| Photos (See all 133 | slideshow) | Videos |
| Lisa Kudrow | ... | Mamie | |
| Steve Coogan | ... | Charley | |
| Jesse Bradford | ... | Nicky | |
| Bobby Cannavale | ... | Javier | |
| Maggie Gyllenhaal | ... | Jude | |
| Jason Ritter | ... | Otis | |
| Tom Arnold | ... | Frank | |
| David Sutcliffe | ... | Gil | |
| Sarah Clarke | ... | Diane | |
| Laura Dern | ... | Pam | |
| Hallee Hirsh | ... | Mamie at 17 | |
| Eric Jungmann | ... | Charley at 16 / Tom | |
| Kim Morgan Greene | ... | Connie Peppitone | |
| Rayne Marcus | ... | Annette | |
| Caitlyn Folley | ... | Lauren (as Caker Folley) | |
| Amanda Foreman | ... | Lane | |
| Nicole Tocantins | ... | Tess | |
| Mark Fite | ... | Tess's Drunk Husband | |
| Soledad St. Hilaire | ... | Dignora | |
| Ramon De Ocampo | ... | Alvin (as Ramón de Ocampo) | |
| A.J. Trauth | ... | Bill | |
| Carole Androsky | ... | Naked Woman (as Carol Androsky) | |
| Tamara Davies | ... | Shauna | |
| Ashleigh Darkbloom | ... | Rain | |
| Emma Hunton | ... | Becca | |
| T.R. Hopper | ... | Chuck Peppitone | |
| Rob Macie | ... | Steve the Lawyer | |
| Lisa Hoyle | ... | Woman Driver | |
| Joe Milton | ... | Musician #1 | |
| Dave Beyer | ... | Musician #2 | |
| Randy Landas | ... | Musician #3 | |
| Scott Sener | ... | Karaoke Guy | |
| rest of cast listed alphabetically: | |||
| Melissa Barker | ... | Protestor (uncredited) | |
| Mark Elias | ... | Coffee Shop Patron (uncredited) | |
| Johnny Galecki | ... | Miles (uncredited) | |
| Peter Horton | ... | Ted the Urologist (uncredited) | |
| Rana McAnear | ... | Bar Patron (uncredited) | |
| Deirdre Wall | ... | Party Girl (uncredited) | |
| Shannan Leigh Yancsurak | ... | Coffee Shop Patron (uncredited) | |
Directed by | |||
| Don Roos | |||
Writing credits(WGA) | ||
| Don Roos | (written by) | |
Produced by | |||
| Bobby Cohen | .... | co-producer | |
| Mike Elliott | .... | executive producer | |
| Ali Forman | .... | co-producer | |
| Jon Kuyper | .... | line producer | |
| Robert M. Melnik | .... | associate producer (as Robert Melnik) | |
| Nick Meyer | .... | executive producer | |
| Tom Ortenberg | .... | executive producer | |
| Michael Paseornek | .... | producer | |
| Marc Platt | .... | co-producer | |
| Donna Sloan | .... | associate producer | |
| Laura D. Smith | .... | associate producer (as Laura Smith) | |
| Holly Wiersma | .... | producer | |
Cinematography by | |||
| Clark Mathis | (director of photography) | ||
Film Editing by | |||
| David Codron | |||
Casting by | |||
| John Brace | |||
| Linda Lowy | |||
Production Design by | |||
| Richard Sherman | |||
Set Decoration by | |||
| Matthew Flood Ferguson | |||
Costume Design by | |||
| Peggy A. Schnitzer | (as Peggy Anita Schnitzer) | ||
Makeup Department | |||
| Toni G | .... | key makeup artist (as Toni Garavaglia) | |
| Jonathan Hanousek | .... | hair department head (as Jonathan Joseph Hanousek) | |
| Kay Majerus | .... | key hair stylist | |
| Sheree Morgan | .... | key makeup artist | |
| Robin Siegel | .... | makeup department head | |
Production Management | |||
| Karen Gorodetzky | .... | production supervisor | |
| Jon Kuyper | .... | unit production manager | |
| Rosemary Lara | .... | production manager: Lions Gate Entertainment | |
| Curtis A. Miller | .... | supervisor of production: Lions Gate Entertainment (as Curtis Miller) | |
| Carl Pedregal | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Steven F. Beaupre | .... | second second assistant director | |
| Hope Garrison | .... | second assistant director | |
| Eric Tignini | .... | first assistant director | |
Art Department | |||
| Terry Adams | .... | on-set dresser | |
| Lorin Flemming | .... | assistant art director | |
| Gerard Jordan | .... | swing gang (as Gerard A. Jordan) | |
| Kathleen Kasinger | .... | property master | |
| Jim Landis | .... | assistant property master | |
| Anthony Maccario | .... | swing gang (as Tony Maccario) | |
| James R. Marchese | .... | swing gang | |
| Merdyce McClaran | .... | assistant property master | |
| Jim Motyl | .... | swing gang (as James S. Motyl) | |
| Nancy Restuccia | .... | art department coordinator | |
| JoAnn Stevens | .... | art department coordinator | |
Special Effects by | |||
| Tom Seymour | .... | special effects technician | |
| J.D. Streett | .... | special effects coordinator (as J.D. Streett IV) | |
Visual Effects by | |||
| Ryan Beadle | .... | i/o: Custom Film Effects | |
| Steve Caldwell | .... | digital compositor: Custom Film Effects | |
| Patrick Clancey | .... | digital opticals: Efilm | |
| Mark Dornfeld | .... | visual effects supervisor: Custom Film Effects | |
| Michele Ferrone | .... | visual effects producer: Custom Film Effects | |
| Adam Gass | .... | digital editorial: Custom Film Effects | |
| R.J. Harbour | .... | digital compositor: Custom Film Effects (as RJ Harbour) | |
| Shaina Holmes | .... | digital compositor: Custom Film Effects | |
| Shaina Holmes | .... | digital coordinator: Custom Film Effects | |
| Lori C. Miller | .... | digital compositor: Custom Film Effects (as Lori Miller) | |
| L. Elizabeth Powers | .... | lead digital artist: Custom Film Effects (as Laurie Powers) | |
| Danita Slaughter | .... | digital intermediate assistant editor: Efilm | |
| David Smithson | .... | data wrangler: Custom Film Effects | |
| Mary C. Snyder | .... | digital compositor: Custom Film Effects | |
| Amani Williams | .... | digital compositor: Custom Film Effects | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Mike Ocoboc | .... | digital compositor (uncredited) | |
Stunts | |||
| Melissa Barker | .... | stunts | |
| Stanton Barrett | .... | stunts | |
| Nicole Basanda | .... | stunts | |
| Casey Easlick | .... | stunts | |
| Lisa Hoyle | .... | stunts | |
| Ernie F. Orsatti | .... | stunts (as Ernie Orsatti) | |
| Noon Orsatti | .... | stunt coordinator | |
| Denney Pierce | .... | stunts (as Denny Pierce) | |
| Ronn Surels | .... | stunts (as Ronn Surls) | |
| Scott Waugh | .... | stunts | |
Camera and Electrical Department | |||
| Salim Benshir | .... | lamp operator (as Salim Benshrir) | |
| John F. Cassidy | .... | key grip | |
| Kelly Clear | .... | gaffer | |
| Chris Culliton | .... | best boy electric (as Christopher Culliton) | |
| Willie E. Dawkins | .... | lamp operator | |
| Tim Day | .... | grip | |
| Chris Friebus | .... | loader | |
| Toulouse Holliday | .... | best boy grip (as S. Toulouse Holliday) | |
| David Kagen | .... | lamp operator | |
| Eric Lee | .... | still photographer | |
| Steven C. Marshall | .... | second assistant camera (as Steve C. Marshall) | |
| Terence McNally | .... | lamp operator (as Terrance R. McNally) | |
| Jason Newton | .... | grip | |
| Brian S. Osmond | .... | first assistant camera | |
| Joe-Joe Presson | .... | grip (as Joseph A. Presson) | |
| David W. Slodki | .... | lamp operator (as David Slodki) | |
| Daniel L. Turrett | .... | camera operator (as Daniel Turrett) | |
| Niel Williams | .... | grip (as Niel E. Williams) | |
| Jennifer Ann Henry | .... | additional second assistant camera (uncredited) | |
| Damon Liebowitz | .... | electrician (uncredited) | |
| Gabe Morley | .... | video playback supervisor (uncredited) | |
Casting Department | |||
| Michael Betts | .... | casting assistant | |
| Barbara Harris | .... | voice casting | |
| Terrence Harris | .... | casting associate: Bill Dance Casting (as Terence Harris) | |
| Will Stewart | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Jacqueline Aronson | .... | costume supervisor | |
| Yulia Gershenzon | .... | set costumer | |
| Alison M. Schmidt | .... | costumer | |
| Natasha Walsh | .... | costumer (as Natasha Stanton Walsh) | |
Editorial Department | |||
| Steve Bowen | .... | digital intermediate colorist: Efilm | |
| Steve Danhieux | .... | data management operator: Efilm | |
| Colby Enders | .... | assistant editor | |
| Ben Estrada | .... | digital intermediate colorist assistant: Efilm | |
| Bob Fernley | .... | digital intermediate producer: Efilm | |
| Christi Franck | .... | post-production assistant | |
| Brian Han | .... | digital intermediate color assistant: Efilm | |
| Jennifer Hwang | .... | post-production coordinator | |
| Esther Lee | .... | production assistant: Efilm | |
| Devon Miller | .... | digital intermediate editor: Efilm | |
| Stanley Miller | .... | film scanning/recording operator: Efilm | |
| Dean Ramser | .... | film processing: Consolidated Film Industries | |
| Victor Rodriguez | .... | digital quality operator: Efilm | |
| Bobby Williams | .... | post-production coordinator: Lions Gate Entertainment | |
| Michael Hatzer | .... | color timer (uncredited) | |
| Mark W. McCoy | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Mark Agostino | .... | music playback | |
| Mark Agostino | .... | music recordist | |
| Michael Baber | .... | music editor | |
| Joel C. High | .... | music executive: Lions Gate Entertainment | |
| Gary Raymond | .... | music recordist | |
| Rebecca Rienks | .... | music assistant | |
| Tiffany Ryan | .... | music coordinator | |
| Nicole Tocantins | .... | music supervisor | |
| Tracy McKnight | .... | executive soundtrack producer (uncredited) | |
Transportation Department | |||
| Baz | .... | driver | |
| Jody Bingenheimer | .... | driver | |
| Curtis Clark | .... | driver (as Curtis Edward Clark) | |
| Angel Desanti | .... | transportation co-captain (as Angel De Santi) | |
| Christian G. Ervin | .... | driver (as Chris Ervin) | |
| Rick Fese Jr. | .... | driver (as Rick 'Easy' Fese) | |
| Will Gardner | .... | driver | |
| Mark Garrett | .... | driver | |
| John L. Grissom | .... | driver (as John I. Grissom) | |
| Geno Hart | .... | transportation coordinator | |
| Kirk Huston | .... | transportation captain | |
| Steve Larson | .... | driver | |
| Carlos M. Serrano | .... | driver | |
| Kevin Simmons | .... | driver (as Kevin Hale Simmons) | |
| Joseph Taggert | .... | driver (as Joseph Taggart) | |
| Chris Haynes | .... | production driver (uncredited) | |
| Hardy Ophuls | .... | picture car coordinator (uncredited) | |
Other crew | |||
| Steve Altman | .... | production equipment: Leonetti | |
| David Arnott | .... | adr actor | |
| Bree Bailey | .... | assistant: Mr. Paseornek | |
| Susan Bannout | .... | medic | |
| Doug Burch | .... | adr actor | |
| Catherine Choate | .... | contract administrator of business & legal affairs: Lions Gate Entertainment | |
| Vicki Davis | .... | adr actor | |
| Richard J. Day | .... | office production assistant | |
| Anna Easteden | .... | double: Mamie | |
| Frank E. Errico | .... | production coordinator | |
| Jeff Fischer | .... | adr actor (as Jeffrey Todd Fischer) | |
| Amanda Shamis Flannery | .... | business and legal affairs: Lions Gate Entertainment (as Amanda Shamis) | |
| Amy Roos Flemming | .... | assistant: Mr. Roos (as Amy Roos) | |
| Seamus Gibbons | .... | chef: Deluxe Catering | |
| Lisa Gooding | .... | clearance supervisor | |
| Sarah Greenberg | .... | executive vice president of national publicity: Lions Gate Entertainment | |
| Wes Hagan | .... | location manager (as Wesley K. Hagen) | |
| Liam Hearne | .... | assistant post-production accountant | |
| John Hegeman | .... | president of world wide marketing: Lions Gate Entertainment | |
| Chris Hiatt | .... | additional typesetter: Keep Me Posted | |
| Ryanne Higley | .... | additional typesetter: Keep Me Posted | |
| Roy G. Irwin | .... | medic | |
| Carrie Mae Jones | .... | first assistant accountant | |
| Chris Libby | .... | unit publicist: MPRM | |
| Daniel MacArthur | .... | production coordinator: Lions Gate Entertainment | |
| Robert M. Melnik | .... | executive vice president of business affairs: Lions Gate Entertainment (as Robert Melnik) | |
| Tracy Metro | .... | adr actor | |
| Christopher Miller | .... | location manager | |
| Diane H. Newman | .... | script supervisor (as Diane Hassinger Newman) | |
| Aynna M. Orona | .... | craft service (as Aynna Orona) | |
| Oscar Orona | .... | assistant craft service | |
| Jordan Otis | .... | office production assistant | |
| Tim Palen | .... | EVP of Theatrical Marketing: Lionsgate | |
| David Randolph | .... | adr actor (as David J. Randolph) | |
| Ryan Reasor | .... | office production assistant | |
| Aaron Richmond | .... | stand-in | |
| A.J. Rinella | .... | office production assistant (as Anthony Rinella) | |
| Kevin Rosenberg | .... | creative assistant: Mr. Platt | |
| Erin M. Royer | .... | assistant: Mr. Elliott | |
| David Ruiz | .... | set production assistant | |
| Joe Rystrom | .... | medic | |
| Vernon Scott | .... | adr actor | |
| Scott Sener | .... | stand-in | |
| Rony Shino | .... | assistant location manager (as Ron Shino) | |
| Donna Sloan | .... | senior vice president of production: Lions Gate Entertainment | |
| Bernadette Tanchauco | .... | production accountant | |
| Hellena Taylor | .... | stand-in (as Hellena Schmied) | |
| Nate Taylor | .... | assistant location manager | |
| James Uribe | .... | assistant production coordinator | |
| Charlyn Ware | .... | vice president of business and legal affairs: Lions Gate Entertainment | |
| Stephanie Wescott | .... | payroll accountant | |
| Shawn Williamson | .... | set production assistant | |
| LouAnn Wu | .... | set production assistant | |
| Jennifer Yee | .... | supervisor of business & legal affairs: Lions Gate Entertainment | |
| Brian Yonck | .... | set production assistant | |
| Ruth Zalduondo | .... | adr actor | |
| Cassandra Barbour | .... | rights and clearances (uncredited) | |
| Marika Cahn | .... | assistant: Ms. Kudrow (uncredited) | |
| Pierre Cheminat | .... | first assistant accountant (uncredited) | |
| Elizabeth Dixon | .... | business affairs coordinator (uncredited) | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
| Mike Kohl | .... | production assistant (uncredited) | |
| Rob Macie | .... | dialogue coach (uncredited) | |
| Emily Rice | .... | post-production accountant (uncredited) | |
| Laura Sevier | .... | rights and clearances (uncredited) | |
| Ann Shimabukuro | .... | additional set production assistant (uncredited) | |
| Ken Twohy | .... | production assistant (uncredited) | |
Thanks | |||
| David Adamson | .... | special thanks | |
| Asia | .... | special thanks | |
| Jason Barrett | .... | special thanks | |
| Enrique Beingolea | .... | special thanks | |
| Bonnie Bernstein | .... | special thanks | |
| Dave Beyer | .... | special thanks | |
| Cliff Brodsky | .... | special thanks: Brodsky Music Production | |
| Dan Bucatinsky | .... | special thanks | |
| John L. Burnham | .... | special thanks (as John Burham) | |
| Joannie Burstein | .... | special thanks (as Joannie Burnstein) | |
| Grant Conway | .... | special thanks: Sandbox Studios | |
| Mary Cynar | .... | special thanks | |
| Def Leppard | .... | special thanks | |
| Mike Duffy | .... | special thanks: The Karma Coffeehouse | |
| Cassian Elwes | .... | special thanks | |
| Salomon Emquies | .... | special thanks | |
| Ruth Erlich | .... | acknowledgment: marble sculpture titled "Blastogenesis" | |
| Dave Feldman | .... | special thanks | |
| Sean Frankenheimer | .... | special thanks | |
| Laura Franklin | .... | special thanks | |
| Johnny Galecki | .... | special thanks | |
| Eva Gardner | .... | special thanks | |
| Dave Gibbs | .... | special thanks | |
| Malinda Goddard | .... | special thanks | |
| Dominic Griffin | .... | special thanks | |
| Nancy Heller | .... | special thanks | |
| Jason Hendler | .... | special thanks | |
| David Hines | .... | acknowledgment: McKee living room painting by | |
| Peter Horton | .... | special thanks | |
| Scott Howard | .... | special thanks | |
| Aleen Keshishian | .... | special thanks | |
| Courtney Kivowitz | .... | special thanks | |
| Linda Kordek | .... | special thanks: The Agency Group | |
| Randy Landis | .... | special thanks | |
| Brian Lapin | .... | special thanks | |
| Chi Chi LaRue | .... | acknowledgment: adult footage by | |
| Tony Lipp | .... | special thanks | |
| Joe Milton | .... | special thanks: Jo-Musik | |
| Michael Morris | .... | thanks | |
| Michael Morris | .... | special thanks | |
| Sean Mulhern | .... | special thanks | |
| Rick Parker | .... | special thanks | |
| Steve Rabineau | .... | special thanks | |
| Stephanie Ramsey | .... | special thanks | |
| REO Speedwagon | .... | special thanks | |
| Miranda Richards | .... | special thanks | |
| Craig Richey | .... | special thanks | |
| Jeremiah Samuels | .... | special thanks | |
| Josh Schwartz | .... | special thanks | |
| Craig Shapiro | .... | special thanks | |
| Geoff Siegel | .... | special thanks | |
| Skid Row | .... | special thanks | |
| Fred Specktor | .... | special thanks | |
| Robert Stein | .... | special thanks | |
| Mick Sullivan | .... | special thanks | |
| Christopher Touchton | .... | special thanks | |
| Evan Tripoli | .... | special thanks | |
| Ronny Vardy | .... | acknowledgment: Coffeehouse painting by | |
| Adam Venit | .... | special thanks | |
| John Wilmer | .... | special thanks | |
| John Wygonski | .... | special thanks | |
| Julie Yorn | .... | special thanks | |
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| The Kids Are All Right | Head-On | Quinceañera | Undertow | Margot at the Wedding |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Filmmaker Don Roos brings a unique perspective to his films, and this omnibus 2005 film exemplifies his idiosyncratic style quite well. Even though it doesn't work in its entirety, it has a great ensemble cast and some really sharp observations about a loosely connected group of people who have in common a certain disassociation with the inner truths in their lives. In fact, the deceptive nature of the characters is the movie's leitmotif, and Roos crosscuts their interactions with helpful title cards that often explain their inner motivations for their actions.
There are three basic stories that constitute the film, which recalls the multi-layered, somewhat enervated spirit of Robert Altman's "Short Cuts" especially given the LA-based ennui both films portray with accuracy. The first story deals with step-siblings Mamie, who as a teenager, had a one-night stand with her stepbrother Charley. Years later, Mamie is an abortion clinic worker, while Charley, gay and partnered contently with Gil for five years, runs their long-dead parents' last remaining restaurant. Both siblings have their own storyline - Mamie meets Nicky, a grungy filmmaker who wants her to participate in a film about meeting someone from her past. However, she convinces Nicky to make another film entirely about her intermittent lover Javier's massage practice.
The second story revolves around Charley's obsession with the paternity of a son which their lesbian best friends have just conceived. This leads to unexpected revelations that backfire on Charley. The third story focuses on Otis, a closeted teenage drummer who works at Charley's restaurant. Otis meets Jude, a vagabond singer who favors Billy Joel ballads and beds Otis in order to have a place to crash. Once established in the palatial home, she also attaches herself to Otis's divorced father Frank. It all sounds complicated and sometimes feels quite erratic, but Roos makes the film intriguing to watch.
The acting certainly helps. As Mamie, Lisa Kudrow again shows how she can use her somewhat flaky persona in an arresting way that can be funny and heartbreaking. Steve Coogan effectively brings out Charley's neuroses, while Jesse Bradford is convincingly suspect as Nicky. The underutilized Laura Dern doesn't really have much to do as one-half of the lesbian couple (Sarah Clarke is the other half), while Bobby Cannavale gamely brings out the swarthy gamesmanship of Javier. Jason Ritter (the look-alike son of the late John Ritter) plays Otis with the right amount of confusion and anxiety. As the bonhomous Jude, Maggie Gyllenhaal (Jake's sister) gives a shrewd performance that never borders on the obvious, while Tom Arnold surprises with a subtle turn as the comparatively innocent Frank.
The DVD has an alternate commentary track with Roos, Kudrow and cinematographer Clark Mathis, as well as ten deleted scenes of varying quality and three scenes that constitute the lacking gag reel. During the final film's lengthy 128-minute running time, there are scenes that seem to drift with no reason and character motivations that go unexplained. Regardless, the film is definitely worth seeing.