She essentially becomes the barometer for his work and his shortcomings. Here is a man who was brilliant and at the same time fallible.
There is no epilogue at film's end as might be expected for a biography, but it is a nice touch for a film that tries to approach its subject with freshness and reverence. The set design and costumes are all authentic in period flavor, but the film seems to be focused not on marking the precise year but depicting an era or time. Do stay for the amusing end credits which show a veritable Noah's Ark of animals in their glory.
Liam Neeson is very good as the obsessed scientist who tries to conduct meaningful, quantifiable research while reconciling the emotional toll on his marriage and his friendships. Laura Linney is in fine form as the supportive wife who observes and then participates in her husband's venture.
As his research assistants, Timothy Hutton, Chris O'Donnell, and Peter Sarsgaard round out a very strong ensemble cast. In fact, these fine actors are almost wasted in supporting roles. John Lithgow is pitch perfect as Kinsey's cruel, insensitive father. There is a nice, near cameo appearance by Lynn Redgrave (Gods and Monsters) as the last interview of Kinsey, and she resonates in her brief appearance.
In keeping with the subject matter, there is graphic dialogue and sexual depictions, but there is nothing exploitive or without narrative purpose here. It is interesting to note that this film is coming on the heels of a moralistic backlash of media content and permissiveness. By showing how well-intended human studies into formerly taboo subjects helped to enlighten and reexamine human behavior, Kinsey proves to be the right film for the right time.