6.2/10
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285 user 122 critic

Bride & Prejudice (2004)

PG-13 | | Comedy, Drama, Musical | 11 March 2005 (USA)
A modern adaptation of Jane Austen's classic novel, Pride and Prejudice, that features the lives of four unmarried daughters in an Indian family.

Director:

Writers:

(novel), | 1 more credit »

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From $1.99 (SD) on Amazon Video

ON DISC
4 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Lalita Bakshi (as Aishwarya Rai)
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Nadira Babbar ...
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Chaman Bakshi
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Chandra Lamba
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Meghna Kothari ...
Maya Bakshi (as Meghnaa)
Peeya Rai Chowdhary ...
Lakhi Bakshi (as Peeya Rai Choudhuri)
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Georgina 'Georgie' Darcy
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Catherine Darcy
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Ashanti
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Storyline

A Bollywood-style update of Jane Austen's classic tale, in which Mrs. Bakshi is eager to find suitable husbands for her four unmarried daughters. When the rich single gentlemen Balraj and Darcy come to visit, the Bakshis have high hopes, though circumstance and boorish opinions threaten to get in the way of romance. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Bollywood meets Hollywood... And it's a perfect match


Motion Picture Rating (MPAA)

Rated PG-13 for some sexual references | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

| | |

Release Date:

11 March 2005 (USA)  »

Also Known As:

Coup de foudre à Bollywood  »

Filming Locations:

 »

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Box Office

Budget:

$7,000,000 (estimated)

Opening Weekend:

£1,667,616 (United Kingdom), 10 October 2004, Limited Release

Opening Weekend USA:

$385,848, 13 February 2005, Limited Release

Gross USA:

$6,601,079, 22 May 2005
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

(International) | (Hindi)

Sound Mix:

|

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Johnny Depp and Joaquin Phoenix were considered for the role of Darcy. See more »

Goofs

During the confrontation between Lalita and Darcy after the L.A. wedding, Lalita's earrings change. First they match, then one is longer than the other and a slightly different style. See more »

Quotes

Kiran Bingley: These girls are like naked live wires. If you get too close, you'll get an electric shock of love
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Crazy Credits

Out-takes, behind the scenes footage and clips of the cast and crew singing along to the music are shown during the credits. See more »

Connections

Featured in Pride and Prejudice Revisited (2005) See more »

Soundtracks

My Lips Are Waiting (reprise)
Composed by Anu Malik
Arranged by Ranjit Barot
Lyrics by Paul Mayeda Berges and Dev Kohli
Main Vocals by Ashanti
Background Vocals by Aishwarya Rai Bachchan, Martin Henderson, Namrata Shirodkar,
Meghna Kothari, Peeya Rai Chowdhary, Nitin Ganatra, Gurinder Chadha,
, and Mellan Mitchell
Used courtesy of Casablanca Music, LLC
Ashanti appears courtesy of The Inc
(c) Pathé Fund Ltd 2004
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User Reviews

 
Bollywood Miramax style . . .
10 October 2004 | by See all my reviews

Inspired by Jane Austen's Pride and Prejudice, this Western-style Bollywood musical can't possibly achieve the heights that a union of the best of East and West movie making and English literature might suggests, but it manages to fulfil a delightful couple of hours of song and dance that Western cinema these days struggles to accomplish.

Like the novel, Bride and Prejudice uses the ideas that that first impressions are often wrong, and that a person can mature if he or she keeps an open mind. The unlikely courtship of Mr Darcy and (in our movie) a beautiful Indian girl starts with mutual contempt, but moves forward as they become wiser and learn that their first instincts, based on pride, prejudice and illusions, were wrong.

The scene moves between Amritsar and Goa to London and Beverley Hills, all in brighter-than-bright super-saturated colour, with an assortment of equally colourful characters, wonderful costumes, lavish dance pieces and heavenly bollywood-style ballads. While almost everything is in English (except for a few subtitled songs), nearly all the characters are top Indian performers.

In the golden age of musicals, stars such as Gene Kelly and Fred Astaire had a whole sub-industry to draw on for good dancers who could also sing and act well, plus the technicians used to producing high-end musicals. As demand waned, so did supply, and the West is now hard pressed to produce song and dance films that don't rely on snappy editing to suggest good dancing from top actors, or heavy coaching to suggest top dancers can act. Bollywood, on the other hand, has no such shortage, and Bride and Prejudice is the sumptuously choreographed musical with Indian dancing that has become nigh impossible with western dancers.

Admittedly it's a bit cheesy at times - but it's self-consciously so, and as endearing as warm, gushy Indian hospitality. The sets and dialogue give authentic, if stereotypical, glimpses of Indian life and values. Like many east-meets-west movies, the stereotypes are a handle to allow easy assimilation of foreign ideas, and the heavy Indian involvement wards off any tendency to patronise (which is one of the themes explored in the film).

This is not high drama or high art, but it's an accomplished romantic comedy / song-and-dance film, and one that warms the heart and makes you want to wave your arms in the air Indian-dance-style for the sheer joy and exuberance of happy endings.


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