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Happy Endings (2005)

Happy Endings weaves multiple stories to create a witty look at love, family and the sheer unpredictablity of life itself.



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6 nominations. See more awards »





Cast overview, first billed only:
Charley at 16 / Tom
Lauren (as Caker Folley)


An ensemble cast telling 10 stories with intertwining characters. One story is about a father and son who are dating the same woman . Another features a woman who long ago gave her baby up for adoption but is now being blackmailed by a documentary filmmaker who claims to know the now-grown child's whereabouts. Written by Anonymous

Plot Summary | Add Synopsis


Everybody wants one. See more »

Motion Picture Rating (MPAA)

Rated R for sexual content, language and some drug use | See all certifications »

Parents Guide:



Official Sites:



Release Date:

29 July 2005 (USA)  »

Also Known As:

Finais Felizes  »

Filming Locations:


Box Office

Opening Weekend:

$240,075 (USA) (15 July 2005)


$1,311,633 (USA) (9 September 2005)

Company Credits

Production Co:

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Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
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Did You Know?


Ray Liotta turned down the role of Frank McKee. See more »


When Jude and Otis were getting ready to have sex in his room, she takes off her pants and in the next scene her pants are back on. See more »


[first lines]
Charley: [chasing Mamie] Wait! Wait!
Woman Driver: [hits Mamie] My God! Oh my God! Oh my God! I didn't see her! I didn't see her!
Charley: Oh my God!
Woman Driver: Oh my God, I'm so sorry, I didn't see her!
Charley: Do you have a cell? Call 911!
Woman Driver: Oh God.
Passerby: Hey, is she all right?
Charley: I don't know.
Woman Driver: [on phone] 911? Yes, hurry, we need an ambulance quick.
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Crazy Credits

The only opening credit is the title. See more »


Referenced in Conan: The Bourne Ultimate Frisbee Tournament (2011) See more »


Baila Tú Conmigo
Written by Daniel Indart (as D. Indart) / J.A. Perez Alvarez (ASCAP)
Performed by Jesus 'El Nino' Alejandro (as Jesus Alejandro "El Nino") with Magalis Tars
Courtesy of LMS Records
Publisher Indart Music (ASCAP)
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Frequently Asked Questions

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User Reviews

Doesn't really work
26 February 2011 | by (Boston) – See all my reviews

Happy Endings There was attempt to do something original here, unfortunately, the experiment failed. It's more of a graphic novel with moving pictures than it is a film. We're spoodfed ridiculous amounts of exposition via placards that pop up on the side of the screen like fun bubble facts from a video. And what makes it worse is that it's not an objective, ominipotent narration, but a narration that's written in the spoken vernacular with a definite point of view. If it has a definite point of view, who's writing it? Some mysterious omnipotent subjective narrator that we never meet. And we know it's not God, because of the lame attempts at being clever and funny. And just when you think it can't get worse, the fun facts tell us things in the distant past, the distant future, the characters' thoughts, and even what's going on with the bodily functions of some of the characters. Oh man. The story lines aren't very good either. I could not see Mamie going along with the extortion and the other shanigans that goes on after. I just couldn't suspend my disbelief. Most of the dialog was confusing, implausible or just lame. For example, Lane tells Jude, "I still don't see the problem. In a month, you tell the old guy it's his... and then when you deliver, it's like this really big preemie... that just happens to look like both of them. We're not reinenting the wheel here." Yeah, it's the old have sex with the son, have sex with the father and you don't know who got you pregnant. We all know that routine, right? Who hasn't been down that road? It's so ridiculous. The storyline with the lesbians and male gay couple is not much better. It's way too purposely convoluted. It's like the filmmakers are digging to find ways to unnecessarily complicate the storyline. And then there's the hallmark of trendy and lazy filmmakers - the corny montages set to trendy pop music to tell us how to feel. And the split screen thing seemed like it was only there to show that they could do it. And why was Mamie running willy-nilly at the end? When I heard the title, it made me think of that hackneyed joke about massages and I thought the filmmakers were above referencing a stupid, overplayed joke like that. But, sure enough, that's what they were doing. It reminds me of "Coyote Ugly", another waste of film. Virtually every actor in this film is great, but they can't save a script this absurd. It's just so much schlop.

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