7.2/10
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217 user 147 critic

The Woodsman (2004)

R | | Drama | 21 January 2005 (USA)
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2:11 | Trailer

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A child molester returns to his hometown after 12 years in prison and attempts to start a new life.

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(play), (screenplay) | 1 more credit »
7 wins & 18 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Bob
...
Mary-Kay
...
...
...
Pedro
...
Rosen
...
Candy
...
Sgt. Lucas (as Mos Def)
...
Robin
Jessica Nagle ...
Annette
Liam Daniels ...
Boy at Playground
Joey Hazinsky ...
Cherub
Clara Hopkins Daniels ...
Little Girl on Bus (as Clara Infinity Daniels)
Ashley C. Coombs ...
Girl on Bus
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Storyline

After twelve years in prison, Walter arrives in an unnamed city, moves into a small apartment across the street from an elementary school, gets a job at a lumberyard, and mostly keeps to himself. A quiet, guarded man, Walter finds unexpected solace from Vickie, a tough-talking woman who promises not to judge him for his history. But Walter cannot escape his past. A convicted sex offender, Walter is warily eyed by his brother-in-law, shunned by his sister, lives in fear of being discovered at work, and is hounded by a suspicious local police officer, Detective Lucas. After befriending a young girl in a neighborhood park, Walter must also grapple with the terrible prospect of his own reawakened demons. Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Taglines:

What's the worst thing you ever did? See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for sexuality, disturbing behavior and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 January 2005 (USA)  »

Also Known As:

Der Dämon in mir  »

Box Office

Opening Weekend:

$53,985 (USA) (24 December 2004)

Gross:

$42,069 (USA) (18 November 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

| (Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The original script took first place at the 2001 Slamdance Screenplay Competition. See more »

Goofs

The first time Walter and Vicki drive in her truck, the transmission is clearly in "park". See more »

Quotes

Walter: [Repeated line] When will I be normal?
See more »

Crazy Credits

In the soundtrack section of the credits, for the song "Give Up The Funk (Tear The Roof Off The Sucker)," "Performed" is misspelled as "Perfromed". See more »

Connections

Featured in The 20th IFP Independent Spirit Awards (2005) See more »

Soundtracks

I've Got to Praise His Name
Written by Waltier Blocker
Performed by St. Thomas Gospel Choir
Courtesy of St. Thomas Gospel Choir
See more »

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User Reviews

 
Superb exploration of shame and the struggle to be normal
12 December 2004 | by (Hollywood, CA) – See all my reviews

This is a somewhat slow (never boring) film with several performances of the highest quality. Kyra Sedgwick has amazing scenes, and one in particular flipped around my perception of every other character's motivation. David Alan Grier's performance is, maybe for the first time, not over the top. Hannah Pilkes, in her first film, nearly steals the scene from Kevin Bacon. Eve and Benjamin Bratt both do a good job. Mos Def's lines are either beyond his range or the lines themselves are just too heavy-handed, but Kevin plays off of them in brilliant silence.

Kevin Bacon's performance is Oscar-worthy. In other films, weak effects, poor acting, awful dialog, etc., have pulled me out of the world that the film was attempting to create. Kevin's performance is so good that at one time I found myself pulled out of the experience in awe; while continuing to believe the truth of the character, I was at the same time floored by Kevin's ability to deliver such depth.

Sure, the subject matter allows actors to express strong feeling. Anger is an easy route, as is self-loathing. This script has some of that, but what makes this film great is that primarily it chooses to explore shame and the struggle to be normal. The actors (Bacon, Kira, Pilkes) that are given the opportunity to explore that, they really excel in this film.


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