Nicholas Van Orton is a very wealthy San Francisco banker, but he is an absolute loner, even spending his birthday alone. In the year of his 48th birthday (the age his father committed ... See full summary »
Deborah Kara Unger,
With the help of a mysterious pill that enables the user to access 100 percent of his brain abilities, a struggling writer becomes a financial wizard, but it also puts him in a new world with lots of dangers.
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
For his final assignment, a top temporal agent must pursue the one criminal that has eluded him throughout time. The chase turns into a unique, surprising and mind-bending exploration of love, fate, identity and time travel taboos.
Trevor Reznik is a machinist in a factory. An extreme case of insomnia has led to him not sleeping in a year, and his body withering away to almost nothing. He has an obsessive compulsion to write himself reminder notes and keep track of his dwindling weight, both scribbled on yellow stickies in his apartment. The only person he lets into his life in an emotional sense is Stevie, a prostitute, although he has an infatuation with Maria, a single mother waitress working in an airport diner. His co-workers don't associate with and mistrust him because of not knowing what is going on in his life that has led to his emaciated physical appearance. A workplace incident further alienates him with his coworkers, and in conjunction with some unfamiliar pieces of paper he finds in his apartment, Trevor believes that someone or some people - probably one or some of his coworkers - are out to get him, using a phantom employee named Ivan as their front. As Trevor goes on a search for evidence as to... Written by
"The Machinist" demonstrates that "Session 9" wasn't the only creepy thriller that Brad Anderson could do.
While M. Night Shyamalan and commercial fare like "The Grudge" get the attention and the big bucks, Anderson is quietly mastering disturbing, psychologically scary shockers. While the previous movie took advantage of our imaginations leaping around a spooky environment, "The Machinist" makes our discomfort palpably visual in Christian Bale's painful to look at body, as his character is ravaged by insomnia and loss of appetite; by the end of the movie it's shocking to see his normally handsome face.
But all the focus on his astounding weight loss takes away from the other elements in the almost black and white film that make it a scare fest. The movie establishes "The Twilight Zone" mood immediately with the soundtrack, which includes generous use of the theremin, as Hitchcock did in "Psycho." The production design is excellent at supporting the mood.
The suspense builds and is sustained through to the satisfying conclusion as you genuinely get involved in Bale's efforts to solve the increasingly mysterious happenings around him. Even though you are pretty sure he could be hallucinating, you are intrigued to figure out the trigger.
Despite looking like a caricature of a Holocaust victim, Bale creates a full character, from the jocular male camaraderie of the factory where he doesn't quite seem to fit in to responding one beat off to the warmth of the two women in his life, a waitress and a prostitute with the an open heart of gold (played, as usual by Jennifer Jason Leigh, but effectively languid).
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