| Yûta Sone | ... | Minami (as Hideki Sone) | |
| Shô Aikawa | ... | Ozaki | |
| Kimika Yoshino | ... | Female Ozaki | |
| Shôhei Hino | ... | Nose | |
| Keiko Tomita | ... | Innkeeper | |
| Harumi Sone | ... | Innkeeper's Brother | |
| Renji Ishibashi | ... | Boss | |
| rest of cast listed alphabetically: | |||
| Ken'ichi Endô | |||
| Kanpei Hazama | |||
| Masaya Katô | |||
| Tamio Kawaji | (as Tamio Kawachi) | ||
| Susumu Kimura | |||
| Hiroyuki Nagato | |||
| Hitoshi Ozawa | |||
| Kazuyoshi Ozawa | |||
| Sakichi Satô | ... | Coffee Shop Manager | |
| Tokitoshi Shiota | ... | Gozu | |
| Tetsurô Tanba | |||
| Yoshiyuki Yamaguchi | |||
Directed by | |||
| Takashi Miike | |||
Writing credits(in alphabetical order) | ||
| Sakichi Satô | screenplay | |
Produced by | |||
| Kanako Koido | .... | producer | |
| Harumi Sone | .... | producer | |
Original Music by | |||
| Kôji Endô | |||
Cinematography by | |||
| Kazunari Tanaka | |||
Film Editing by | |||
| Yasushi Shimamura | |||
Production Design by | |||
| Akira Ishige | |||
Set Decoration by | |||
| Akira Sakamoto | |||
Makeup Department | |||
| Yûichi Matsui | .... | special makeup effects artist | |
Second Unit Director or Assistant Director | |||
| Masato Tanno | .... | first assistant director | |
Sound Department | |||
| Akira Nakano | .... | sound recordist | |
| Hitoshi Tsurumaki | .... | sound designer | |
Other crew | |||
| Winston Emano | .... | publicist | |
| David Magdael | .... | publicist | |
| Christian Storms | .... | subtitler: English | |
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| Ichi the Killer | Deadly Outlaw: Rekka | Shinjuku kuroshakai: Chaina mafia sensô | Agitator | Giornata nera per l'ariete |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Japan section |
This is perhaps the first movie I've ever seen that's had me consistently laughing out loud and then nearly creeping me out to the point of p**sing my pants. Don't get me wrong... this movie won't have you shrieking because of frights... but it will quietly nestle itself in the back of your brain and set shop in your nightmares. Did I mention it's also hilarious?
Where to start... Gozu starts somewhat normal (compared to the rest of the movie): Ozaki, a member of the Azumawari Yakuza clan, is starting to go crazy, even paranoid. So it's up to his successor and admirer, Minami, to get rid of him. Now just when you think the movie's going to be a heartbreaker about duty and brotherhood, the s**t hits the fan. Ozaki dies before he's supposed to. His corpse disappears. The dead seem to walk in more than one incident.
Breastmilk is being sold to everyone. Cow demons are handing out pornography in the middle of the night. WHAT THE HELL DOES IT ALL MEAN!?!?
I'm not totally sure. Without spoiling anything, the themes tend to lean towards rebirth, motherhood, and homosexuality, all at once. I've seen the movie three times now, and each time I've got something different out of it. That, my friends, is mastery. I'm not quite sure if Gozu is one for the ages, but even in a year with such movies as Fahrenheit 9/11, Garden State, Ju-on, The Corporation, and
Coffee and Cigarettes, this has to be my favorite so far.
The Final Cut:
Direction: A
Well, gosh, it's Takashi Miike. Do you expect any less?
Style: A+++
Once again, Miike delivers head-on with the style. This movie is so fudged-up, you will probably go somewhat crazy.
Acting: A-
Hideki Sone, who plays Minami, is absolutely fantastic in this movie, as is Sho Aikawa, who has a supporting role in Ozaki. Just plain brilliance.
Script: B
A little janky at some parts, but it compliments Miike's insane outlook quite nicely.
Music: A
Koji Endo's creepy cello / nails on chalkboard score scared the crap out of me, while the bizarre ending song broke my heart in a way like no other.
Overall: A
Don't miss this! You probably aren't going to get another chance to see Gozu on the big screen for a LONG time.
Best quote: "You weener looks just like Frankenstein's!"