| Photos (See all 397 | slideshow) | Videos (see all 14) |
Directed by | |||
| Quentin Tarantino | |||
| Eli Roth | (segment "Nation's Pride") (uncredited) | ||
Writing credits | ||
| Quentin Tarantino | (written by) | |
Produced by | |||
| Lawrence Bender | .... | producer | |
| William Paul Clark | .... | associate producer | |
| Christoph Fisser | .... | co-producer (as Cristoph Fisser) | |
| Henning Molfenter | .... | co-producer | |
| Bruce Moriarty | .... | associate producer | |
| Lloyd Phillips | .... | executive producer | |
| Pilar Savone | .... | associate producer | |
| Erica Steinberg | .... | executive producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
| Charlie Woebcken | .... | co-producer (as Carl L. Woebcken) | |
Cinematography by | |||
| Robert Richardson | (director of photography) | ||
Film Editing by | |||
| Sally Menke | |||
Production Design by | |||
| David Wasco | |||
Art Direction by | |||
| Marco Bittner Rosser | |||
| Stephan O. Gessler | (as Stephan Gessler) | ||
| Sebastian T. Krawinkel | (supervising art director) (as Sebastian Krawinkel) | ||
| David Scheunemann | |||
Set Decoration by | |||
| Sandy Reynolds-Wasco | (as Sandy Reynolds Wasco) | ||
Costume Design by | |||
| Anna B. Sheppard | |||
Makeup Department | |||
| Howard Berger | .... | special makeup effects | |
| Jean Ann Black | .... | makeup artist: Mr. Pitt (as Jean Black) | |
| Dörte Eben | .... | hair stylist | |
| Jake Garber | .... | key special makeup effects | |
| Pamela Grujic | .... | key hair stylist | |
| Pamela Grujic | .... | key makeup artist | |
| Emanuel Millar | .... | head of hair department | |
| Gregory Nicotero | .... | special makeup effects supervisor | |
| Andy Schoneberg | .... | special makeup effects | |
| Heba Thorisdottir | .... | head of makeup department | |
| Tamar Aviv | .... | special makeup effects assistant: KNB EFX Group Inc. (uncredited) | |
| Camille Calvet | .... | special makeup effects artist: Mike Myers (uncredited) | |
| Grady Holder | .... | special makeup effects artist: K.N.B. EFX Group (uncredited) | |
| Susanne Kasper | .... | makeup artist (uncredited) | |
| Gary Pawlowski | .... | moldmaker: KNB EFX Group (uncredited) | |
| Fulvio Pozzobon | .... | key hair stylist (uncredited) | |
| Valeska Schitthelm | .... | additional hair stylist (uncredited) | |
| Valeska Schitthelm | .... | additional makeup artist (uncredited) | |
| Katrin Schneider | .... | makeup artist (uncredited) | |
| Jörn Seifert | .... | special makeup effects assistant: KNB EFX Group Inc. (uncredited) | |
| Estelle Tolstoukine | .... | hair stylist (uncredited) | |
| Khanh Trance | .... | hair special effects: KNB EFX Group (uncredited) | |
| Kevin Wasner | .... | makeup designer (uncredited) | |
Production Management | |||
| Tina Anderson | .... | post-production supervisor | |
| Christopher Berg | .... | post-production supervisor: Germany | |
| Philipp Klausing | .... | unit manager | |
| Shannon McIntosh | .... | executive in charge of post-production: The Weinstein Company | |
| Shannon McIntosh | .... | executive in charge of production: The Weinstein Company | |
| Michael Scheel | .... | unit production manager: Germany | |
| Gregor Wilson | .... | unit production manager | |
| Gilles Castera | .... | production manager: France (uncredited) | |
| Arno Neubauer | .... | production manager: splinter unit (uncredited) | |
Second Unit Director or Assistant Director | |||
| Tanja Däberitz | .... | second second assistant director | |
| Carlos Fidel | .... | first assistant director | |
| Noura Leder | .... | crowd assistant director | |
| Jill Moriarty | .... | second second assistant director | |
| Miguel Angelo Pate | .... | second assistant director | |
| Oneil Sharma | .... | third assistant director (as O'Neil Sharma) | |
| Tobias Asam | .... | second assistant director: splinter unit (uncredited) | |
| Delphine Bertrand | .... | assistant director: France (uncredited) | |
| Jerome Borenstein | .... | first assistant director: France (uncredited) | |
| Scott Kirby | .... | first assistant director: splinter unit (uncredited) | |
| Ariane Lacan | .... | second assistant director: France (uncredited) | |
| Guilhem Malgoire | .... | third assistant director (uncredited) | |
| Julien Petit | .... | assistant director: France (uncredited) | |
| Gabriel Roth | .... | additional director (segment "Nation's Pride") (uncredited) | |
Art Department | |||
| Friederike Beckert | .... | store person | |
| Robert Blasi | .... | art department coordinator | |
| Simon-Julien Boucherie | .... | property master (as Simon Boucherie) | |
| Michael Düwel | .... | head of art department: Studio Babelsberg | |
| Marc Fielk | .... | assistant prop master | |
| Dierk Grahlow | .... | construction manager | |
| Markus Hasler | .... | foreman (as Markus 'Hasi' Hasler) | |
| Ingeborg Heinemann | .... | assistant set decorator | |
| Christoph Kettenring | .... | set decoration buyer | |
| Oliver Kuhlmann | .... | standby props (as Oliver 'Kuhli' Kuhlmann) | |
| Matthias Kulewatz | .... | assistant construction manager | |
| Christoph Lanksch | .... | leadman | |
| Andreas Olshausen | .... | standby art director (as Andreas 'Ebbi' Olshausen) | |
| Benjamin Palmer | .... | supervising prop maker (as Ben Palmer) | |
| Petra Pieper | .... | greens person | |
| Sascha Strutz | .... | prop buyer | |
| Joey Weber | .... | set decoration buyer | |
| Tanja Baumgartner | .... | additional art department assistant (uncredited) | |
| Stéphane Cressend | .... | assistant art director (uncredited) | |
| Birka Czassny | .... | construction secretary (uncredited) | |
| Emmanuel Delis | .... | set decorator: France (uncredited) | |
| Axel Eichhorst | .... | concept artist (uncredited) | |
| Sabine Engelberg | .... | set designer (uncredited) | |
| Enzo Enzel | .... | stand-by painter (uncredited) | |
| David R. Evans | .... | poster artist (uncredited) | |
| Michael Fissneider | .... | set designer (uncredited) | |
| Alex Friedrich | .... | prop maker (uncredited) | |
| Jens Gaube | .... | set dresser (uncredited) | |
| Hélène Gourdin Doherty | .... | set decoration assistant (uncredited) | |
| Sebastian Hanusch | .... | assistant stand-by props (uncredited) | |
| Manuel Hess | .... | set dresser (uncredited) | |
| Andreas Horstmann | .... | additional set decoration buyer (uncredited) | |
| Jan Hülpüsch | .... | graphic artist: Schein Berlin (uncredited) | |
| Alexis Imbert | .... | props (uncredited) | |
| Jan Jericho | .... | graphic artist (uncredited) | |
| Robert Krüger | .... | hod painter (uncredited) | |
| Liliana Lambriev | .... | graphic artist: Schein Berlin (uncredited) | |
| Robert Makolies | .... | plaster sculptor (uncredited) | |
| Johanna Muench | .... | modelmaker (uncredited) | |
| Niels Müller | .... | sculptor (uncredited) | |
| Roman Peisger | .... | stand-by carpenter (uncredited) | |
| Daniel Porsdorf | .... | photographer: Schein Berlin (uncredited) | |
| Stephanie Rass | .... | set designer (uncredited) | |
| Robert Reblin | .... | assistant construction manager (uncredited) | |
| Melanie Reichert | .... | construction buyer (uncredited) | |
| Melanie Reichert | .... | construction secretary (uncredited) | |
| Michelle Rose | .... | props coordinator (uncredited) | |
| Judith Rosskoth | .... | assistant set decorator (uncredited) | |
| Steve Summersgill | .... | set designer (uncredited) | |
| Otu Tetteh | .... | props (uncredited) | |
| Alwara Thaler | .... | set decoration shopper (uncredited) | |
| Jacob von Dohnanyi | .... | propmaker (uncredited) | |
| Simon Weisse | .... | model maker (uncredited) | |
| Oliver Wolter | .... | art department assistant (uncredited) | |
Sound Department | |||
| Robert Althoff | .... | sound mix technician | |
| Paul Aulicino | .... | sound effects editor | |
| Gregg Baxter | .... | adr supervisor | |
| Harry Cohen | .... | sound designer | |
| Benjamin Dunker | .... | utility sound technician | |
| Paul Flinchbaugh | .... | assistant sound editor | |
| Hector C. Gika | .... | sound effects editor (as Hector Gika) | |
| Tom Hartig | .... | boom operator | |
| Craig S. Jaeger | .... | foley editor (as Craig Jaeger) | |
| Michael Keller | .... | sound effects editor | |
| Tony Lamberti | .... | sound re-recording mixer | |
| Michael Minkler | .... | sound re-recording mixer | |
| Dror Mohar | .... | assistant sound editor | |
| James Moriana | .... | foley artist (as James M. Moriana) | |
| Nancy Nugent | .... | dialogue editor (as Nancy Nugent Title) | |
| Margit Pfeiffer | .... | dialogue supervisor | |
| Ann Scibelli | .... | sound designer | |
| Branden Spencer | .... | supervising assistant sound editor | |
| Wylie Stateman | .... | supervising sound editor | |
| Mark Ulano | .... | production sound mixer | |
| Brett Voss | .... | foley mixer | |
| Jeffrey Wilhoit | .... | foley artist | |
| David Young | .... | post-production sound engineer (as David M. Young) | |
| Ron Bedrosian | .... | adr mixer (uncredited) | |
| Toby Cohen | .... | additional sound (uncredited) | |
| Martin Gleitze | .... | sound utility (uncredited) | |
| Michael Karl Huber | .... | sound dailies (uncredited) | |
| Carsten Richter | .... | foley artist (segment "Nation's Pride") (uncredited) | |
| Steve Schatz | .... | sound mixing recordist (uncredited) | |
| Fabian Schenk | .... | sound dailies (uncredited) | |
| Hanse Warns | .... | foley mixer (segment "Nation's Pride") (uncredited) | |
Special Effects by | |||
| Gerd Nefzer | .... | special effects supervisor (as Gerd Feuchter) | |
| Uli Nefzer | .... | special effects supervisor | |
| Herbert Blank | .... | special effects foreman (uncredited) | |
| Nils Bleeck | .... | special effects technician: dailies (uncredited) | |
| Jaroslav Bucek | .... | special effects technician (uncredited) | |
| Tom Christ | .... | special effects technician (uncredited) | |
| James Cowley | .... | special effects technician: dailies (uncredited) | |
| Christoph Gartlacher | .... | special effects technician (uncredited) | |
| Markus Geiger | .... | special effects foreman (uncredited) | |
| Joe Giles | .... | special effects technician: mold department, K.N.B. Effects Group (uncredited) | |
| Brian Goehring | .... | special makeup effects crew: mold department K.N.B. EFX Group Inc. (uncredited) | |
| Rolf Hanke | .... | accountant: special effects (uncredited) | |
| Andreas Herberg | .... | special effects technician (uncredited) | |
| Till Hertrich | .... | special effects foreman (uncredited) | |
| Wolfgang Higler | .... | special effects foreman (uncredited) | |
| Sylvio Lienert | .... | special effects assistant (uncredited) | |
| Michael Luppino | .... | special effects foreman (uncredited) | |
| Klaus Mielich | .... | special effects technical & crew coordinator (uncredited) | |
| Gonzalo Outeda Giménez | .... | special effects senior technician (uncredited) | |
| Monty Ploch | .... | special effects assistant (uncredited) | |
| Claudius Rauch | .... | special effects technician (uncredited) | |
| Michael Rudnik | .... | special effects senior technician (uncredited) | |
| Marcus Schmidt | .... | special effects senior pyrotechnician (uncredited) | |
| Jens Schmiedel | .... | special effects senior technician (uncredited) | |
| Jürgen Thiel | .... | special effects senior technician (uncredited) | |
| Thomas Thiele | .... | special effects senior technician (uncredited) | |
| Roland Weder | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Lester Dunton | .... | visual effects cameraman | |
| John Dykstra | .... | visual effects designer | |
| Viktor Muller | .... | visual effects supervisor (as Victor Mueller) | |
| Matt Ashton | .... | senior systems: CIS Hollywood (uncredited) | |
| Elika Burns | .... | roto/paint supervisor: CIS Hollywo (uncredited) | |
| Patrick Clancey | .... | digital opticals (uncredited) | |
| Scott Crafford | .... | paint and rotoscope artist: CIS Hollywood (uncredited) | |
| Michael Dillon | .... | digital intermediate assistant producer (uncredited) | |
| Christopher Dusendschon | .... | digital imaging supervisor: iO FILM (uncredited) | |
| Kelly Fischer | .... | compositor: CIS Hollywood (uncredited) | |
| Donald Fly | .... | general manager: CIS Group (uncredited) | |
| Mathias Frodin | .... | compositor: CIS Hollywood (uncredited) | |
| Amy Garback | .... | effects liaison: CIS Hollywood (uncredited) | |
| Alex Gitler | .... | compositor: CIS Hollywood (uncredited) | |
| Brian Hanable | .... | digital effects compositor: Pacific Title (uncredited) | |
| Joe Henke | .... | digital effects supervisor: CIS Hollywood (uncredited) | |
| Lukas Herrmann | .... | digital matte paint artist (uncredited) | |
| Heather Elisa Hill | .... | visual effects project manager: CIS Hollywood (uncredited) | |
| Brian Holmes | .... | systems engineer: CIS Hollywood (uncredited) | |
| Mark Justison | .... | junior compositor: CIS Hollywood (uncredited) | |
| Gregory D. Liegey | .... | visual effects supervisor: CIS Hollywood (uncredited) | |
| Sean Mattini | .... | digital colorist assist (uncredited) | |
| Katie Miller | .... | coordinator assistant: CIS Hollywood (uncredited) | |
| Robert Minsk | .... | systems: CIS Hollywood (uncredited) | |
| Rodney Montague | .... | visual effects producer (uncredited) | |
| James P. Noon | .... | tracking (uncredited) | |
| Julie Orosz | .... | executive producer: CIS hollywood (uncredited) | |
| Caleb Owens | .... | cg artist: CIS Hollywood (uncredited) | |
| Chris Ryan | .... | cg supervisor: CIS Hollywood (uncredited) | |
| Aaron Schultz | .... | cg artist: CIS Hollywood (uncredited) | |
| Rasha Shalaby | .... | compositor: CIS Hollywood (uncredited) | |
| Prateep Siamwalla | .... | tracking (uncredited) | |
| Ilona Vovchyk | .... | model painter (uncredited) | |
| Xye | .... | tracking (uncredited) | |
| Nina Yoon | .... | paint & rotoscoping artist: CIS Hollywood (uncredited) | |
Camera and Electrical Department | |||
| Juan José Alcaide | .... | senior lighting grip (as Juan Jose Alcaide) | |
| Mithat Baskan | .... | lighting grip | |
| Geraldine Brezca | .... | clapper: "camera angel" | |
| Christian Brubach | .... | truss rigger | |
| Dieter Bähr | .... | key grip | |
| Celio Castro | .... | senior set lighting | |
| Birgit Dierken | .... | first assistant camera: "b" camera (as Birgit 'Bebe' Dierken) | |
| Nicole Dierken | .... | second assistant camera: "b" camera | |
| François Duhamel | .... | still photographer | |
| Matthias Edinger | .... | rigging best boy (as Matthias 'Eddi' Edinger) | |
| Jacob Engel | .... | grip | |
| Jost Engelmayer | .... | set lighting | |
| Sonny Christian Fels | .... | set lighting (as Sonny Fels) | |
| Stefan Förster | .... | genny operator | |
| Harry Groepler | .... | practical electrician (as Harry 'Abu' Groepler) | |
| Sascha Görlich | .... | lighting grip | |
| Oliver Haas | .... | best boy | |
| Dietmar Haupt | .... | rigging gaffer | |
| Dan Jung | .... | set lighting | |
| Ian Kincaid | .... | gaffer (as Ian R. Kincaid) | |
| Thorsten Kosselek | .... | lighting grip (as Thorsten Kosellek) | |
| Patrick Kubat | .... | rigging electrician | |
| Sebastian Lindner | .... | lighting grip | |
| Sebastian Mayer | .... | grip | |
| Jörg Meinert | .... | lighting grip | |
| Sebastian Meuschel | .... | steadicam operator | |
| Roland Moses | .... | rigging electrician (as Roland 'Mo' Modes) | |
| Gero Neumann | .... | second assistant camera: "a" camera | |
| Ilko Petkow | .... | grip | |
| Matthias Pilz | .... | loader | |
| Markus Pluta | .... | best boy grip | |
| Helmut Prein | .... | gaffer: Germany | |
| Christian Rybka | .... | rigging electrician | |
| Till Sadlowsky | .... | genny operator (as Till Sadlowski) | |
| Christian Scheibe | .... | grip | |
| Axel Scholz | .... | set lighting | |
| Gregor Tavenner | .... | first assistant camera: "a" camera | |
| Mike Wächter | .... | dimmer board operator | |
| Uwe Zegnotat | .... | camera trainee | |
| Victor Abadia | .... | electrician (uncredited) | |
| Martin Bartels | .... | assistant video operator (uncredited) | |
| Martin Bartels | .... | video assist operator: splinter unit (uncredited) | |
| Jean-François Drigeard | .... | gaffer: Paris (uncredited) | |
| Manuel Gaspar | .... | best boy: France (uncredited) | |
| Jan Grunwald | .... | additional second assistant camera (uncredited) | |
| Vanessa Guez | .... | additional second assistant camera (uncredited) | |
| Eddie Handschak | .... | video operator: main unit (uncredited) | |
| Kenneth Hunter | .... | photographer: architectural research, Los Angeles (uncredited) | |
| Rafael Jeneral | .... | second assistant camera: splinter unit (uncredited) | |
| Daniel Jopp | .... | lighting technician (uncredited) | |
| Moritz Kaethner | .... | assistant camera (uncredited) | |
| Lars Richter | .... | assistant camera (uncredited) | |
| Leah Striker | .... | camera operator: splinter unit (uncredited) | |
| Bjoern Susen | .... | gaffer: second unit (uncredited) | |
| Christian Wehrle | .... | key video assist (uncredited) | |
| Jörg Widmer | .... | director of photography: splinter unit (uncredited) | |
Casting Department | |||
| Salvadore Brandt | .... | extras casting assistant | |
| Simone Bär | .... | casting: Germany | |
| Olivier Carbone | .... | casting: France | |
| Barbara Harris | .... | adr voice casting | |
| Jenny Jue | .... | casting: US | |
| Alexandra Montag | .... | assistant casting director: Germany | |
| Johanna Ragwitz | .... | extras casting director: Agentur Filmgesichter | |
| Johanna Ray | .... | casting: US | |
| Mathilde Snodgrass | .... | assistant casting director: France | |
| Aurélie Avram | .... | extras casting (uncredited) | |
| Sabrina Donati | .... | casting associate (uncredited) | |
| Patrick Winkler | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Giorgio Armani | .... | costume designer: Brad Pitt's evening attire | |
| Daniela Backes | .... | principal set costumer | |
| Daryl Bristow | .... | costume supervisor | |
| Markus Ernst | .... | military costumer | |
| Brigitte Friedländer-Rodriguez | .... | wardrobe supervisor (as Brigitte Rodriguez) | |
| Christian Goddard | .... | military costumer | |
| Gary Lane | .... | military uniform supervisor | |
| Anna Isabell Logen | .... | personal costumer: Mr. Pitt (as Isabell Logen) | |
| Jenny Lorenz | .... | principal set costumer | |
| Metin Misdik | .... | key principal costumer | |
| Peter Paul | .... | wardrobe master | |
| Meike Schlegel | .... | assistant costume designer | |
| Michelle Wickland | .... | principal costumer | |
| Michelle Wickland | .... | stunt costumer | |
| Jeanette Apel | .... | dress pattern maker (uncredited) | |
| Laurence Caines | .... | key costumer (uncredited) | |
| Brita Hofmann | .... | costume textile artist (uncredited) | |
| Anna Klages | .... | set costumer (uncredited) | |
| Tina-Jane Krohn | .... | costumer (uncredited) | |
| Maja Meschede | .... | costume buyer (uncredited) | |
| Sonia Inés Rocha | .... | assistant textile artist (uncredited) | |
| John Rowe | .... | military costumer (uncredited) | |
| Anja Vesterling | .... | costume textile artist (uncredited) | |
Editorial Department | |||
| Sheryl Benko | .... | post-production coordinator | |
| Gary Burritt | .... | negative cutter | |
| Joe D'Augustine | .... | additional editor | |
| Julie Garces | .... | assistant editor: Avid | |
| Evan Henke | .... | first assistant editor: Avid | |
| Erin Michelle Hopkins | .... | assistant editor: film (as Erin Hopkins) | |
| Stephanie Johnson | .... | first assistant editor: film | |
| Yvan Lucas | .... | colorist: Efilm | |
| Tom Reiser | .... | colorist assistant: Efilm | |
| Matthew Sakata | .... | editorial production assistant | |
| Adam M. Weber | .... | apprentice editor (as Adam Weber) | |
| Etienne Boussac | .... | first assistant editor (uncredited) | |
| Julia Dupuis | .... | second assistant editor (uncredited) | |
| Brian George | .... | colorist: Efilm (uncredited) | |
| Toska Hartmann | .... | first assistant editor (uncredited) | |
| Kai Lamberton | .... | third assistant editor (uncredited) | |
| Traudl Nicholson | .... | color timer (uncredited) | |
| Jim Passon | .... | color timer: Deluxe (uncredited) | |
| Lisa Tutunjian | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Mary Ramos | .... | music supervisor | |
| Jim Schultz | .... | music editor | |
Transportation Department | |||
| Tom Ehrhardt | .... | picture vehicle coordinator | |
| Oliver Kueper | .... | transportation coordinator (as Oliver Küper) | |
| Birk Mueller | .... | transportation captain (as Birk Müller) | |
| Jan Prudöhl | .... | head of department: trailers | |
| Jalal Aqdim | .... | picture car assistant coordinator: paris unit (uncredited) | |
| Maxime Couteret | .... | transportation captain (uncredited) | |
| Dennis Erdmann | .... | production driver (uncredited) | |
| Marco Fischer | .... | truck wrangler (uncredited) | |
| Florian Haeger | .... | driver: cast (uncredited) | |
| Charles Heidet | .... | picture car coordinator: Paris Unit (uncredited) | |
| Daniel Huhn | .... | driver: cast (uncredited) | |
| Steffen Knabe | .... | production driver (uncredited) | |
| Andreas Korpel | .... | additional truck driver: Paris (uncredited) | |
| Erich Kraus | .... | driver: cast (uncredited) | |
| Matthias Langwich | .... | driver (uncredited) | |
| Andreas Schumacher | .... | camara truck driver (uncredited) | |
| Jérôme Servant | .... | transportation coordinator: France (uncredited) | |
| Thomas Suess | .... | transport facilities (uncredited) | |
| Olivier Suffert | .... | driver: Paris (uncredited) | |
| Alexandre Thiery | .... | driver: Paris (uncredited) | |
| Silke Werner | .... | driver: cast (uncredited) | |
Other crew | |||
| Markus Bensch | .... | production executive: locations, Studio Babelsberg | |
| Gero Brugmann | .... | legal counsel: Studio Babelsberg, Unverzagt Von Have (as Dr. Gero Brugmann) | |
| Will Casey | .... | unit publicist (as William Casey) | |
| Tim Clawson | .... | executive in charge of physical production: The Weinstein Company | |
| Mara Fiedler | .... | set production assistant | |
| Guido Fischer | .... | assistant location manager | |
| Anne C. Ford | .... | production controller (as Anne Ford) | |
| Klaus Große Darrelmann | .... | location manager (as Klaus Grosse Darrelmann) | |
| Paloma Guridi | .... | stand-in: Francesca Mondino | |
| Katja Hoerstmann | .... | funding coordinator: Studio Babelsberg (as Katja Hörstmann) | |
| Jens Hoffmann | .... | security supervisor | |
| Jay Johnson | .... | typographer: main and end title | |
| Margit Jütz | .... | assistant accountant: Studio Babelsberg | |
| Caroline Kaempfer | .... | set production assistant (as Caroline 'Carla' Kämpfer) | |
| Martin Kitrosser | .... | script supervisor | |
| Laine R. Kline | .... | executive in charge of business and legal affairs: The Weinstein Company (as Laine Kline) | |
| Ronald J. Levin | .... | production legal (as Ron Levin) | |
| Silvia Lindner | .... | production coordinator | |
| Maurice Mahramzadeh | .... | set production assistant | |
| Jan R. Martin | .... | assistant production coordinator | |
| Stefan Mentz | .... | set production assistant | |
| Tim Monich | .... | dialect coach: Mr. Pitt | |
| Wolfgang Oriwol | .... | security: base camp | |
| Andreas Pense | .... | legal counsel: Studio Babelsberg, Unverzagt Von Have (as Dr. Andreas Pense) | |
| Shana Priesz | .... | subtitle coordinator | |
| Bernd Rautenberg | .... | key armourer | |
| Nicolas Richard | .... | translator: French dialogue (as Nicholas Richard) | |
| Eric Ian Robinson | .... | production executive: The Weinstein Company (as Eric Robinson) | |
| Matthias Rosenthal | .... | security: Checkpoint Charlie (as Matthias 'Matze' Rosenthal) | |
| Wolfgang Schwedler | .... | accountant: Studio Babelsberg | |
| Tommy Simpson | .... | set production assistant | |
| Gabriele Spilles | .... | craft service | |
| Christina Syring | .... | production secretary | |
| Tom Tykwer | .... | translator: German dialogue | |
| Caroline Veyssière | .... | additional script supervisor | |
| Clemens von Tubeuf | .... | stand-in: Col. Hans Landa (as Clemens Von Tubeuf) | |
| Constanze Waechter | .... | stand-in: Shosanna and Bridget (as Constanze Wächter) | |
| Nicolas Walier | .... | stand-in: Lt. Aldo Raine | |
| Mirjam Weber | .... | assistant to co-producer: Studio Babelsberg | |
| Anne Wilson | .... | first assistant accountant | |
| Katrin Wöller | .... | craft service | |
| Anja Wüstefeld | .... | location coordinator | |
| Sonja B. Zimmer | .... | production executive: Studio Babelsberg (as Sonja Zimmer) | |
| Wassili Zygouris | .... | film projection supervisor | |
| Markus Albrecht | .... | military consultant (uncredited) | |
| Melissa Altman | .... | assistant: Erica Steinberg (uncredited) | |
| Robyn Altman | .... | assistant: Lloyd Phillips (uncredited) | |
| Segolene Amice | .... | production coordinator: France (uncredited) | |
| Penelope Bischoff | .... | production secretary: France (uncredited) | |
| Alex Boden | .... | researcher (uncredited) | |
| Mathias Braun | .... | assistant location manager: Ottendorf (uncredited) | |
| Matthew Brown | .... | caretaker: extras (uncredited) | |
| Nina Büttner | .... | payroll accountant (uncredited) | |
| Mickaël Conan | .... | key office assistant (uncredited) | |
| Simon Daniel | .... | location assistant (uncredited) | |
| Zazie De Paris | .... | dialogue coach (uncredited) | |
| Julia Dege | .... | production assistant (uncredited) | |
| Ryan Ditty | .... | assistant to producer (uncredited) | |
| Rachel Ferretti | .... | post production intern (uncredited) | |
| Nicola Gador | .... | assistant: Brad Pitt (uncredited) | |
| Michaël Gojon dit Martin | .... | armorer (uncredited) | |
| Frédéric Greene | .... | production accountant: France (uncredited) | |
| Nils Hasenau | .... | traffic control (uncredited) | |
| Frederic Heidorn | .... | stand in/double (uncredited) | |
| RoJeanne Herbel | .... | assistant post-production accountant (uncredited) | |
| Michael Herbert | .... | intern (uncredited) | |
| Robert Hoehn | .... | production assistant (uncredited) | |
| Leah Holmes | .... | post-production accountant (uncredited) | |
| Al Huynh | .... | craft service (uncredited) | |
| Yann Jouannic | .... | location assistant: Paris (uncredited) | |
| Michael Justice | .... | intern (uncredited) | |
| Arnaud Kaiser | .... | location manager (uncredited) | |
| Ellie Kemps | .... | travel coordinator (uncredited) | |
| Mun Ju Kim | .... | cashier (uncredited) | |
| Andreas Kispert | .... | set manager (uncredited) | |
| Ayuko Koresawa | .... | script: splinter unit (uncredited) | |
| Linda Ky | .... | shipping coordinator (uncredited) | |
| Thomas Lauterkorn | .... | location scout (uncredited) | |
| Bianca Makarewicz | .... | publicist (uncredited) | |
| Gabriel Mamruth | .... | payroll accountant (uncredited) | |
| Paul Melzow | .... | production assistant (uncredited) | |
| Peti Misaila | .... | housing coordinator (uncredited) | |
| Anna Mohr-Pietsch | .... | second assistant: Mr Weinstein (uncredited) | |
| Matthias Nerlich | .... | crowd marshall (uncredited) | |
| Antonia Olivares | .... | set production assistant (uncredited) | |
| David Pieper | .... | location assistant (uncredited) | |
| Jan Proppe | .... | set production assistant (uncredited) | |
| Justine Raczkiewicz | .... | assistant to production executive (uncredited) | |
| Loredana Rehekampff | .... | production assistant (uncredited) | |
| Denise Sadighi | .... | translator: German subtitle assistant (uncredited) | |
| Steve Sauthoff | .... | set production assistant (uncredited) | |
| Boris Schaarschmidt | .... | translator: German subtitle assistant (uncredited) | |
| Sven Schachschneider | .... | production staff (uncredited) | |
| Carole Schmidlin | .... | set production assistant (uncredited) | |
| Lena Schmigalla | .... | assistant accountant (uncredited) | |
| Johannes Schwerdt | .... | assistant accountant (uncredited) | |
| Tina Steffan | .... | assistant: Quentin Tarantino (uncredited) | |
| Mathieu Turi | .... | set production assistant (uncredited) | |
| Jeremy Turkin | .... | intern (uncredited) | |
| Mario Wittmann | .... | key set production assistant (uncredited) | |
| Eike Wolf | .... | production publicist (uncredited) | |
| Gerold Wunstel | .... | adr artist (uncredited) | |
| Ugur Yildirim | .... | mac support (uncredited) | |
| Lutz Zeidler | .... | armourer: dailies (uncredited) | |
| Lutz Zeidler | .... | on-set armorer (uncredited) | |
Thanks | |||
| Henri Behar | .... | special thanks | |
| Enzo G. Castellari | .... | special thanks | |
| Maggie Cheung | .... | special thanks | |
| Caylah Eddleblute | .... | special thanks | |
| Carlos K. Goodman | .... | special thanks (as Carlos Goodman) | |
| Monte Hellman | .... | special thanks | |
| Samuel L. Jackson | .... | special thanks | |
| Steve Joyner | .... | special thanks | |
| Harvey Keitel | .... | special thanks | |
| Cloris Leachman | .... | special thanks | |
| Bryan Lourd | .... | special thanks | |
| John Milius | .... | special thanks | |
| Barry Primus | .... | special thanks | |
| Jeff Rendell | .... | special thanks | |
| Kenneth Rendell | .... | special thanks (as Kenneth W. Rendell) | |
| Eli Roth | .... | special thanks | |
| Gabriel Roth | .... | special thanks | |
| Mike Simpson | .... | special thanks | |
| Sergio Sollima | .... | special thanks | |
| Bo Svenson | .... | special thanks | |
| Tom Tykwer | .... | special thanks | |
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| Miracle at St. Anna | The Professional: Golgo 13 | Cross of Iron | Captain America: The First Avenger | Munich |
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It just goes to show how wrong you can be. I had not expected to like this film. I was disappointed by both the Kill Bill films (although i preferred the second) and Death Proof (although it was better in the shorter cut of the double-bill release). I love Reservoir Dogs, admire Pulp Fiction and think that Jackie Brown is Tarantino's most mature piece of film-making - technically his most superior - including the last great performance elicited from Robert De Niro. Since then it seems to me while his films have been okay (i haven't hated them) he has been treading water in referential, reverential, self-indulgent juvenilia.
Then i read the script last year for Inglourious Basterds - and i hated it! Sure it had some typical QT flourishes and the opening scene was undeniably powerful. There were a couple of great characters. But on page it was more juvenile rubbish, largely ruined by the largess of the uninteresting Basterds of the title. It made me seriously contemplate not seeing the film. The trailers did nothing to convince me. I only changed by mind when i had the opportunity to see the film with a Tarantino Q&A following in London. I figured it would be worth enduring to hear him in Q&A as i know from interviews how entertaining he can be in person.
So little was i prepared for the sheer exuberant fun and brilliance of Inglourious Basterds.
Easily Mr Tarantino's best work since Jackie Brown it is a triumph.
Yes the references are there but they do not interfere with the story, they are not the driving force. Yes Eli Roth is stunt casting but he works fine, with little to do but look aggressive, and does nothing to hurt the film as i had feared. While i admired Mr Tarantino for using stuntwoman Zoe Bell as herself in Death Proof in order to amp-up the exhilaration of the major stunt scene her lack of any acting ability in a key role was a problem for the film. The same could be said of Tarantino's own appearances in several films, especially Robert Rodriguez's From Dusk Till Dawn, which Tarantino wrote.
What really makes this work is how BIG it is. The spaghetti western vibe to much of the style, dialogue and performances is wonderfully over the top without descending too far into the cartoon quality of Kill Bill. The violence is so big. The audacity so big. Brad Pitt is so big! In the trailers the Hitler moment and Pitt's performance bothered me but in the context of the film they are hilarious. Pitt is actually brilliant here, exactly what he needs to be. He is Mifune's blustering samurai in Yojimbo, he is Robards Cheyenne from Once Upon a Time in the West, there is a very James Coburn vibe to him, and of course a suitably Lee Marvin edge.
Christoph Waltz (who i did not previously known) and Melanie Laurent (who i first noticed in a brilliant French-language British short film by Sean Ellis) are sensational and i expect to see both used a lot more in the future. Tarantino has clearly not lost his eye for casting, which seemed to desert him in Death Proof. Waltz is equally large in his performance. Chilling, yet theatrical. He is Fonda from OUATITW, Van Cleef from Good, The Bad & the Ugly. And Laurent is suitably Cardinale innocence but tough, a fighter. They both dazzle here.
That every member of the cast gets the fun to be had from what they are doing while not indulging themselves in just having fun and trying to get laughs helps tremendously. The laughs - and there are loads - come organically. Only Mike Myers comes close to tipping the wink and pushing it too far but his scene is reigned in just enough - with the help of a fantastic Michael Fassbender who seems pulled directly from the mold of Attenborough's Great Escape leader.
All the actors shine and Tarantino throws in wonderful flourishes, but ones that work with the story. The introduction of Schweiger's Hugo Stiglitz is a riot. After a sensational slow-burn opening and a glorious intro to those inglourious Basterds the pace never lets up and over two and half hours flies by.
It also looks beautiful, marking this as a return to real film-making rather than just self-indulgent silliness. The musical choices, as always, are inspired from Morricone on.
The film is audacious and hilarious. After a summer when nearly every film has disappointed me it came as a huge surprise that the real fun and entertaining, but also involving and impressive film should be this one, when i would never have believed it from script form. Welcome back QT.