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The Machinist (2004)

R  |   |  Drama, Thriller  |  17 December 2004 (Spain)
7.7
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Ratings: 7.7/10 from 245,884 users   Metascore: 61/100
Reviews: 443 user | 202 critic | 32 from Metacritic.com

An industrial worker who hasn't slept in a year begins to doubt his own sanity.

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Cast

Cast overview, first billed only:
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Jackson (as Larry Gilliard)
Reg E. Cathey ...
Jones
...
Mrs. Shrike
Matthew Romero Moore ...
Nicholas (as Matthew Romero)
Robert Long ...
Supervisor Furman
...
Inspector Rogers
...
Tucker
Ferran Lahoz ...
Gonzales
...
Evangelisti
Norman Bell ...
DMV Clerk
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Storyline

Trevor Reznik is a machinist in a factory. An extreme case of insomnia has led to him not sleeping in a year, and his body withering away to almost nothing. He has an obsessive compulsion to write himself reminder notes and keep track of his dwindling weight, both scribbled on yellow stickies in his apartment. The only person he lets into his life in an emotional sense is Stevie, a prostitute, although he has an infatuation with Maria, a single mother waitress working in an airport diner. His co-workers don't associate with and mistrust him because of not knowing what is going on in his life that has led to his emaciated physical appearance. A workplace incident further alienates him with his coworkers, and in conjunction with some unfamiliar pieces of paper he finds in his apartment, Trevor believes that someone or some people - probably one or some of his coworkers - are out to get him, using a phantom employee named Ivan as their front. As Trevor goes on a search for evidence as to... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

How do you wake up from a nightmare, if you're not asleep? See more »

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence and disturbing images, sexuality and language | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

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Release Date:

17 December 2004 (Spain)  »

Also Known As:

El maquinista  »

Filming Locations:


Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend:

$64,661 (USA) (22 October 2004)

Gross:

$1,082,044 (USA) (25 March 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (TV)

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

While Trevor is riding Route 666, one shot reveals a sign overhead that reads "Crime and Punishment", the Dostoevsky novel about a guilty man who attempts to justify his innocence. This also provides the bookend, if you will, to Trevor's home reading, The Idiot, which is Dostoevsky's examination of an innocent man who others lure into their webs of corruption and which has a very surprising and climatic ending; thus foreshadowing the movie's own ending. The movie also has similarities to Dostoevsky's "The Double", which contains a character that appears and begins to ruin the protagonist's life. The doppelganger turns out to be a pseudo-schizophrenic manifestation of the protagonist's less desirable characteristics. See more »

Goofs

The same RV that is in front of Miller's house, is used in another scene, where Trevor is exiting the tunnel, and nearly hits an RV. It is the same RV. See more »

Quotes

[first lines]
Ivan: Who are you?
See more »

Connections

Featured in The Machinist: Breaking the Rules (2005) See more »

Soundtracks

After Hours
Written by Tommy Carter
(c) British Audio Cathalogue
Authorised by Konga Music, S.L., exclusive subpublisher for Spain
All rights reserved
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A strong mood piece, but not for everyone
29 October 2004 | by (Canada) – See all my reviews

There are many good things about The Machinist that are well deserving of praise. The very atmospheric nature of the film is supported very strongly by excellent performances all around. Christian Bale takes things to the extreme in his embodiment of his character. It is hard to take seeing him in his near-starvation body mass, which elevates the tension of this piece even further. The storyline leaves a little to be desired. While it creates its mood excellently, it does tend to plod along a little too much.

One thing that does stand out is how reminiscent of Alfred Hitchcock this film plays. Almost everything about the film screams Hitchcock, from the editing of certain scenes (the driving sequences are very much in the style of Psycho) to the Bernard Herrmann-esquire score (lots of bass clarinet), the lack of fully-exploring/revealing some of the creepier points of the film (what is dripping from the fridge?), and the washed out, grainy photography. If you want to see what a film would look like if Hitchcock were alive to film it today, this is the closest thing you could probably come across. And if that was part of Brad Anderson's intention in directing this, I have to commend him on the execution because it is uncanny.

Overall, I would recommend this film, but not to casual movie-goers. This is very much a movie-phile experience for those who appreciate character development and cinematography as much as plot points and a storyline that can be defined and followed from one action to the next. In that way it is closer to films like Magnolia or the Others, where the apex is the characters. If you are looking for a typical popcorn Hollywood thriller, this is not what you are looking for.


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