Greek tragedy by Euripide moved to Dutch politics. Medea, the daughter of the chairman of the senate, falls madly in love with ambitious politician Jason. Together they plan a campaign to make Jason prime minister.
Sarah, 30, single, well educated, likes art, places a voice ad for phone sex, inviting replies from men under 35, sturdy and sensual. Wilbert, a chubby middle aged architect, leaves a ... See full summary »
Feature film about love and relationships in Amsterdam, consisting of an ingeniously interwoven plot of several stories and characters. Together with the feature SIMON (2004) this one is part of Terstall's trilogy about the liberties of the present Dutch society.
Gorgeous Dutch youngster Max has two passions, acting and girls. The first becomes his brilliant career, which takes off so well he gets invited to a prestigious New York theatre course for... See full summary »
Robert Jan Westdijk
Kim van Kooten,
A middle-aged journalist interviews the real-life Dutch star Katja Schuurman, in her own loft. Pierre, the journalist is annoyed at being given such a fluffy assignment, as he is normally a political correspondent. Initially he has no questions for Katja, but soon they are coaxing their darkest secrets out of each other. Written by
For a film with so little action, and so few people, it has a tremendous dialogue and great drama between Pierre and Katja - sometimes a little overdone, but generally the tension is so strong you can't take your eyes from it.
As good as it is, it has its flaws too. Sometimes the journalist really slips off his professional stance which he now and then tries to uphold. I think a real journalist would not do that - as all pros, journalists tend to keep professional, even when doing a job they don't like, or even more so in an unpopular work situation. As a pro and seasoned vet, Pierre should have kept to his professional attitude more.
Likewise, the dialogue goes off the map and then takes its time to get back on track. This is in a way a little tiresome, but also quite intriguing and one of the reasons the film came out so good. A beauty mark so to speak.
This was my first van Gogh film, and I'll be sure to see more of him whenever I can.
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