| Photos (See all 56 | slideshow) | Videos (see all 4) |
| Kevin Bacon | ... | Walter | |
| David Alan Grier | ... | Bob | |
| Eve | ... | Mary-Kay | |
| Kyra Sedgwick | ... | Vicki | |
| Benjamin Bratt | ... | Carlos | |
| Carlos Leon | ... | Pedro | |
| Michael Shannon | ... | Rosen | |
| Kevin Rice | ... | Candy | |
| Mos Def | ... | Sgt. Lucas | |
| Hannah Pilkes | ... | Robin | |
| Jessica Nagle | ... | Annette | |
| Liam Daniels | ... | Boy at Playground | |
| Joey Hazinsky | ... | Cherub | |
| Clara Hopkins Daniels | ... | Little Girl on Bus (as Clara Infinity Daniels) | |
| Ashley C. Coombs | ... | Girl on Bus | |
| Floriane Miniscloux | ... | Girl in Mall (as Floriane Maniscloux) | |
| Aunt Dot | ... | Saleswoman | |
| Spencer Ross | ... | Sportscaster (voice) | |
| Nicole Gibson | ... | Girl with Red Ball | |
| rest of cast listed alphabetically: | |||
| Van Cameron | ... | Lumber Yard Worker (uncredited) | |
| Colleen Dengel | ... | School Girl (uncredited) | |
| Suzanne Dengel | ... | School Girl (uncredited) | |
| Laura Holloway | ... | Waitress (uncredited) | |
| Paul Majors | ... | Lumber Yard Worker (uncredited) | |
| Bobby Prochaska | ... | Clerk (uncredited) | |
| David C. Roehm Sr. | ... | Older Barfly (uncredited) | |
Directed by | |||
| Nicole Kassell | |||
Writing credits | ||
| Steven Fechter | (play) | |
| Nicole Kassell | (screenplay) and | |
| Steven Fechter | (screenplay) | |
Produced by | |||
| Kevin Bacon | .... | executive producer | |
| Marvet Britto | .... | co-executive producer | |
| Lisa Cortes | .... | co-producer (as Lisa Cortés) | |
| Lee Daniels | .... | producer | |
| Damon Dash | .... | executive producer | |
| Valerie Hoffman | .... | co-producer | |
| Brook Lenfest | .... | executive producer (as Brook) | |
| Dawn Lenfest | .... | executive producer | |
| David Robinson | .... | co-producer (as Dave Robinson) | |
| Simone Sheffield | .... | associate producer | |
| Candice Williams | .... | associate producer | |
Original Music by | |||
| Nathan Larson | |||
Cinematography by | |||
| Xavier Pérez Grobet | (director of photography) | ||
Film Editing by | |||
| Lisa Fruchtman | |||
| Brian A. Kates | |||
Casting by | |||
| Kerry Barden | |||
| Mark Bennett | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Stephen Beatrice | |||
Set Decoration by | |||
| Christine Wick | |||
Costume Design by | |||
| Frank L. Fleming | (as Frank Fleming) | ||
Makeup Department | |||
| Ljiljana Lee Cado | .... | assistant makeup artist (as Ljiljana Cado) | |
| Diane Dixon | .... | key hair stylist | |
| Anthony Giunta | .... | assistant hair stylist | |
| Lindsay Irish-Desarno | .... | body makeup (as Lindsay Irish) | |
| Robert Johnson | .... | key makeup artist | |
| Eva N. Marinakis | .... | assistant makeup artist (as Eva Marinakis) | |
| Jaqueline Noel | .... | hair stylist: Eve | |
Second Unit Director or Assistant Director | |||
| Colleen Casey | .... | second second assistant director | |
| Thomas Fatone | .... | first assistant director | |
| Patrick Gibbons | .... | second assistant director (as Patrick D. Gibbons) | |
Art Department | |||
| Greta Alexander | .... | scenic artist | |
| Scott Anderson | .... | construction coordinator | |
| D. Keith Cleary | .... | shop craftsman | |
| Jonathan A. Davidson | .... | shop craftsman (as Jonathan Davidson) | |
| Michael Davidson | .... | construction grip | |
| Matthew Dicks | .... | set production support | |
| Jordan Gable | .... | construction grip | |
| Michael T. Galvin | .... | set dresser | |
| Jon E. Graf | .... | shop craftsman (as Jon Graf) | |
| Alicia Jacobson | .... | charge scenic | |
| Erika S. Katz | .... | scenic artist (as Erica S. Katz) | |
| Laila Kjoersvik Swanson | .... | scenic artist (as Laila Swanson) | |
| David W. Lowe | .... | construction grip (as David 'Bigfoot' Lowe) | |
| Janice E. Manser | .... | draper (as Janice Manser) | |
| Nicole Marsella | .... | art department support | |
| Ken McCallum | .... | construction grip (as Kenneth Mccallum) | |
| David McMahon | .... | shop craftsman (as David P. Mcmahon) | |
| Alan J. Mehlbrech | .... | key construction grip | |
| Morgan Miller | .... | on-set dresser | |
| Charles D. Minter | .... | shop craftsman (as Charles Minter) | |
| Evan O'Neill | .... | set production assistant | |
| Sharon Potts | .... | property master (as Sharon L. Potts) | |
| Charles J. Scott | .... | on-set dresser | |
| Christopher Sneade | .... | props production assistant | |
| Nancy Stroud | .... | camera scenic artist | |
| Jay C. Stuart Jr. | .... | shop craftsman | |
| Christine Sysko | .... | leadman | |
| Kendra D. Wadsworth | .... | scenic artist (as Kendra Wadworth) | |
| Tom West | .... | assistant property master | |
| Patrick Edward White | .... | construction grip | |
| Jim Williams | .... | set dresser | |
| Linda Yeckley | .... | scenic artist | |
Sound Department | |||
| Joe Caterini | .... | re-recording mixer | |
| Joe Caterini | .... | supervising sound editor | |
| Matthew Haasch | .... | supervising foley editor | |
| Brian Jordan | .... | boom operator (as Brian M. Jordan) | |
| Chris Kellet | .... | boom operator (as Chris Kellett) | |
| Igor Nikolic | .... | sound effects editor | |
| Jay Peck | .... | foley artist | |
| Michael Primmer | .... | boom operator | |
| Jennifer Ralston | .... | supervising dialogue editor (as Jen Ralston) | |
| Aaron J. Rudelson | .... | boom operator (as Aaron Rudelson) | |
| Paul Sacco | .... | consultant: Dolby | |
| Thomas Varga | .... | sound mixer | |
| Karl Wasserman | .... | boom operator (as Karl G.E. Wasserman) | |
Visual Effects by | |||
| Jennifer Russomanno | .... | titles and opticals: Duart | |
| Keith Yurevitz | .... | titles and opticals: Duart | |
| Brian Scott Benson | .... | digital effects artist (uncredited) | |
| Luke DiTommaso | .... | visual effects (uncredited) | |
| Mitch Paulson | .... | digital preview colorist (uncredited) | |
Stunts | |||
| Dakota Anderson | .... | stunt coordinator | |
| Norman Douglass | .... | stunts (as Norman Douglas) | |
Casting Department | |||
| Diane Heery | .... | location casting: Mike Lemon Casting | |
| Jason Loftus | .... | extras casting assistant | |
| Maribeth Rubenstein | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Teresa Binder | .... | costume supervisor: Philadelphia (as Teresa Binder-Westby) | |
| Lisa R. Frucht | .... | costume supervisor: New York (as Lisa Frucht) | |
| Monica Gonzalez | .... | costume support | |
| Kara Morasco | .... | seamstress | |
| Gabriella Palumbo | .... | costume support | |
| Kathie Pierson | .... | on-set costumer | |
| Maren Reese | .... | costume support | |
Editorial Department | |||
| Laura Galli | .... | post-production intern | |
| Fred Heid | .... | color timer | |
| Florence Holdeman | .... | post-production intern | |
| Desiree Jones | .... | post-production intern | |
| Marin Sander-Holzman | .... | assistant editor | |
| Stan Sztaba | .... | additional negative cutter | |
| Joe Violante | .... | coordinator: Technicolor | |
| Sam Daley | .... | colorist (uncredited) | |
Music Department | |||
| Linda Cohen | .... | music supervisor | |
| Âsa Håkansson | .... | musician | |
| Brian A. Kates | .... | music editor | |
| Nathan Larson | .... | musician | |
Transportation Department | |||
| Patrick Bolger | .... | driver | |
| Gregory J. Cimino | .... | driver | |
| Gerald Ehresmann | .... | driver (as Jerry Ehresmann) | |
| Don Greenleaf | .... | driver (as Donald J. Greenleaf) | |
| Robert Hall | .... | driver | |
| William M. Hamilton Jr. | .... | transportation coordinator (as William Hamilton Jr.) | |
| John Keller | .... | driver | |
| William MacCready | .... | driver (as William Mccready) | |
| Ed Malseed | .... | driver | |
| John Morrone IV | .... | driver (as John Marrone IV) | |
| George Naylor | .... | driver (as George D. Naylor) | |
| Robert J. Rocco | .... | driver | |
| John Tarlini Jr. | .... | driver (as John A. Tarlini) | |
Other crew | |||
| Lauren Almasy | .... | location supporter | |
| Nana Ashong | .... | set production assistant | |
| R.C. Baral | .... | post-production accountant | |
| Mary Berkelbach | .... | medic (as Mary Frances Berkelbach) | |
| Jason Block | .... | post-production accountant | |
| Ronald Brescio | .... | set production assistant | |
| Andrew Brett | .... | set production assistant (as Andrew M. Brett) | |
| Erika S. Byard | .... | producer/director support | |
| Maya Choldin | .... | set production assistant | |
| Andrew Cinquino | .... | set production assistant (as Andrew J. Cinquino) | |
| Wayne Clemons | .... | chef assistant: Premiere Catering | |
| Carol A. Compton | .... | clearances: Indieclear (as Carol Compton) | |
| Amy Comstock | .... | accountant (as Amy S. Comstock) | |
| Kenneth Cue | .... | chef: Premiere Catering | |
| Amy D'Alio | .... | set production assistant | |
| Katie R. Dailey | .... | craft service support | |
| Denise DePalma | .... | medic (as Denise Mallee Depalma) | |
| Victoria Dilks | .... | craft service assistant | |
| Josh Dorn | .... | assistant location manager | |
| Princess Idia Gamble | .... | producer/director support | |
| Todd Giresi | .... | additional production assistant (as Todd Tirisi) | |
| Benjamin Goldberg | .... | production coordinator | |
| Staci Hagenbaugh | .... | location assistant | |
| Colin Helb | .... | welfare worker | |
| Michael E. Hernandez | .... | catering: Premiere Catering (as Michael Hernandez) | |
| Carolyn Holloway | .... | production consultant | |
| Steven Holtzman | .... | first assistant accountant | |
| Steven Holtzman | .... | payroll accountant | |
| Jennifer James | .... | office production assistant | |
| Sondra James | .... | loop group coordinator | |
| Terra Johnson | .... | additional production assistant | |
| Kathleen Kelly | .... | set medic (as Kathleen Maller Kelly) | |
| Monique LaMontagne | .... | location manager (as Monique Lamontagne) | |
| Eileen Marks | .... | stand-in: Ms. Sedgwick | |
| Jason Marshall | .... | additional production assistant | |
| Tom Martin | .... | set production assistant | |
| Jonathan Martofel | .... | office support | |
| Margaret Mazzei | .... | medic | |
| Syreeta Mccoy | .... | additional production assistant | |
| Hally McGehean | .... | welfare worker (as Hally Mcgehean) | |
| Brett McKenzie | .... | office production assistant (as Brett Mckenzie) | |
| Megan McNichol | .... | set production assistant (as Megan Mcnichol) | |
| Susan Mieras | .... | assistant: Kevin Bacon / Kyra Sedgwick | |
| Kenneth Min | .... | office production assistant | |
| Barbara Muehleib | .... | animal coordinator | |
| Ruben O'Malley | .... | office production assistant | |
| Doreen S. Oliver-Akinnuoye | .... | assistant: Lee Daniels / Nicole Kassell | |
| Anthony Pettine | .... | script supervisor | |
| Jennifer Pope | .... | additional production assistant | |
| Irwin M. Rappaport | .... | legal services | |
| Gil Richardson | .... | process trailer | |
| Andy Sforzini | .... | creative consultant | |
| Raushanah S. Shamsid-Deen | .... | producer/director support | |
| Mark Shandley | .... | set production assistant (as Mark Shandlay) | |
| Amy Silverman | .... | key set production assistant (as Amy Danielle Silverman) | |
| James Sloane Jr. | .... | security officer | |
| Edward Spencer | .... | craft service support | |
| Jared Springer | .... | office support | |
| Shannon Stewart | .... | craft service | |
| Tim Susco | .... | location supporter (as Timothy Susco) | |
| Kim Thompson | .... | stand-in: Mr. Bacon (as Kimberly Anne Thompson) | |
| Pamela Thompson | .... | set teacher | |
| Jim Titus | .... | adr voice (as James T. Williams II) | |
| Robert Tyler | .... | set production assistant | |
| Ryan Wachter | .... | additional production assistant | |
| Charles Washington Jr. | .... | key production assistant | |
| Thaddeus Weintzen | .... | craft service support | |
| Joyce Werner | .... | additional production assistant | |
| Mark Westman | .... | falconer | |
| Michael J. Arbouet | .... | graphic artist: motion graphics and logos (uncredited) | |
| Luis Garcia | .... | office clerk (uncredited) | |
| Larry Strong | .... | graphic artist: motion graphics and logos (uncredited) | |
Thanks | |||
| Sarah Alpert | .... | thanks | |
| David Altman | .... | thanks | |
| Barry Bella | .... | thanks | |
| Dinky Bingham | .... | thanks | |
| Chris Brooks | .... | thanks | |
| Matt Carey | .... | thanks | |
| William Case | .... | thanks | |
| Drew Crevello | .... | thanks | |
| Carol Dysinger | .... | thanks | |
| Kenny Gamble | .... | thanks | |
| Stuart Gelwarg | .... | thanks | |
| Kay Jackson | .... | thanks | |
| Patti LaBelle | .... | very special thanks (as Patti Labelle) | |
| Peter Leokum | .... | thanks | |
| Bill Luterman | .... | thanks | |
| Steve McKeever | .... | very special thanks (as Steve Mckeever) | |
| Beth Melillo | .... | thanks | |
| Tamara Menteer | .... | thanks | |
| Al Momjian | .... | thanks | |
| Ashley Nichols | .... | thanks | |
| Natasha Kassell Osborne | .... | thanks | |
| Sharon Pinkenson | .... | very special thanks | |
| Hal Roseman | .... | thanks | |
| Ronald Rubin | .... | thanks | |
| Rashmi Skaadegard | .... | thanks | |
| Mike Smyth | .... | thanks | |
| John F. Street | .... | thanks (as Mayor John Street) | |
| Jessica Trupin | .... | thanks | |
| Vurv | .... | the producers wish to thank | |
| Steve Yung | .... | thanks | |
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| Little Children | Personal Velocity: Three Portraits | Boy A | The Witnesses | Intermission |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
The last film that unsettled me much like "The Woodsman" did was Todd Solondz's superb and exceedingly black comedy, "Happiness" (1998), which dealt with similar themes. But unlike Solondz, who never seems to like any of his characters, screenwriters Nicole Kassell and Steven Fechter appear to genuinely care about the people they create.
Their story's really very simple: Walter (Kevin Bacon) gets out of prison after serving a dozen years for molesting young girls. He takes a job at a Philadelphia-area lumber mill and tries to get his life back together again, while dealing with his inner demons.
What's likely to disturb many about "The Woodsman" is that Kassell and Fechter raise the intriguing question of whether someone who's done something despicable is not only capable of putting his life back together again after serving his time, but also whether society ought to allow him to do so. And to make our job even tougher, Kassell and Fechter don't turn Walter into a monster.
"The Woodsman" is aided immensely by a strong, compelling performance by Bacon. It's easily his best work, a role that requires him to underplay his character. Director Kassell isn't shy about letting the camera linger on Bacon's face and Bacon credibly brings to life Walter's suffering. It's a sensationally good performance. Bacon gives him depth and feeling and we suddenly find ourselves caring about this reprehensible man.
There are some superb supporting performances, including Mos Def as a cop, David Alan Grier as Walter's boss and Benjamin Bratt proving he really can act if he's given a good role. The most interesting supporting character is Vickie, a coworker willing to give Walter a second chance at life. Kyra Sedgwick, a gifted, yet under-rated, actress, is utterly convincing as Vickie, a woman almost as damaged as Walter is.
The Walter-Vickie relationship works because there's terrific chemistry between Bacon and Sedgwick. True, they're husband and wife, but real-life couples can fail miserably on screen. Kidman and Cruise in "Far and Away" (1992), anyone?
Bacon and Sedgwick's scenes are tender, passionate and real. Though, there's one intimate moment between Walter and Vickie that's clearly inspired by the famous Donald Sutherland-Julie Christie love scene in Nicolas Roeg's "Don't Look Now" (1973).
What makes "The Woodsman" such gripping viewing is that the film doesn't shy away from letting us into Walter's struggle. There's a particularly uncomfortable scene on a park bench as Walter comes to terms with his true nature.
"The Woodsman" is a film that deserves to be seen. It's a pity that less-than-mediocre movies, such as "Connie and Carla" and "Twisted," get widely released, while a gem like "The Woodsman" gets to very few theaters. Seek out this film. It's not an easy film to watch, but the performances are all good, the story's riveting and it's definitely one of the best, most thought-provoking films of the year.