In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
In the Victorian period, two children are shipwrecked on a tropical island in the South Pacific. With no adults to guide them, the two make a simple life together, unaware that sexual maturity will eventually intervene.
A shipping disaster in the 19th Century has stranded a man and woman in the wilds of Africa. The lady is pregnant, and gives birth to a son in their tree house. Soon after, a family of apes... See full summary »
Enzo and Jacques have known each other for a long time. Their friendship started in their childhood days in the Mediterranean. They were not real friends in these days, but there was ... See full summary »
The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they've decided to take on one last job - showing a beautiful and eccentric heiress the time of her life with a romantic adventure that takes them around the world.
Twenty-something Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss - excited and intrigued, he sets out to find it.
Carl Denham needs to finish his movie and has the perfect location; Skull Island. But he still needs to find a leading lady. This 'soon-to-be-unfortunate' soul is Ann Darrow. No one knows what they will encounter on this island and why it is so mysterious, but once they reach it, they will soon find out. Living on this hidden island is a giant gorilla and this beast now has Ann is its grasps. Carl and Ann's new love, Jack Driscoll must travel through the jungle looking for Kong and Ann, whilst avoiding all sorts of creatures and beasts. But Carl has another plan in mind. Written by
On April Fools Day 2005, Peter Jackson posted an elaborate practical joke, which he posted on a web diary. He "revealed" that they were already starting production on "King Kong: Son Of Kong" and "King Kong: Into the Wolf's Lair". Both films, supposedly to be released in 2006, contained the principal characters riding Son of Kong, strapping machine guns to his back and fighting Adolf Hitler's genetically mutated creatures. The film was going to be produced under the banner of "Big Primate Productions". See more »
When Jack Driscoll goes up in the Empire State Building elevator, he watches an old-fashioned dial-and-arrow indicator as it sweeps upward through the floor numbers, from "1" to "101". However, the building's structure does not allow for direct elevators from street level to the very top. The metallic tower topping the limestone façade above the 86th floor observation deck is served by only one small elevator shaft and one narrow staircase - that's all that will fit. A change of elevator is necessary on or about the 86th floor for anyone going to the very top. Also, the top floor is officially "102", not "101". See more »
That's a funny one. Isn't that funnier?
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At the end of the closing credits: "This film is dedicated with love and respect to the original adventurers of Skull Island: Merian C. Cooper, Ernest B. Schoedsack, Willis H. O'Brien, Max Steiner, Robert Armstrong and ... the incomparable Fay Wray. They continue to inspire all those who follow in their footsteps." See more »
Makes Jurassic Park look like Barney's playground!
Don't get me wrong, I still love Jurassic Park, but the technology there is now twelve years old. Peter Jackson's KING KONG is the experience for which movies were invented. The CGI was incredible, the casting appropriate (this wasn't supposed to be an actor-driven, big-star film, after all), and the flow was satisfying. Even the somewhat slow build-up had a huge payoff once you see Kong running through the jungle with Ann in his giant hand. Is it a flawless movie? Probably not. But it Is a perfect example of why we go to movies in the first place-- to see things that we will never see in our real lives. When I walked out of the theater and was making my way through the deserted lobby, I had an odd feeling. Every poster I saw for an upcoming film kind of made me feel like all those movies were probably just going to be a waste of film next to KING KONG.
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