| Vanessa Paradis | ... | Concia | |
| Jason Flemyng | ... | James Bataille | |
| Benoît Poelvoorde | ... | Allan Chiasse | |
| Jean-Pierre Marielle | ... | Bosco | |
| Venantino Venantini | ... | Matt Kelso | |
| Vincent Tavier | ... | Chef Brody | |
| Bouli Lanners | ... | Chip | |
| Jacky Lambert | ... | Dips | |
| Dominique Bettenfeld | ... | Peter Cheval | |
| Mar Sodupe | ... | Kitty | |
| Vincent Belorgey | ... | Boon / Ricardo Bello-Radio Skotlett | |
| Daniel Cohen | ... | Peintre | |
| Gaëtan Chataigner | ... | Un membre des Perros Negros | |
| Federico Pellegrini | ... | Un membre des Perros Negros / Le narrateur | |
| Stéphane Louvain | ... | Un membre des Perros Negros | |
| Laurent Allinger | ... | Un membre des Perros Negros | |
| Olivier Champain | ... | Musicien de Concia | |
| Eric Piffeteau | ... | Musicien de Concia | |
| Didier Poiraud | ... | Musicien de Concia | |
| Alfredo Amaral | ... | Le Mexicain dans son camion | |
| rest of cast listed alphabetically: | |||
| Cláudia Aguizo | ... | Extra (uncredited) | |
Directed by | |||
| Didier Poiraud | |||
| Thierry Poiraud | |||
Writing credits(in alphabetical order) | ||
| Jean-Phillippe Dugand | ||
| Marie Garrel Weiss | ||
| Didier Poiraud | ||
| Thierry Poiraud | ||
| Vincent Tavier | ||
Produced by | |||
| Chloé Désiré | .... | assistant producer | |
| Alfred Hürmer | .... | line producer | |
| Matthew Justice | .... | co-producer | |
| Nicolas Leclercq | .... | executive producer | |
| Nicolas Leclercq | .... | producer | |
| Emanuelle Lepers | .... | producer | |
| Claude Letessier | .... | executive producer | |
| Gereon Sommerhauser | .... | co-producer | |
Original Music by | |||
| The Little Rabbits | |||
Cinematography by | |||
| Philippe Le Sourd | |||
Film Editing by | |||
| Mario Battistel | |||
Casting by | |||
| Emma Skowronek | |||
| Patrícia Vasconcelos | |||
Art Direction by | |||
| Yann Megard | |||
Set Decoration by | |||
| Nathalie Roubaud | |||
Makeup Department | |||
| Christophe Chabenet | .... | special makeup effects artist | |
| Jacques-Olivier Molon | .... | special makeup effects artist | |
| Linda Mooney | .... | hair designer | |
| Linda Mooney | .... | makeup designer | |
| John Nollet | .... | hairdresser: Vanessa Paradis | |
| Gilles Rossire | .... | special makeup effects artist | |
| Erwan Simon | .... | special makeup effects artist | |
Production Management | |||
| Daniel Baschieri | .... | production manager | |
| Dimitri Billecocq | .... | unit manager | |
| Laura Einmahl | .... | unit manager: Germany | |
| Anne Lessnick | .... | production manager | |
| Frédéric Sobczak | .... | unit production manager | |
| Joana Synek | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Franck Gauthier | .... | second assistant director | |
| Corinne Le Hong | .... | second assistant director | |
| Ângela Sequeira | .... | second assistant director | |
Art Department | |||
| Pedro Cardona | .... | art department assistant | |
| Birgit Esser | .... | assistant art director: Cologne | |
| Petra Klimek | .... | property master | |
| Joachim Monninger | .... | construction manager: Cologne | |
| Paulo Routier | .... | assistant art director | |
| Thorsten Sabel | .... | set decorator: Cologne | |
| Volker Schäfer | .... | art director: Cologne | |
| Dagmar Wessel | .... | set dresser | |
Sound Department | |||
| Xavier Bonneyrat | .... | sound editor | |
| Christophe Bourreau | .... | foley artist | |
| Gregoire Couzinier | .... | supervising sound designer | |
| Thomas Couzinier | .... | supervising sound designer | |
| Geraldine Falieu | .... | dialogue editor | |
| Alex Hudd | .... | sound consultant: dolby | |
| Guillaume Le Bras | .... | boom operator | |
| Nicolas Le Messurier | .... | sound re-recording mixer | |
| Vincent Mauduit | .... | foley editor | |
| Vincent Mauduit | .... | foley recordist | |
| Vincent Milner | .... | assistant foley artist | |
| Brendan Nicholson | .... | sound re-recording mixer | |
| Yves-Marie Omnes | .... | boom operator | |
| Brigitte Taillandier | .... | sound | |
Special Effects by | |||
| Gavinho Antonio | .... | special effects assistant | |
| Noel Chainbaux | .... | special effects assistant | |
| Olivier Marais | .... | special effects crew | |
| Fabien Micallef | .... | research & development | |
| Julien Poncet de la Grave | .... | special effects supervisor | |
| Romain Rosier | .... | special effects technician | |
| Hervé Theron | .... | research & development | |
| Christophe Verspieren | .... | research & development | |
| Patrick Waldmann | .... | special effects crew | |
Visual Effects by | |||
| Johnny Alves | .... | digital artist | |
| Florent Andorra | .... | creature technical director: BUF | |
| Simon Cozens | .... | visual effects editor | |
| Yann De Cadoudal | .... | digital artist | |
| Sonia Holst | .... | visual effects coordinator: Buf Compagnie | |
| Sebastien Le Neve | .... | digital artist | |
| Bertrand Levallois | .... | visual effects producer | |
| Anh Tu Mai | .... | digital artist: BUF | |
| Geoffrey Niquet | .... | visual effects supervisor | |
| Lucas Salton | .... | digital artist: BUF | |
| David Verbeke | .... | digital artist | |
| Raphael Zito | .... | visual effects artist | |
Stunts | |||
| Olessia Bessarab-Dron | .... | stunt double | |
| Rémi Canaple | .... | assistant stunt coordinator | |
| Rémi Canaple | .... | stunts | |
| Alexandre Cauderlier | .... | stunt double | |
| Patrick Cauderlier | .... | stunt coordinator | |
| Yan Dron | .... | stunt double: Jason Flemyng | |
Camera and Electrical Department | |||
| Julian Bucknall | .... | first assistant camera | |
| Hugo Espirito Santo | .... | electrician | |
| Guy Ferrandis | .... | still photographer | |
| Rossi Handsley | .... | grip | |
| António Milheiro | .... | gaffer | |
| Daniel Neves | .... | second assistant camera | |
| Bruno Ramos | .... | second assistant camera | |
| Stephan Rother | .... | rigging gaffer | |
| Joao Vagos | .... | video assist operator | |
Costume and Wardrobe Department | |||
| Eduarda Almas | .... | wardrobe: Germany | |
Editorial Department | |||
| Giles Gardner | .... | first assistant editor | |
| Vincent Marchand | .... | second assistant editor | |
| Jason Wheeler | .... | negative cutter | |
Music Department | |||
| Jim Waters | .... | music supervisor | |
Other crew | |||
| Frederic Ansaldo | .... | production assistant | |
| Tanya Blumstein | .... | dialogue coach: Jason Flemyng | |
| Caspar Heider | .... | production assistant | |
| Cécile Lebreton | .... | production assistant | |
| Marie Leconte | .... | script supervisor | |
| Vincent Lefeuvre | .... | production assistant | |
| Philippe Lévy | .... | production accountant | |
| Emilie Maison | .... | press attache france | |
| Yann Megard | .... | assistant art designer | |
| Ira Zloczower | .... | production executive | |
Thanks | |||
| Jean Yanne | .... | dedicatee | |
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| Bon voyage | The Interpreter | Nowhere | Samuel Fuller's Street of No Return | The Phantom of the Opera |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb France section |
Atomik Circus is a crazy mix of comedy, musical, sci-fi and horror which, despite some great effects and a good deal of imagination, ultimately fails due to a poorly developed script and some bad pacing. The movie takes so long in introducing its offbeat characters that an hour passes before anything very interesting happens; by then, there isn't enough time left to develop a decent plot or even fit in a satisfying ending.
Jason Flemyng play James Battle, a stuntman who is jailed when a disastrous motorcycle jump results in the destruction of the Sam Paradiso bar, owned by Bosco, influential citizen of Skotlett, a backwater town inhabited mostly by weirdosbut also by Concia (Vanessa Paradis), Bosco's daughter and girlfriend of James.
Enter sleazy impresario Alan Chiasse (Benoit Poelvoorde) who pretends to be interested in promoting Concia's musical career, but who is really only interested in getting into her pants. As Alan is trying his best to seduce Concia, James is doing his utmost to reach his woman, having busted out of prison.
When James finally arrives at Skotlett, he not only finds his girl being pawed at by sleaze-bag Alan, but he also discovers that the town is under attack from face sucking tentacled creatures from another dimension.
The film only really gets going at this point, and it is here that we witness some great CGI monsters and lashings of gore, as the Lovecraftian beasts dismember and decapitate the helpless inhabitants of Skotlett. If the first 60 minutes had contained some of this crazy OTT action, I would have no hesitation in recommending Atomik Circus to fans of bizarre cinema; however, no amount of gore in the closing moments can make up for the tedious and disjointed first hour.
And the ending is just downright bizarre....