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| Ben Affleck | ... |
Himself
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| Stevie Wonder | ... |
Himself
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| George W. Bush | ... |
Himself
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James Baker III | ... |
Himself
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| Richard Gephardt | ... |
Himself
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Tom Daschle | ... |
Himself
(archive footage)
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| Jeffrey Toobin | ... |
Himself
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| Al Gore | ... |
Himself
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| Condoleezza Rice | ... |
Herself
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| Donald Rumsfeld | ... |
Himself
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| Saddam Hussein | ... |
Himself
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| George Bush | ... |
Himself
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| Ricky Martin | ... |
Himself
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Byron Dorgan | ... |
Himself
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| Osama bin Laden | ... |
Himself
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Following up on 'Bowling for Columbine', film-maker Michael Moore provides deep and though-provoking insights on the American security system, the level of paranoia, fear, uncertainty, false values and patriotism, which all combined together to set a stage for George W. Bush to launch a war on Iraq instead of focusing on getting the real culprit(s) behind the terrorist attacks of September 11, 2001. This documentary also focuses on how some Saudis were safely and secretly flown out of America while planes were ostensibly grounded after the attacks. Archived film footage, candid interviews with politicians, and an overall waste of public funds for a war that was initiated on false pretension to wit: a weapon of mass distraction - to take the focus away from the real enemy and get Americans glued to their TV sets to watch innocent Iraqis and Afghans getting killed. And a war that would eventually alienate the U.S.A. and it's citizens from almost every country on Earth. Written by rAjOo (gunwanti@hotmail.com)
I saw Fahrenheit 9/11 at Phipps Mall in the affluent Buckhead neighborhood of Atlanta, GA, and I will say for the record:
1. Fahrenheit 9/11 attracted the most racially integrated audience I've ever seen at an Atlanta movie theater, as well as the most age-diverse audience.
2. The audience was completely in tune with what Michael Moore was trying to do. When he wanted you to be mad, people were mad. When he wanted you to be upset, people were upset, and when he wanted you laugh, people laughed. And boy, did they laugh.
3. The audience cheered (loudly) upon the film's conclusion.
Truly a satisfying moment, to feel part of a community of people, if only for two hours, who recognized that the emperor indeed has no clothes.
Is Michael Moore manipulative? Of course- he's an editorial documentarian. Does he sometimes assume too much from too little information? Of course- he's a human being. That's what human beings do. Now, you may say, yes, it may be human nature to infer too much from too little information, but as a responsible artist, Michael Moore should get his ducks firmly in a row before trying to manipulate his audience. That being said, we have libel in slander laws in this country. If Michael Moore is so far off base, where are the lawsuits and defamation of character charges? Why won't Bush or his camp respond to any of the specific allegations of Fahrenheit 9/11? Why is that, in fact, they state an unwillingness even to see the film, and yet feel qualified to have a valid opinion of it? Now who's inferring too much from too little?
What is absolutely undeniable is that a) war is horrible, b) the United States of America went to war with Iraq for spurious reasons, c) we have been conspicuously unsuccessful in capturing Osama bin Laden, in part because bin Laden has no relationship whatsoever with Iraq, d) there have been many people who have benefited financially from the war, and those people have a long and in many cases sordid relationship with the Bush family, and e) Bush has used the 9/11 attacks as a way to advance an agenda that is completely unrelated to the attacks themselves, and to infringe on our civil rights. Any attempt to dissect Michael Moore's arguments fall flat when these basic facts are irrefutable.
Fahrenheit 9/11 is ultimately a highly entertaining and justifiably scathing review of the Presidency of George W. Bush, embarrassment to himself, our great nation, and, for that matter, to the entire human race. Please help vote this buffoon out of office before he can discredit our country further.