An eager and idealistic young attorney defends an Alcatraz prisoner accused of murdering a fellow inmate. The extenuating circumstances: his client had just spent over three years in solitary confinement.
Nick Hume is a mild-mannered executive with a perfect life, until one gruesome night he witnesses something that changes him forever. Transformed by grief, Hume eventually comes to the disturbing conclusion that no length is too great when protecting his family.
A traumatic event sends a musician (Sedgwick) back to her hometown in an effort to reunite with the daughters she abandoned. To do so, she must confront her abusive ex-husband (Quinn), from whom she fled years ago.
Chayo returns to her hometown to care for her elderly mother and cope with her death. Surrounded by love and sublime beauty, Chayo has to give up something that as a woman and mother is inalienable. That will be the price of her freedom.
After twelve years in prison, Walter arrives in an unnamed city, moves into a small apartment across the street from an elementary school, gets a job at a lumberyard, and mostly keeps to himself. A quiet, guarded man, Walter finds unexpected solace from Vickie, a tough-talking woman who promises not to judge him for his history. But Walter cannot escape his past. A convicted sex offender, Walter is warily eyed by his brother-in-law, shunned by his sister, lives in fear of being discovered at work, and is hounded by a suspicious local police officer, Detective Lucas. After befriending a young girl in a neighborhood park, Walter must also grapple with the terrible prospect of his own reawakened demons. Written by
Sujit R. Varma
The movie was released in the US just nine days after California put its sex offender register online. According to "Megan's Law," named after 7-year-old Megan Kanka, who was abducted and killed by a sex offender who lived next door, parents must be able to check whether any convicted sex offenders live in their neighborhood. See more »
The first time Walter and Vicki drive in her truck, the transmission is clearly in "park". See more »
So, are you gonna tell me your dark secret?
Why do you wanna know?
Don't you think I should know before we have sex?
[looks at her]
I don't like to waste time.
See more »
In the soundtrack section of the credits, for the song "Give Up The Funk (Tear The Roof Off The Sucker)," "Performed" is misspelled as "Perfromed". See more »
An intelligent and thought-provoking film that never flinches from it's subject matter, and includes a superb performance from it's leading man. Kassell's film manages to steer clear of didacticism and lays the misunderstandings and prejudices about, and ignorance of, paedophilia open for the audience to interpret in their own way. The protagonist is neither a sympathetic hero or a villain, but during the course of the film he wavers between the two leaving the audience both supportive and sickened. This amalgam of conflicting emotions makes 'The Woodsman' essential viewing for a rational, adult audience. I only wonder how an audience would react to a paedophile played by an unknown actor without Bacon's profile, as I suspect many people would find it harder to accept without his charisma or celebrity attached to the film.
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