A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Victor Novarski reaches JFK airport from a politically unstable country. Due to collapse of his government, his papers are no longer valid in the airport, and hence he is forced to stay in the airport till the war cools down. He makes the airport his home and develops a friendship with the people who work there until he finally has to leave. Written by
Although Viktor comes from the fictional country of Krakozhia, the language he speaks in the movie is Bulgarian. The written material shown (the Fodor's guide and the magazine page with the jazz greats) is in bad Russian. The label on the Planters peanuts can is neither in Bulgarian nor in Russian. Viktor's driving license is issued in Homel, Republic of Belarus, and has a woman's name on it (written in Cyrillic) - Gulnara Gulina. It was a real license provided by a real Gulnara Gulina, a woman from Belarus who was working in American movie industry, although the license, issued in 1995, was already invalid at the time of filming. The filmmakers just added Viktor Navorski's name in English and his photo. See more »
When Amelia is giving Victor his emergency visa, he takes it in the first shot, then in the second shot, Amelia has it and is giving it to him again. See more »
United Airlines announcing the arrival of Flight 9435 from Beijing. Customer service representative, please report to gate C42.
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The opening credits are spelled out on the tumblers of the flight schedule boards. See more »
I liked The Terminal. I liked all of the people and all of the situations.
Most people who saw this liked the minor characters especially Gupta who took particular delight in watching people slide on his wet floor.
That was fine, but not to be difficult I liked the courtship between the very shy but proper food delivery person and the immigration official better. Navorski was kind gentle and wise as acting as their Cyrano. He neither fell in love with nor did he take advantage of her.
The Terminal is a romance in the tradition of (say) Picnic. As a teenage, I watched with envy as William Holden easily courted a beautiful, vulnerable younger Kim Novac. What did it matter that he was old enough to be her father? The girls in movie houses still drooled over him and wished they were her.
So with this. Most male reviewers take exception to Zeta Jones in The Terminal. Much more sophisticated these days. Pity. She was actually quite good. She was like the little Mermaid: much of what she conveyed could not be done with her voice. The same thing with the Zeta Jones character: everything she said had to be done with her eyes and tears. She knows Navorski's value. She knows his character and how good he is. She wants him and is certain he wants and deserves her, but she knows that sooner or later she will betray him and that would devastate him. She knows herself so well that she feels unworthy of him. She cannot betray such a good and honorable man. What then does that make her? Is she any less honorable and worthy? Should she be any less desirable for the boys than William Holden for the girls?
This film is not Schindler's List. But it's not Beach Blanket Bingo either. It is a wonderful character study well worth seeing.
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