An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
In Nazi-occupied France, young Jewish refugee Shosanna Dreyfus witnesses the slaughter of her family by Colonel Hans Landa. Narrowly escaping with her life, she plots her revenge several years later when German war hero Fredrick Zoller takes a rapid interest in her and arranges an illustrious movie premiere at the theater she now runs. With the promise of every major Nazi officer in attendance, the event catches the attention of the "Basterds", a group of Jewish-American guerilla soldiers led by the ruthless Lt. Aldo Raine. As the relentless executioners advance and the conspiring young girl's plans are set in motion, their paths will cross for a fateful evening that will shake the very annals of history. Written by
The Massie Twins
As with all his films, there are blatant mistakes and errors inserted on purpose. One example of this can be found in the English subtitles of characters speaking in a foreign language. Occasionally, the foreign word is inserted into the subtitle. Example: When Col. Landa is speaking to the French farmer, he says "Oui" which is French for "Yes". Instead of the word "Yes" appearing in the subtitle, the word "Oui" appears despite the fact that the rest of the French dialog is translated to English. See more »
Landa says to Lapadite that Hitler fetched him from Austria. But Austria was a part of the German Reich at the time and was called "Ostmark". See more »
This review gives everything away, so see the movie first.
It is neither allegory nor satire, the two finest categories in both fiction and cinema, and yet it approaches perfection anyway. It is of a nature I have no name for, but it is a nature that reveals truth and undermines falsehoods.
Nothing is more cloaked in falsehood than the victor's depiction of past wars. It is especially true of the children of the victors--especially the children of US WWII veterans, like myself.
We get our view of the war from movies like Audi Murphy in To Hell and Back or Saving Private Ryan. Nothing but praise for our heroes and cheers for killing the enemy.
But QT exposes this hypocrisy by engineering a film where we are disgusted first by the excesses of the enemy and then by the excesses of our heroes. That is the first instance. The hypocrisy is slammed home in the second instance where we are first disgusted by the sight of American after American being shot dead by by a German sniper hero and secondly brought to revel in the butchery of several hundred enemy at the hands of our heroes. Tit for tat.
It fits the pattern of praise for our heroes and cheers for killing the enemy, but because it is presented both ways the hypocrisy becomes self- evident. This is why so many people hate the movie--even if they fail to realize it. High art, true art, 10 of 10.
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