In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
As the Mayan kingdom faces its decline, the rulers insist the key to prosperity is to build more temples and offer human sacrifices. Jaguar Paw, a young man captured for sacrifice, flees to avoid his fate.
In Venice Beach, naive Midwesterner JB bonds with local slacker KG and they form the rock band Tenacious D. Setting out to become the world's greatest band is no easy feat, so they set out to steal what could be the answer to their prayers -- a magical guitar pick housed in a rock-and-roll museum some 300 miles away.
Carl Denham needs to finish his movie and has the perfect location; Skull Island. But he still needs to find a leading lady. This 'soon-to-be-unfortunate' soul is Ann Darrow. No one knows what they will encounter on this island and why it is so mysterious, but once they reach it, they will soon find out. Living on this hidden island is a giant gorilla and this beast now has Ann is its grasps. Carl and Ann's new love, Jack Driscoll must travel through the jungle looking for Kong and Ann, whilst avoiding all sorts of creatures and beasts. But Carl has another plan in mind. Written by
Contains approximately 800 miniature shots. See more »
(at around 1h 24 mins) During the brontosaur jostling scene in the canyon, Bruce Baxter's character is threatened by a velociraptor standing just above his head. Seen from above, Baxter's reaction is to turn to his right, yet on the next shot we see him turning to his left. See more »
That's a funny one. Isn't that funnier?
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The end credits are set against an art deco backdrop rather than the traditional black screen. The backdrop is an exact replica, in Technicolor, of the same backdrop that was used for the opening credits in the 1933 version of "King Kong". See more »
Makes Jurassic Park look like Barney's playground!
Don't get me wrong, I still love Jurassic Park, but the technology there is now twelve years old. Peter Jackson's KING KONG is the experience for which movies were invented. The CGI was incredible, the casting appropriate (this wasn't supposed to be an actor-driven, big-star film, after all), and the flow was satisfying. Even the somewhat slow build-up had a huge payoff once you see Kong running through the jungle with Ann in his giant hand. Is it a flawless movie? Probably not. But it Is a perfect example of why we go to movies in the first place-- to see things that we will never see in our real lives. When I walked out of the theater and was making my way through the deserted lobby, I had an odd feeling. Every poster I saw for an upcoming film kind of made me feel like all those movies were probably just going to be a waste of film next to KING KONG.
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