A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Viktor Navorski, a man from an Eastern European country arrives in New York. However after he left his country war broke out. Suddenly Navorski is a man without a country - or one that the U.S. cannot recognize, thus he is denied entrance to the U.S. However, he also can't be deported so he is told by the Security Manager that he has to remain in the airport until his status can be fixed. And also Navorski doesn't speak English very well, so he cannot talk to or understand anyone. But he somehow adapts and sets up residence in the airport, which makes the man who placed him there unhappy, as it seems he is in line for a promotion but Navroski's presence might complicate that. So he tries to get Navorski to leave but Navorski remains where he is. Navorski makes friends with some of the people who work in the airport and is attracted to a flight attendant he runs into whenever she comes in. Written by
Bernie Mac was considered for a role, but had to pull out due to a scheduling conflict. See more »
When Amelia is stopped in immigration, Viktor waits for her by the gate. However, she must pass through the gate, which is in the international area where Viktor is allowed, to reach the immigration hall. Amelia should get off the aircraft and come through the gate. See more »
United Airlines announcing the arrival of Flight 9435 from Beijing. Customer service representative, please report to gate C42.
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SPOILER: In the closing credits, the names of the production staff and prominent cast are the person's actual signature, rather than the standard block print used in the remainder of the credits. This follows with the secondary plot of Victor trying to get the last signature for the memory of his deceased father. See more »
I liked The Terminal. I liked all of the people and all of the situations.
Most people who saw this liked the minor characters especially Gupta who took particular delight in watching people slide on his wet floor.
That was fine, but not to be difficult I liked the courtship between the very shy but proper food delivery person and the immigration official better. Navorski was kind gentle and wise as acting as their Cyrano. He neither fell in love with nor did he take advantage of her.
The Terminal is a romance in the tradition of (say) Picnic. As a teenage, I watched with envy as William Holden easily courted a beautiful, vulnerable younger Kim Novac. What did it matter that he was old enough to be her father? The girls in movie houses still drooled over him and wished they were her.
So with this. Most male reviewers take exception to Zeta Jones in The Terminal. Much more sophisticated these days. Pity. She was actually quite good. She was like the little Mermaid: much of what she conveyed could not be done with her voice. The same thing with the Zeta Jones character: everything she said had to be done with her eyes and tears. She knows Navorski's value. She knows his character and how good he is. She wants him and is certain he wants and deserves her, but she knows that sooner or later she will betray him and that would devastate him. She knows herself so well that she feels unworthy of him. She cannot betray such a good and honorable man. What then does that make her? Is she any less honorable and worthy? Should she be any less desirable for the boys than William Holden for the girls?
This film is not Schindler's List. But it's not Beach Blanket Bingo either. It is a wonderful character study well worth seeing.
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