The pediatrician Alexandre Beck misses his beloved wife Margot Beck, who was brutally murdered eight years ago when he was the prime suspect. When two bodies are found near where the corpse... See full summary »
Samuel Pierret (Gilles Lellouche) is a nurse who saves the wrong guy -- a thief (Roschdy Zem) whose henchmen take Samuel's pregnant wife (Elena Anaya) hostage to force him to spring their ... See full summary »
In the underbelly of the Parisian criminal world, the Police are frustrated by a gang committing a series of violent robberies. Leo Vrinks and Denis Klein are two cops seeking promotion, ... See full summary »
It tells the story of Yann Kermadec whose dreams suddenly come true when he has to replace the DCNS star skipper at the last minute before the start of the Vendée Globe (a round-the-world ... See full summary »
A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
Juan José Campanella
France, present day. A professional conman passes himself off as the boss of a construction site building a highway extension. He cons the whole region, hires dozens of workers and ... See full summary »
The pediatrician Alexandre Beck misses his beloved wife Margot Beck, who was brutally murdered eight years ago when he was the prime suspect. When two bodies are found near where the corpse of Margot was dumped, the police reopen the case and Alex becomes suspect again. The mystery increases when Alex receives an e-mail showing Margot older and alive. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The rider being announced at the equestrian show late in the movie is called Hervé de Luze which is the name of the editor of the movie. See more »
Early on in the film at a show jumping scene, the announcer says the video screen shows the rider winning at the European championships, but the video shows the rider jumping over jumps with the Olympic logo on them. See more »
A solid, entertaining and mostly well-crafted thriller
Tell No-One turns out to be a rather good French thriller and a distinct improvement on actor-director Guillaume Canet's first directorial effort Mon Idole. The early overhead shots of a couple driving through the countryside summon up echoes of Red Lights, Harry, He's Here to Help/With a Friend Like Harry and The Vanishing in particular (though the film doesn't really match up to them, at least his influences are impeccable) as it sets up the back-story that sees Francois Cluzet's wife murdered. Fast forward eight years and the good doctor is still suspected by the police, especially when two bodies are unearthed near the murder scene that threaten his alibi. And then there's an email he receives with what looks like live footage of his very much alive wife...
There's a good supporting cast - a mostly excellent Andre Dussolier as the antagonistic father-in-law, Jean Rochefort showing once again that he's a much better actor when he doesn't dye his hair to look younger, Nathalie Baye as a razor-sharp lawyer, 36 Quai des Orfevres director Olivier Marchal as a vicious hood and even a less-autopilot-than-usual Kristin Scott-Thomas (maybe she should just stick to French-language parts?) - and it's a surprise to see Luc Besson's Europa films making something so bourgeois that doesn't involve free-running or martial arts for a change, although there is one excellent chase sequence and a vicious female thug to keep his core constituency happy.
If it has a problem - apart from one credulity-straining moment near the end regarding motivation that isn't so much a plot-hole as the Channel Tunnel - it's that at the end of the day, it's JUST a thriller. There aren't enough lingering questions throughout the movie or any real attempt to create doubt as to whether the hero may really have murdered his wife as the police and media still suspect. The twists are satisfying enough but no great revelations, and it's a disappointment that it finds itself forced into an Irving-the-Explainer ending where the plot is explained at gunpoint. Yet despite the lack of depth, it's a satisfyingly well-executed thriller, and if that's enough for you, you could do a lot worse with two hours of your time. Oh yes, and the eagle-eyed can spot one of French producer Christophe Rossingnon's sporadic blink-and-you'll-miss-it cameos as a cop.
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