Aviva is thirteen, awkward and sensitive. Her mother Joyce is warm and loving, as is her father, Steve, a regular guy who does have a fierce temper from time to time. The film revolves around her family, friends and neighbors.
Ira is a nervous playwright waiting and hoping to succeed with his art, which he takes it very seriously. But following his dreams and ambitions isn't something easy to do, specially when ... See full summary »
A fable of innocence: thirteen-year-old Aviva Victor wants to be a 'mom'. She does all she can to make this happen, and comes very close to succeeding, but in the end her plan is thwarted by her sensible parents. So she runs away, still determined to get pregnant one way or another, but instead finds herself lost in another world, a less sensible one, perhaps, but one pregnant itself with all sorts of strange possibility. She takes a road trip from the suburbs of New Jersey, through Ohio to the plains of Kansas and back. Like so many trips, this one is round-trip, and it's hard to say in the end if she can ever be quite the same again, or if she can ever be anything but the same again. Written by
Sujit R. Varma
When 'Judah' Aviva Victor and Judah are lying in bed, between shots the bedsheets move from covering their waist, to up to their necks. See more »
Mama Sunshine Aviva:
Last year, our special daughter Nainika ran away and... she didn't even have any legs. She wanted to return to her birthplace in India. Poor child. She didn't even make it as far as India, Tennessee.
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Obviously the film isn't for everyone and anyone who has seen Happiness or Welcome to the Dollhouse knows what they're in for. The film sat well with me though.. far from the sadistic gut-kickings of Happiness, the characters here are broken softly and with great sadness. The subject matter of the film will turn many people off (violently), but the actual execution I found inoffensive, and a worthwhile trip. I'm convinced that Mark Weiner's reappearance at the end of the film is a stand-in for Solondz himself, as he dryly confirms that he is not a pervert, and is in return told by the protagonist that he is too passionless to be a pervert. There's more soul searching in this film than misanthropy and it's a positive turn for the director.
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