When the kinetic Rory moves into his room in the Carrigmore Residential Home for the Disabled, his effect on the home is immediate. Most telling is his friendship with Michael, a young man with cerebral palsy and nearly unintelligible speech. Somehow, Rory understands Michael, and encourages him to experience life outside the confines of home.
Peter Colt, an English tennis player in his thirties whose ranking slipped from 11th to 119th in the world, considers he never really had to fight for anything as his wealthy but all but close family easily put him through studies and allowed him to pursue his tennis ambitions, bravely exchanges jokes with his German sparring partner Dieter Prohl, in a similar position, but feels it's about time to admit he's getting too old to compete with fitter coming men (or boys) and intends, after a last Wimbledon, to take a job with the prestigious tennis club instead. Just then, by accident, he bumps into Lizzie Bradbury, the American rising star of female tennis, falls in love with her and finds her interest in him changes his entire perception, even gives him the strength to win again. But where will it lead them, especially when her overprotective father-manager Dennis Bradbury proves determined to nip their relationship in the bud, believing it detrimental to her career? Written by
After the party on the London Eye, which is in central London, Lizzie and Peter drive out of town and down to Brighton. We see a shot of their car driving along a road in London called the Westway. However, they are shown travelling east - back into town. They should be travelling West if they're leaving town and going to Brighton. See more »
We all start off in life with a dream, don't we? For a tennis player, it's being in the final of a Grand Slam, Centre Court, a high lob... a smash. Game, set and match. You're a champion. You're number one. But for most tennis players, that's all it ever is: a dream. The reality is another story. My story. Now, you see that good-looking fella? No, no that kid in white, the other tired good-looking fella. Yeah, him. Well, that's me. British Davis Cup, long time ago. Two ...
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"Wimbledon" is another one of those agreeable, English-flavored romantic comedies which in years past would have starred a stammering Hugh Grant. This time the principals are professional tennis players and the setting is Wimbledon. Paul Bettany makes for a good romantic lead in the Grant mold without the latter's sometimes annoying cloying and also is convincing as a tennis player at the tail end of his career. But Kirsten Dunst, the love interest, while giving a very likable performance, does not look her part. She also is not helped by the screenplay, which does not present her as a particularly compelling match. In fact, the character seems more like one that usually would be set up as the rival, missing the elements of the "intended". Further causing the film to come across less than compelling: Every character, save one, is nice, making it nearly conflict-free. Not a waste of time, but nothing memorable, "Wimbledon" is a tension-free, pick-me-up: The movie equivalent of a lightly-flavored carbonated water: effervescent, but lacking any distinct taste.
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