A teenage girl is convinced that her home city revolves around her until her family packs up and moves to the suburbs, where she finds herself competing for attention.A teenage girl is convinced that her home city revolves around her until her family packs up and moves to the suburbs, where she finds herself competing for attention.A teenage girl is convinced that her home city revolves around her until her family packs up and moves to the suburbs, where she finds herself competing for attention.
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Mary Elizabeth Steppe (Lindsay Lohan) is moving out of NYC kicking and whining into Dellwood, New Jersey. She lives with her mother Karen (Glenne Headly) and her younger twin sisters. She idolizes rock band Sidarthur insisting everyone should call her Lola. She makes quick friend with outsider and fellow Sidarthur fan Ella Gerard (Alison Pill). She also makes quick enemy with mean girl Carla Santini (Megan Fox). They compete for the lead in school adaptation of Pygmalion and Lola gets the lead. Leader of Sidarthur Stu Wolf (Adam Garcia) is leaving the band and there is a farewell concert/party in the city. Carla's father is their lawyer and has connections. Lola lies about her connections. Lola and Ella sneak out to NYC and have themselves a crazy adventure.
This is all very superficial. Even as it calls out the superficiality of it all, it does so superficially. It's not smart enough to dig any deeper. It's all flashy, cutesy, and has the silly imagined sequences. It's a glitter-filled view of teen girl drama done badly. Everything is over-dramatized by Lola as indicated by the title which gets a little bit tiresome. It's just not that funny and slightly annoying.
This is all very superficial. Even as it calls out the superficiality of it all, it does so superficially. It's not smart enough to dig any deeper. It's all flashy, cutesy, and has the silly imagined sequences. It's a glitter-filled view of teen girl drama done badly. Everything is over-dramatized by Lola as indicated by the title which gets a little bit tiresome. It's just not that funny and slightly annoying.
"Confessions of a Teenage Drama Queen" is the story of Lola Cep, played by Lindsey Lohan, trying to fit into a new town and school after moving from New York. She wants to be an actress and she creates dramatic stories about her life and like some teen aged girls she gets over dramatic about the events happening around her. It is all part of her attempt to be more interesting.
I really thought the movie could have been better.
Lohan does a great job playing the "drama queen" and for the most part her character is believable.
Her new friend Ella, played by Alison Pill, is the nice rich girl while Carla, played by Megan Fox, is the nasty bitch rich girl and Lola's main nemesis.
I was in drama club in high school and those scenes did seem believable as the group is preparing for the school musical. In fact, one year, we had a freshman girl beat our the senior girl for the lead in our school play. That caused a lot of issues just like those shown in the film. Carol Kane's Miss Baggoli was a bit too loopy but my drama directors could be strange.
The problem was the story.
The main theme of the movie, as I saw it, was Lola building this fantasy world for her life, having it crash down as lie built upon lie does eventually, then comes redemption and she becomes a better person for it in the end. Lola learns she can be interesting just being herself.
That is a nice film in itself. Unfortunately, the filmmakers couldn't leave it alone and added an unneeded big city adventure for Lola and Ella. It is understandable since we need someway to have Lola's interesting fake life uncovered but it led to an unbelievable situation when she meets her rock star obsession. I kept expecting her and Ella to get into one zany scrape after another, but that didn't happen. If you are going to waste film shooting in the big city at least have something major happen.
The other issue was one of theme.
If the theme is that lying to make oneself interesting will bring retribution - in this case Lola's humiliation in front of her classmates, then the ending of the film didn't fit the theme. I guess it was just Disney's way of getting a happy ending but the stories Lola created were so huge it was not believable that she got what she wanted in the end. She turns out to be really no better than Carla, who gets what she wants because she thinks she deserves it.
Lola was far too lucky. A little realism would have been nice.
Lindsey Lohan showed a spark that could lead her to better roles. I really think that she could be a big star a few years from now. She shined in this movie and was by far the best part of it, bad script and all. I think years from now people will be saying "Hilary who?"
Personally I thought the most interesting supporting character was Calum Cep, Lola's dad, played by Tom McCamus. Those of us who watch sci-fi shows produced in Canada may know McCamus from his role as Mason Eckhart on the "Mutant X" television series.
I really thought the movie could have been better.
Lohan does a great job playing the "drama queen" and for the most part her character is believable.
Her new friend Ella, played by Alison Pill, is the nice rich girl while Carla, played by Megan Fox, is the nasty bitch rich girl and Lola's main nemesis.
I was in drama club in high school and those scenes did seem believable as the group is preparing for the school musical. In fact, one year, we had a freshman girl beat our the senior girl for the lead in our school play. That caused a lot of issues just like those shown in the film. Carol Kane's Miss Baggoli was a bit too loopy but my drama directors could be strange.
The problem was the story.
The main theme of the movie, as I saw it, was Lola building this fantasy world for her life, having it crash down as lie built upon lie does eventually, then comes redemption and she becomes a better person for it in the end. Lola learns she can be interesting just being herself.
That is a nice film in itself. Unfortunately, the filmmakers couldn't leave it alone and added an unneeded big city adventure for Lola and Ella. It is understandable since we need someway to have Lola's interesting fake life uncovered but it led to an unbelievable situation when she meets her rock star obsession. I kept expecting her and Ella to get into one zany scrape after another, but that didn't happen. If you are going to waste film shooting in the big city at least have something major happen.
The other issue was one of theme.
If the theme is that lying to make oneself interesting will bring retribution - in this case Lola's humiliation in front of her classmates, then the ending of the film didn't fit the theme. I guess it was just Disney's way of getting a happy ending but the stories Lola created were so huge it was not believable that she got what she wanted in the end. She turns out to be really no better than Carla, who gets what she wants because she thinks she deserves it.
Lola was far too lucky. A little realism would have been nice.
Lindsey Lohan showed a spark that could lead her to better roles. I really think that she could be a big star a few years from now. She shined in this movie and was by far the best part of it, bad script and all. I think years from now people will be saying "Hilary who?"
Personally I thought the most interesting supporting character was Calum Cep, Lola's dad, played by Tom McCamus. Those of us who watch sci-fi shows produced in Canada may know McCamus from his role as Mason Eckhart on the "Mutant X" television series.
Confessions of a Teenage Drama Queen is about nothing, and yes, it is about everything. The familiar dilemma of juggling one's dreams with the realities of school, family and self-esteem is there - but it is first & foremost about friendship, portrayed in a wonderful, natural way by Alison Pill (Ella) and Lindsay Lohan (Lola/Marie). The friendship portrayed by these two lead actors are as real as any I've seen on screen. I especially look forward to seeing Alison Pill (Pieces of April) in more first-run movies.
The movie has a fine cast, and first-rate performances in the supporting roles - Glenne Headley as the single mother, is understated but a steady, anchoring presence in the entire movie. Megan Fox is the stylish school queen-bee whose role is much more complex than on first impression. Carol Kane is hilarious as the overwrought drama teacher.
Because the script is based on a popular novel, the movie rewards the viewer who listens carefully as it has densely humorous script. There are subtle lines and touches which can be missed. One example of the original nature of this movie is the way the budding 'romantic interest' of Lola is treated as a true subplot. This movie is about friendship, not romance.
The director, Sara Sugarman, deserves a lot of the credit for adapting the book to the screen with imagination and playful flourishes which reflect the mindset of the lead character and don't get in the way of the movie. The characters come across as real people, with real lives. There is an overall loving attention to detail in editing, production design and the several subplots all have meaning and contribute to each other without contrivance.
This is an accomplished movie with a nice message which succeeds at many different levels. While under-appreciated during its original theatrical run, I predict it will stand the test of time.
The movie has a fine cast, and first-rate performances in the supporting roles - Glenne Headley as the single mother, is understated but a steady, anchoring presence in the entire movie. Megan Fox is the stylish school queen-bee whose role is much more complex than on first impression. Carol Kane is hilarious as the overwrought drama teacher.
Because the script is based on a popular novel, the movie rewards the viewer who listens carefully as it has densely humorous script. There are subtle lines and touches which can be missed. One example of the original nature of this movie is the way the budding 'romantic interest' of Lola is treated as a true subplot. This movie is about friendship, not romance.
The director, Sara Sugarman, deserves a lot of the credit for adapting the book to the screen with imagination and playful flourishes which reflect the mindset of the lead character and don't get in the way of the movie. The characters come across as real people, with real lives. There is an overall loving attention to detail in editing, production design and the several subplots all have meaning and contribute to each other without contrivance.
This is an accomplished movie with a nice message which succeeds at many different levels. While under-appreciated during its original theatrical run, I predict it will stand the test of time.
Confessions of a Teenage Drama Queen looks like a very over-produced film (every scene features loud bright colours, neon lights, heavy costume design..etc)and the scene where Lola and Carla (Megan Fox) are sitting in the auditorium features heavy blurring, thereby making the scene a tad jarring. I did think that Lohan, Garcia and Kane gave solid performances even if the latter two didn't get as much screen time.
The film is far from the worst ever made, but it is definitely one of Lohan's weaker films, especially compared to the likes of "Freaky Friday" and "Mean girls". I don't think the film is terrible per say just a little boring and very predictable. It was clearly a good children's book, just not compelling enough a story for filming. One for younger girls I'm afraid.
The film is far from the worst ever made, but it is definitely one of Lohan's weaker films, especially compared to the likes of "Freaky Friday" and "Mean girls". I don't think the film is terrible per say just a little boring and very predictable. It was clearly a good children's book, just not compelling enough a story for filming. One for younger girls I'm afraid.
And then the movie happened. I have a soft spot for quirky teenage geared movies and this looked like another I would thoroughly enjoy but, no luck.
The movie follows "Lola", played by Lindsay Lohan, a quirky, overactive imagination teenager who is transplanted from New York to New Jersey. The story and character had lots of potential but most of it was lost on a mediocre story line that only took baby attempts at using the potentially hilarious characters. As talented as she may be, Lohan had no chance to rescue this movie.
Disappointing, this movie left lots to be desired and much story potential to be developed. I would not be surprised if there's a spin off in a year or so.
5/10 It is a good watch for the pre-teen in the family!
The movie follows "Lola", played by Lindsay Lohan, a quirky, overactive imagination teenager who is transplanted from New York to New Jersey. The story and character had lots of potential but most of it was lost on a mediocre story line that only took baby attempts at using the potentially hilarious characters. As talented as she may be, Lohan had no chance to rescue this movie.
Disappointing, this movie left lots to be desired and much story potential to be developed. I would not be surprised if there's a spin off in a year or so.
5/10 It is a good watch for the pre-teen in the family!
Did you know
- TriviaLindsay Lohan's only theatrical Disney movie that was not inspired by a previously released Disney movie. The Parent Trap (1998) and Freaky Friday (2003) were remakes, and Herbie: Fully Loaded (2005) was both a reboot and a sequel.
- GoofsSet in New York City, yet the concert theatre the band plays at clearly says "Elgin Theatre" which is in Toronto where the movie was shot.
- ConnectionsFeatured in Lindsay Lohan: Drama Queen (That Girl) (2004)
- SoundtracksReady
Written by Mick Jones, Kara DioGuardi, Lukas McGuire Burton, Jamie Alexander Hartman,
Sacha Skarbek
Performed by Cyndi (as Cherie)
Courtesy of Lava Records LLC
By Arrangement with Warner Strategic Marketing
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Confesiones De Una Típica Adolecente
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $29,331,068
- Opening weekend US & Canada
- $9,350,572
- Feb 22, 2004
- Gross worldwide
- $33,251,890
- Runtime1 hour 29 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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