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King Kong (2005)

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In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to the mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.

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(screenplay), (screenplay) | 3 more credits »
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1,026 ( 419)
Won 3 Oscars. Another 42 wins & 92 nominations. See more awards »

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Cast

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William Johnson ...
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Storyline

Carl Denham needs to finish his movie and has the perfect location; Skull Island. But he still needs to find a leading lady. This 'soon-to-be-unfortunate' soul is Ann Darrow. No one knows what they will encounter on this island and why it is so mysterious, but once they reach it, they will soon find out. Living on this hidden island is a giant gorilla and this beast now has Ann is its grasps. Carl and Ann's new love, Jack Driscoll must travel through the jungle looking for Kong and Ann, whilst avoiding all sorts of creatures and beasts. But Carl has another plan in mind. Written by Film_Fan

Plot Summary | Plot Synopsis

Taglines:

The eighth wonder of the world.


Motion Picture Rating (MPAA)

Rated PG-13 for frightening adventure violence and some disturbing images | See all certifications »

Parents Guide:

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Details

Country:

| |

Language:

Release Date:

14 December 2005 (USA)  »

Also Known As:

Peter Jackson's King Kong  »

Box Office

Budget:

$207,000,000 (estimated)

Opening Weekend:

£6,944,740 (UK) (16 December 2005)

Gross:

$218,051,260 (USA) (31 March 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (extended edition)

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Contains approximately 800 miniature shots. See more »

Goofs

Apparently Carl Denham had a warrant for his arrest but Englehorn doesn't get a message about this until the ship is near Skull Island. See more »

Quotes

[first lines]
Manny: [practicing sneezes] That's a funny one. Isn't that funnier?
See more »

Crazy Credits

At the end of the closing credits: "This film is dedicated with love and respect to the original adventurers of Skull Island: Merian C. Cooper, Ernest B. Schoedsack, Willis H. O'Brien, Max Steiner, Robert Armstrong and ... the incomparable Fay Wray. They continue to inspire all those who follow in their footsteps." See more »

Connections

Referenced in The Inbetweeners: Will's Dilemma (2010) See more »

Soundtracks

I'm Sitting on Top of the World
Written by Ray Henderson, Joe Young, Sam Lewis (as Sam M. Lewis)
Performed by Al Jolson
Courtesy of Geffen Records
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Jackson's Soulful, Spunky, Spectacular Labor of Love
6 December 2005 | by (Whitehall, PA) – See all my reviews

I was one of the lucky winners of the Kong is King.net World Premiere Ticket contest, so my husband and I had the pleasure of seeing KING KONG in Times Square's Loews E-Walk Theatre. I knew I'd like it the minute I saw the Art Deco opening credits, very reminiscent of RKO's style. The movie only got better from there, carrying us moviegoers on a roller-coaster ride of adventure, romance, and eye-popping special effects. What raises Jackson's take on KING KONG above other rock'em-sock'em action blockbusters is that it's so clearly a labor of love in every sense of the term, a spectacle with soul and spunk. It's not every rollicking adventure film that begins with scenes of life in 1933 New York City, when the Great Depression was at its worst. No wonder plucky but vulnerable actress Ann Darrow (Naomi Watts is at her most beautiful and winsome as a more proactive version of Fay Wray's star-making role) is willing to take a chance with fast-talking movie producer/director Carl Denham (Jack Black, a rascally delight) on his latest project, involving leaving for the South Seas that very night.

The characters are no mere genre archetypes; before their adventure begins, Jackson and his talented cast let us get to know and care about every one of them. When crewmen from the S.S. Venture get injured or killed by Skull Island's various fearsome natives and beasts, we mourn them. When Ann and playwright Jack Driscoll (Adrien Brody combines strength and sensitivity wonderfully as this unlikely hero. He gets my vote for Movie Mensch of the Year!) connect on screen, we're moved and rooting for them to get together, especially after they share one of this year's best screen kisses. Even the calculating Denham wins us over with his sheer force of will. A real Orson Welles type, the guy just loves making movies -- and money -- so much he'll go to insane lengths to make his project a reality, whether it involves outrunning his creditors, shanghaiing Driscoll on the Venture, or tricking his cast and crew onto uncharted Skull Island.

Most importantly, King Kong himself captivates us, thanks to a combination of WETA's amazing special effects and the range of emotion provided by a motion-captured Andy Serkis. If only one cast member gets an Oscar nomination, I say give it to Serkis for his wonderful performances as both Kong and Lumpy the cook! :-) Kong has never been just another scary big ape in any of the previous film versions of his story, but Jackson and Serkis make him particularly engaging, not just because he looks so convincingly weatherbeaten, but he moves like an ape (on all fours, thank you) and has the facial expressions of a human. As a result, we can see how Kong's terrifying side is influenced by his tender side. Yes, I said "tender." How else can you describe his protectiveness towards Ann on Skull Island after she wins him over by performing her lively vaudeville act? When Kong does go nutzoid, it's because either he or Ann are being threatened, whether by people, planes, or Skull Island's jaw-dropping, scream-inducing array of monsters and aborigine tribespeople. Jackson & Company give the big guy plenty of dizzying set pieces to show his stuff, involving everything from dinosaurs, toothy insects as long as your arm, and speeding taxicabs in New York City traffic (the scene where Brody did his own stunt driving; all those years of drag-racing on the streets of Woodhaven, Queens really paid off! :-), to say nothing of the dazzling Empire State Building climax. Moreover, Andrew Lesnie's cinematography is as gorgeous as it is kinetic; Adrien Brody should make sure Lesnie photographs every film he's in from now on, because he's never looked so handsome as he does here! :-) KING KONG is over 3 hours long, yet I never once thought to look at my watch. It's 3+ hours and the price of admission well-spent.


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