A newcomer to a Catholic prep high school falls in with a trio of outcast teenage girls who practice witchcraft and they all soon conjure up various spells and curses against those who even slightly anger them.
Whilst attending a party, three high school friends gain superpowers after making an incredible discovery underground. Soon, though, they find their lives spinning out of control and their bond tested as they embrace their darker sides.
Michael B. Jordan
A reimagining of the classic horror tale about Carrie White, a shy girl outcast by her peers and sheltered by her deeply religious mother, who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.
John Constantine is approached by Det. Angela Dodson who needs his help to prove that her twin sister Isabel's death was not a suicide. The dead woman was a devout Catholic and Angela refuses to accept that she would have taken her own life. She's asked Constantine for help because he has a reputation for dealing with the mystical. In fact, he is a demon hunter whose sole purpose on Earth is to send demons back to the nether regions. John himself has been to Hell - as a young man he too committed suicide and now knows that he is destined to return there on his death - but hopes that his good deeds may somehow find him a place in Heaven. As he looks into Isabel's death, he realizes that demons are trying to break through to the human world and his battles lead him into a direct conflict with Satan. Written by
The character of John Constantine was originally created by Alan Moore, during his run on DC Comics' "Swamp Thing". However, following his negative experience with From Hell (2001) and The League of Extraordinary Gentlemen (2003), Moore decided to reject all money and credit from Hollywood on any adaptations of his work. Thus, he gave all the money he would've gotten to the artist who drew the character with him, and rejected his own "created by" credit from the film. See more »
When Angela is vomiting after the first demon attack on her, she begins by vomiting into the corner next to the pillar on the right of the visage of Christ, but when the angle changes she's now vomiting directly in front of the visage, facing the opposite direction. See more »
Constantine was the Roman emperor who recognized Christianity and made if possible for the Church to move from the underground into the public arena. He did it out of convenience, thinking that it would be easier to work with the Christian church than try to fight it. He lived most of his life as a ruthless leader who gave the orders to kill even members of his family. Constantine accomplished much good in his life, even though he had what most would say were impure motives.
But the Roman Constantine is not the same as the same-named title character of the new film, "Constantine," from DC-Vertigo Comics and Warner Brothers Pictures. Or is he? John Constantine, from the comic novels "Hellblazer," is doomed to hell when he dies. His situation may be hopeless, but he operates as if he could buy his way into heaven by doing enough good by removing enough evil from the world. He's a chain-smoking, hard-drinking, rude and uncaring man who is the hero of our film.
Angela Dodson is a pure-hearted, loving sister who is seeking the truth to her twin sister, Isabel's, death. It would seem she has nothing but the best motives, but conflicted people and incongruous motives are what make this movie interesting.
Interesting questions surrounding the death of Jesus Christ, the existence of demons on Earth, the ultimate destination of our soul when we die and even the perfect lack of all evil in angels are woven into a screen adaptation of a character and story with a cult following. It seems as though this ambiguity regarding good and evil may exist in film as well as real life. In "Constantine," it is not good verses evil -- but rather it is good and evil taking turns messing things up and making them better. In life the rule seems to be strangely similar. John Constantine's ability to do good without pure motives may give hope to the rest of us who regularly do things for all the wrong reasons.
The visuals and the sound presentation in this film are wonderful. Philippe Rousselot's cinematography and Brian Tyler and Klaus Badelt's energetic soundtrack are masterful. The acting, however, is only adequate. Keanu Reaves has long since learned how to play Keanu Reaves. He continues with what he knows best. Shia LaBeouf, after a similar role in "I, Robot," is becoming quite an accomplished "plucky sidekick" too. But the standout in this film is the emotional and endearing performance by Rachel Weisz as Angela Dodson. The movie is one worth seeing aside from her presence, but Weisz's performance take it from a "see it if you like action movies" recommendation to a "see it to admire Rachel Weisz's performance" endorsement.
Constantine is rated "R" for demonic images and violence. It opens in theatres February 18.
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