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Fahrenheit 9/11 (2004)

Michael Moore's view on what happened to the United States after September 11; and how the Bush Administration allegedly used the tragic event to push forward its agenda for unjust wars in Afghanistan and Iraq.

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Cast

Cast overview, first billed only:
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James Baker III ...
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Tom Daschle ...
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Byron Dorgan ...
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Storyline

Following up on 'Bowling for Columbine', film-maker Michael Moore provides deep and though-provoking insights on the American security system, the level of paranoia, fear, uncertainty, false values and patriotism, which all combined together to set a stage for George W. Bush to launch a war on Iraq instead of focusing on getting the real culprit(s) behind the terrorist attacks of September 11, 2001. This documentary also focuses on how some Saudis were safely and secretly flown out of America while planes were ostensibly grounded after the attacks. Archived film footage, candid interviews with politicians, and an overall waste of public funds for a war that was initiated on false pretension to wit: a weapon of mass distraction - to take the focus away from the real enemy and get Americans glued to their TV sets to watch innocent Iraqis and Afghans getting killed. And a war that would eventually alienate the U.S.A. and it's citizens from almost every country on Earth. Written by rAjOo (gunwanti@hotmail.com)

Plot Summary | Plot Synopsis

Taglines:

This summer Michael Moore turns up the heat. See more »

Genres:

Documentary | Drama | War

Motion Picture Rating (MPAA)

Rated R for some violent and disturbing images, and for language | See all certifications »

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Details

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Release Date:

25 June 2004 (USA)  »

Also Known As:

Fahrenheit 911  »

Filming Locations:

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Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend:

$23,920,637 (USA) (25 June 2004)

Gross:

$119,078,393 (USA) (1 October 2004)
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Company Credits

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Was nearly disqualified for Oscar consideration because of a July 2004 airing on Cuban television. After this was revealed to be an illegal broadcast from a bootleg disk, the Academy cleared it for eligibility. See more »

Quotes

[first lines]
Narrator: Was it all just a dream?
Al Gore: God bless you, Florida! Thank you!
Narrator: Did the last four years not really happen? Look, there's Ben Affleck. He's often in my dreams. And the Taxi Driver guy. He was there too. And little Stevie Wonder, he seemed so happy... like, like a miracle had taken place. Was it a dream? Or was it real?
See more »

Crazy Credits

At the end of the credits, there is a screen text shot that reads, "Do Something: www.michaelmoore.com" See more »

Connections

Features Nosferatu (1922) See more »

Soundtracks

The Theme from 'The Greatest American Hero' (Believe It or Not)
(1981)
Music by Mike Post (as Leland Postil)
Lyrics by Stephen Geyer
Performed by Joey Scarbury
Courtesy of Elektra Entertainment Group
By Arrangement with Warner Strategic Marketing
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User Reviews

 
More disciplined, less bombastic than "Columbine", but very sharp!
23 June 2004 | by (New York City) – See all my reviews

8/10

I watched "Fahrenheit 9/11" at the New York public premiere late last night in the early hours of Wednesday, June 23rd, the first opportunity for anyone not connected with Hollywood or the media to see this film. I say this so that you take prior reviews (particularly those dismissing the film outright) with a hefty dose of skepticism. I am also a Marine Corps veteran of Operation Desert Storm, and thus am acutely aware of the realities of war and its intended use only as a last resort when all alternate options are exhausted.

I've seen all three of Michael Moore's films; "Roger & Me", "Bowling for Columbine", and now 'Fahrenheit.' Of the three, this current film has a far more disciplined approach. There is generally far less music, grandstanding, and general joking-around. While perhaps disappointing to his long-time audience of liberal partisans (myself among them), this more even-handed approach is truly welcome, because it instills the documentary with a sense of reason and perspective that will appeal to independents and perhaps even conservatives. Moore's audience here is not his long-time left-wing choir; it is the millions of Americans who trusted a President to be one thing and who has turned out to be quite another indeed.

The major newspaper reviewers justifiably point to the first 20 minutes and the last 20 minutes, about Bush's Saudi links and the carnage in Iraq, as the strongest segments. Indeed, the sequence where a series of minority representatives are gaveled to silence in the Congress is shocking in the extreme. Yet the film is fascinating throughout; it is sometimes inchoate and contradictory, but it constantly encourages and demands critical thinking. This is perhaps the real target of Moore's fury; the unaccepting, unthinking acceptance of authority figures and 'leaders' who have not earned that respect. He uses Britney Spears to make this point with devastating finality and grim hilarity. He asks, indirectly, which side are you on-that of unquestioning obedience to a betrayer of the nation's best interests, or the side of truth, criticism, and transparency. It will be hard for Bush supporters to muster the energy to defend their addled puppet after Moore's calmly launched but devastating salvos. Furthermore, it asks the American public to take responsibility for sending its children (mostly middle- and working-class) into harm's way for less than convincing reasons. The deaths of our servicemembers are the price we pay for this president's leadership, and Moore demands that the viewer analyze this war with a eye to its true costs and motives.

I am sad that there are so many in this country who will refuse to see this film for head- in-the-sand political reasons. Moore lets Bush and his cabal do most of the talking, and as such lets them indict themselves far more effectively than Al Franken or Howard Dean ever could. The film makes an absolute mockery of this president, and it is *richly* deserved. It is likely that this effort will finally 'screw to the sticking place' the courage of a national media that has shamefully aided and abetted this belligerent and bumbling national disgrace.

All this being said, this is not a depressing film, at least not for me. Many of the images and themes are certainly profoundly discomfiting, yet the very existence of this film (in nationwide release) is a testament to the endurance and beauty of the American system. This country has tolerated and then dismissed other scoundrels and crooks, and soon enough this current pack of liars and cranks will be added to the dustbin of history. You can thank Moore for his courage and true understanding of our freedoms, rights, and responsibilities that you have the opportunity to see this film and form your own judgment. Do that. Its high time for all Americans to become responsibly informed, and to consider anew the true ideals of American democracy and freedom which have lately become so distorted.

Election day is November 2nd. That's the most important review of all.


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