| Scott Glenn | ... | Eli 'Pappy' Chandler | |
| Arija Bareikis | ... | Kathleen Chandler | |
| Robert Sean Leonard | ... | Jesse Chandler | |
| Melinda Dillon | ... | Gran Chandler | |
| Logan Lerman | ... | Luke Chandler | |
| Audrey Marie Anderson | ... | Tally Spruill | |
| Geoffrey Lewis | ... | Mr. Spruill | |
| Pablo Schreiber | ... | Hank Spruill | |
| Michael Shamus Wiles | ... | Stick Peters | |
| Luis Garcia | ... | Cowboy (as Luis Esteban Garcia) | |
| Miguel Pérez | ... | Miguel | |
| Diane Delano | ... | Mrs. Spruill | |
| Lucas Elliot Eberl | ... | Trot Spruill | |
| Sean Jones | ... | Bo Spruill | |
| Richard Crowe | ... | Mr. Latcher | |
| Neva Howell | ... | Mrs. Darla Latcher | |
| Liz Byler | ... | Libby Latcher | |
| Donna Denley | ... | Mrs. Watson | |
| Don Pirl | ... | Mr. Watson | |
| Silas Weir Mitchell | ... | Jimmy Dale | |
| Kiersten Warren | ... | Stacy Dale | |
| John Boyd West | ... | Jackie Moon | |
| rest of cast listed alphabetically: | |||
| Cody Block | ... | Percy Latcher (uncredited) | |
| John Grisham | ... | Narrator (voice) (uncredited) | |
| Carlos Moreno Jr. | ... | Voice (uncredited) | |
| Caroline Scott | ... | Town girl (uncredited) | |
Directed by | |||
| Alfonso Arau | |||
Writing credits | ||
| Patrick Sheane Duncan | (teleplay) | |
| John Grisham | (novel) | |
| John Grisham | ||
Produced by | |||
| Cameron Johann | .... | associate producer | |
| Brent Shields | .... | co-executive producer | |
| Richard Welsh | .... | executive producer | |
| Gordon Wolf | .... | line producer | |
Original Music by | |||
| Ruy Folguera | |||
Cinematography by | |||
| Xavier Pérez Grobet | (director of photography) (as Xavier Perez Grobet) | ||
Film Editing by | |||
| Scott Vickrey | |||
Casting by | |||
| Lynn Kressel | |||
Production Design by | |||
| Edward Pisoni | |||
Art Direction by | |||
| Linwood Taylor | |||
Set Decoration by | |||
| Cynthia La Jeunesse | (as Cynthia M. LaJeunesse) | ||
Costume Design by | |||
| Hope Hanafin | |||
Makeup Department | |||
| Angela Levin | .... | key makeup artist | |
| Alicia M. Tripi | .... | head hair stylist (as Alicia Tripi) | |
| Sandy Jo Johnston | .... | makeup artist (uncredited) | |
| Beka Wilson | .... | hair stylist (uncredited) | |
Production Management | |||
| Andrea Lapins | .... | post-production supervisor | |
| Gordon Wolf | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Donald P.H. Eaton | .... | first assistant director (as Donald Eaton) | |
| Lynn Wegenka | .... | second assistant director | |
| John R. Saunders | .... | second second assistant director (uncredited) | |
Art Department | |||
| Thomas Michael Ryan | .... | general foreman | |
| John Sanders | .... | property master | |
| Jeffrey Schlatter | .... | construction coordinator | |
| Dave Kennedy | .... | painter (uncredited) | |
| Keith Wall | .... | prop buyer (uncredited) | |
Sound Department | |||
| John Benson | .... | supervising sound effects editor | |
| Kevin Patrick Burns | .... | sound re-recording mixer (as Kevin Burns) | |
| Itzhak Magal | .... | production sound mixer | |
| Todd Orr | .... | sound re-recording mixer | |
| Ryan Darden | .... | assistant sound editor (uncredited) | |
| Matt Dubin | .... | mixing recordist (uncredited) | |
| Carey Milbradt | .... | foley mixer (uncredited) | |
Special Effects by | |||
| Walter Kiesling | .... | special effects supervisor | |
| Michael Schorr | .... | special effects coordinator (as Mike Shorr) | |
Visual Effects by | |||
| Robert D. Bailey | .... | visual effects supervisor | |
| David Emerson | .... | optical and digital line-up (uncredited) | |
| Michelle Massie | .... | visual effects production manager (uncredited) | |
| Chris Zapara | .... | visual effects (uncredited) | |
Stunts | |||
| Steven Lambert | .... | stunt coordinator (as Steve Lambert) | |
| Brian Avery | .... | stunts (uncredited) | |
| Mark De Alessandro | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Rob Chidester | .... | grip | |
| Eddie Evans | .... | key grip | |
| Mike Moyer | .... | chief lighting technician | |
| Steve Anderson | .... | dolly grip: "a" camera (uncredited) | |
| Henry Cline | .... | camera operator (uncredited) | |
| David J. Duren | .... | electrician (uncredited) | |
| Tracy Facelli | .... | film loader (uncredited) | |
| Lisa Guerriero | .... | second assistant camera: "a" camera (uncredited) | |
| Jeremy Kirkland | .... | video assistant (uncredited) | |
| Kevin B. May | .... | electrician (uncredited) | |
| Darryl Wilson | .... | rigging key grip (uncredited) | |
| Jeff Wolf | .... | director of photography: second unit (uncredited) | |
Casting Department | |||
| Jo Doster | .... | location casting | |
| Kathleen Tomasik | .... | casting associate | |
Costume and Wardrobe Department | |||
| Jennifer Jobst | .... | costume supervisor | |
| Rachel Myers | .... | costume assistant | |
| Jim Alan Cook | .... | costumer (uncredited) | |
| Karan Doherty | .... | costumer (uncredited) | |
| L. Kellie Hicks | .... | on-set costumer (uncredited) | |
| Alexa M. Stone | .... | assistant costume designer: Los Angeles (uncredited) | |
Editorial Department | |||
| Tristan M. Brighty | .... | assistant editor (as Tristan Brighty) | |
| Scott Ostrowsky | .... | mastering colorist | |
Music Department | |||
| Gustavo Borner | .... | music editor | |
| Gustavo Borner | .... | scoring mixer (uncredited) | |
Transportation Department | |||
| Donald Binder | .... | driver | |
| Monte Emery | .... | picture car department | |
| Shane Summers | .... | transportation coordinator | |
| Tom Moore | .... | transportation captain (uncredited) | |
Other crew | |||
| Paul D. Boydston | .... | location manager (as Paul Boydston) | |
| Wayne Damore | .... | script supervisor | |
| Gregory Gray | .... | production secretary | |
| Carol Kravetz | .... | production coordinator | |
| Wendy Price | .... | production accountant | |
| Brian Deas | .... | stand-in (uncredited) | |
| Melissa Elliott | .... | title designer (uncredited) | |
| Johanna Klingenberger | .... | payroll master (uncredited) | |
| Kim McCray | .... | production assistant (uncredited) | |
| Carlos Moreno Jr. | .... | voice looping (uncredited) | |
| Joel T. Rose | .... | production assistant (uncredited) | |
| Jarin Rossiter | .... | production office assistant (uncredited) | |
| Jason Speck | .... | production team (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| I have to admit .... | hnasc |
| Will this ruin my love for the book??? | AuntMarie22 |
| Luke's hair | goleafsgo27 |
| Hank?? | larsjenzen |
| Narrator's voice? | EMcTx |
| If you could recast the movie... | blekitek |
|
|
|
|
|
| The Southerner | The Egg and I | Love Comes Softly | Our Daily Bread | Revolutionary Road |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
In Arkansas during the Korean War, 10-year-old Luke Chandler lives with his parents and grandparents on a farm where cotton is the primary crop. To pick the cotton, the family must hire 'hill people' and Mexicans. The hill people do not get along particularly well with those who look down on them, and sometimes they get into fights. Hank Spruill is especially prone to getting in trouble. One day in the house, he makes demands of Luke and, figuring Luke looks down on him, points out that at least his house is painted, while to Luke's family, paint is a luxury. Later in the movie, part of the house has been mysteriously painted. The prime suspect is Hank's disabled brother Trot, who can't work in the fields.
Luke witnesses a fight Hank gets into that results in a death. He is afraid to tell the truth since Hank doesn't like him anyway, but the police officer who investigates appears satisfied with the explanation of self-defense. Hank's teenage sister appears to be falling for Luke at first, but later she is seen with Cowboy, one of the Mexicans, and Hank already despises Cowboy.
The hard life on the farm is made even worse by several weather events during the second half of the movie. The promise of better times ahead is suggested when Luke's cousin shows up in a brand new Buick (Luke has never even been in a car, only trucks). His spoiled rich wife can't believe people have to live like this and is horrified by having to use an outhouse (This was one of my favorite scenes; Kiersten Warren is so good in roles like this). Also, the whole town is excited by a new thing called television and the idea of actually being able to watch the World Series. Luke is a Cardinals fan, but he gives up his dream of a Cardinals jacket for something more important.
This is almost a family movie. There are two violent scenes that result in deaths (both witnessed by Luke; the second time, the person responsible threatens Luke's mother if he tells). People get into fights a lot in this environment, but the others are no big deal. Other possible red flags for parents: the birth of a child to an unwed mother, and the identification of a possible father. Other than these incidents, this movie could be acceptable viewing for the entire family.
This movie was well done, and I thought the performances by many of the actors were good. I especially liked Luke's grandfather, who could be stern but tender. Not everyone has an easy life, and those of us who had it too soft can learn a lot from a movie such as this.