After a movie crew travel to a mysterious island to shoot their picture, they encounter a giant and furious gorilla who takes their leading actress and form a special relationship with her, protecting the beautiful lady at all costs.
A giant, reptilian monster surfaces, leaving destruction in its wake. To stop the monster (and its babies), an earthworm scientist, his reporter ex-girlfriend, and other unlikely heroes team up to save their city.
A film crew goes to a tropical island for an exotic location shoot and discovers a colossal giant gorilla who takes a shine to their female blonde star. He is then captured and brought back to New York City for public exhibition.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
Carl Denham needs to finish his movie and has the perfect location; Skull Island. But he still needs to find a leading lady. This 'soon-to-be-unfortunate' soul is Ann Darrow. No one knows what they will encounter on this island and why it is so mysterious, but once they reach it, they will soon find out. Living on this hidden island is a giant gorilla and this beast now has Ann is its grasps. Carl and Ann's new love, Jack Driscoll must travel through the jungle looking for Kong and Ann, whilst avoiding all sorts of creatures and beasts. But Carl has another plan in mind. Written by
The studio in Wellington, New Zealand was located very close to the local airport, so planes flying overhead often posed problems while shooting outside on the backlot. See more »
(at around 1h 11 mins) When Ann "meets" Kong for the first time she is bound securely with some very large pieces of rope around her wrists. Kong hoists her up her waist, snapping the ropes very easily. Given the size of the rope this would more than likely rip her arms completely off (or cause her serious injury). (Unless the natives were really bad at knot tying.) See more »
That's a funny one. Isn't that funnier?
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The end credits are set against an art deco backdrop rather than the traditional black screen. The backdrop is an exact replica, in Technicolor, of the same backdrop that was used for the opening credits in the 1933 version of "King Kong". See more »
Makes Jurassic Park look like Barney's playground!
Don't get me wrong, I still love Jurassic Park, but the technology there is now twelve years old. Peter Jackson's KING KONG is the experience for which movies were invented. The CGI was incredible, the casting appropriate (this wasn't supposed to be an actor-driven, big-star film, after all), and the flow was satisfying. Even the somewhat slow build-up had a huge payoff once you see Kong running through the jungle with Ann in his giant hand. Is it a flawless movie? Probably not. But it Is a perfect example of why we go to movies in the first place-- to see things that we will never see in our real lives. When I walked out of the theater and was making my way through the deserted lobby, I had an odd feeling. Every poster I saw for an upcoming film kind of made me feel like all those movies were probably just going to be a waste of film next to KING KONG.
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