In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
In the Victorian period, two children are shipwrecked on a tropical island in the South Pacific. With no adults to guide them, the two make a simple life together, unaware that sexual maturity will eventually intervene.
A shipping disaster in the 19th Century has stranded a man and woman in the wilds of Africa. The lady is pregnant, and gives birth to a son in their tree house. Soon after, a family of apes... See full summary »
Enzo and Jacques have known each other for a long time. Their friendship started in their childhood days in the Mediterranean. They were not real friends in these days, but there was ... See full summary »
The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they've decided to take on one last job - showing a beautiful and eccentric heiress the time of her life with a romantic adventure that takes them around the world.
Twenty-something Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss - excited and intrigued, he sets out to find it.
Carl Denham needs to finish his movie and has the perfect location; Skull Island. But he still needs to find a leading lady. This 'soon-to-be-unfortunate' soul is Ann Darrow. No one knows what they will encounter on this island and why it is so mysterious, but once they reach it, they will soon find out. Living on this hidden island is a giant gorilla and this beast now has Ann is its grasps. Carl and Ann's new love, Jack Driscoll must travel through the jungle looking for Kong and Ann, whilst avoiding all sorts of creatures and beasts. But Carl has another plan in mind. Written by
Peter Jackson likes to shoot animatics in pre-viz for most of his big action sequences. Before the film started shooting, he screened the animatic for his cast and crew, most of whom were in tears at the end of this screening. See more »
Ann's clothing changes throughout the period on the island when Kong has her; a narrow camisole-strap, a wide flat white shoulder-strap, or the untorn collar/shoulder fabric of her dress are randomly present on her shoulder at various times, and the condition of her clothing changes in how tattered and/or removed it is between shots. See more »
That's a funny one. Isn't that funnier?
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The end credits are set against an art deco backdrop rather than the traditional black screen. The backdrop is an exact replica, in Technicolor, of the same backdrop that was used for the opening credits in the 1933 version of "King Kong". See more »
I just arrived from the theater and still in shock with the new "King Kong" from Peter Jackson. It's a masterpiece. A jawbreaker. It's totally awesome! Never in my life I saw a blockbuster with so many layers of action, romance, adventure, love for the movie making and many others interpretations of a same theme. Jackson have a great sense as a director and never takes the easy way. The three hours passes by like a minute. Some of the scenes, specially in the third act, become instant classics of the movie history and will still forever in my mind. If I were Spielberg never do anything in this genre again. The moving pictures, the cinema as we know it, was just invented to Peter Jackson gave us this film. Ten!
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