Following the death of his wife Audrey, John Munn moves with his two sons, mid-teen Chris Munn and adolescent Tim Munn, to a pig farm in rural Drees County, Georgia, where they lead a ... See full summary »

Director:

Writers:

(story), (screenplay) | 1 more credit »

Watch Now

From $2.99 (SD) on Amazon Video

ON DISC
3 wins & 6 nominations. See more awards »
Learn more

People who liked this also liked... 

Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

Small-town love story of a young man with a reputation for womanizing and his best friend's sister.

Director: David Gordon Green
Stars: Zooey Deschanel, Paul Schneider, Patricia Clarkson
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

Two highway road workers spend the summer of 1988 away from their city lives. The isolated landscape becomes a place of misadventure as the men find themselves at odds with each other and the women they left behind.

Director: David Gordon Green
Stars: Paul Rudd, Emile Hirsch, Lance LeGault
Drama
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

A series of overlapping stories about four suburban families dealing with different maladies. Esther Gold's life is consumed by caring for her comatose son; Jim Train is sent into a ... See full summary »

Director: Rose Troche
Stars: Glenn Close, Dermot Mulroney, Mary Kay Place
Joe I (2013)
Drama
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

An ex-con, who is the unlikeliest of role models, meets a 15-year-old boy and is faced with the choice of redemption or ruin.

Director: David Gordon Green
Stars: Nicolas Cage, Tye Sheridan, Gary Poulter
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

A road trip through Louisiana transforms three strangers who were originally brought together by their respective feelings of loneliness.

Director: Udayan Prasad
Stars: William Hurt, Maria Bello, Kristen Stewart
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

Two families are brought together by the return of one family's son -- a reunion that conjures up old ghosts and issues that must be addressed.

Director: Mary Stuart Masterson
Stars: Elizabeth Ashley, Jayce Bartok, Bruce Dern
Short | Music
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

The official video for Marcus Foster's single "I Was Broken" starring Kristen Stewart.

Director: Elias Hope
Stars: Marcus Foster, Kristen Stewart
Drama
    1 2 3 4 5 6 7 8 9 10 7/10 X  

On a business trip to New Orleans, a damaged man seeks salvation by caring for a wayward young woman.

Director: Jake Scott
Stars: James Gandolfini, Kristen Stewart, Melissa Leo
Edit

Cast

Cast overview, first billed only:
...
...
...
Bern
...
Officer Clayton
...
John Munn
...
Tim Munn
...
Deel Munn
...
Wadsworth Pela
...
Amica Pela
Charles 'Jester' Poston ...
Hard Hat Dandy
Mark Darby Robinson ...
Conway
...
Grant the Mechanic
...
Muriel the Cashier (as Leigh Hill)
Alfred M. Jackson ...
Dock Worker
William D. Turner ...
Dock Worker
Edit

Storyline

Following the death of his wife Audrey, John Munn moves with his two sons, mid-teen Chris Munn and adolescent Tim Munn, to a pig farm in rural Drees County, Georgia, where they lead a reclusive life. The boys' maternal grandparents no longer visit due to being out of sorts with John. Chris is rebelling against this life in ways where he is regularly picked up by the police. Because of Tim's young age and health issues, Chris is routinely asked by their father to do more than his fair share of work around the farm. Into their lives returns Deel Munn, John's brother who the two boys did not even know existed. John emotionally distanced himself from Deel following Audrey's death and Deel's incarceration, Deel who has just been released from prison. John, however, welcomes his brother in a effort to mend old wounds, and for the boys to get to know one of their few relations. They will all soon learn that Deel has ulterior motives for his visit, those motives emerging largely from those ... Written by Huggo

Plot Summary | Plot Synopsis

Plot Keywords:

boy | farm | prison | pig | pig farm | See All (222) »

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

17 December 2004 (Greece)  »

Also Known As:

The Undertow  »

Filming Locations:


Box Office

Opening Weekend:

$24,354 (USA) (22 October 2004)

Gross:

$24,947 (USA) (22 October 2010)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(one scene)|

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

David Gordon Green originally wanted to title the film "The Narrow Pilgrim," focusing on Tim in his pilgrim costume at Thanksgiving. The original story was going to put Tim more in the focus, along with his eating disorder. He is thin and ratty, due to his pica condition, and in a pilgrim costume: "The Narrow Pilgrim." However, he quickly began to change it due it him discovering that it would not be a very marketable title. See more »

Goofs

When the black woman they take refuge with is in the bedroom, she finds the contact details of the boys written on the inside flap of the backpack. Later when the boys run away because they find out their uncle is coming, they just run straight from where they were outside, with no detours to pick up the backpack. However, later, Tim is shown with the backpack. See more »

Quotes

[first lines]
Grandfather: I never dreamed that the life of my grandsons, which began with such love and comfort, would turn to see so much violence and bloodshed. This is their story as it was told to me.
See more »

Crazy Credits

[at the start of the film] The following film was made with the assistance of the Drees County law enforcement agencies and the surviving family of John W. Munn. See more »

Connections

Featured in Siskel & Ebert: The Best of 2004 (2005) See more »

Soundtracks

Choir Song for the Lord
Published by Roloff Evangelistic Enterprises
Performed by The Rebecca Trio
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

A pull toward convention
7 November 2004 | by (Berkeley, California) – See all my reviews

A teenage boy smashes his would be girlfriend's window and gets chased by the cops. He leaps out of a barn and lands on a plank driving a long nail through his foot – but surprises us by keeping on running, howling with pain, plank and all. When he's taken to jail he's patched up and released and given the plank back. When he gets home he carves it into a birthday present, a toy airplane for his little brother. This is how this movie begins.

"Undertow" takes place in an unnamed rural part of Georgia near water where at first we meet two boys, Chris and Tim Munn (Jamie Bell and the young Devon Alan) who live on a small isolated pig farm with their moody father, John Munn (Dermot Mulroney), a widower who's buried himself in this far off place because he can't deal with his wife's passing. (The Munns, the opening titles tell us, were real people in Georgia and this is based on their lives.) Suddenly John's brother Deel Munn (Josh Lucas) unexpectedly appears, just out of jail and full of anger and envy. Even if the father was edgy with the boys, and Chris was obstreperous and Tim was odd, it was a solid little world, but Deel's presence leads to violence and flight. The action hinges on a set of gold coins that have an almost fairy-tale significance, and the Brothers Grimm were an influence on the story.

Yes indeed: the story. This new movie by much admired young American director David Gordon Green arouses disappointment in some of his fans who miss the quirky, stylized meanderings of his "George Washington" and "All the Real Girls," because "Undertow" moves squarely into the more conventional world of plot and action. Others who like myself admired almost everything about his earlier efforts but their lack of a strong narrative line are glad that this time there is one. But no doubt it comes at a price. There's a tug of war between the old Green and the new one going on.

The movie divides itself into the time leading up to the violence and the period of flight and pursuit that ends in climax and denouement. There are those who say "Undertow" is derived from Seventies thrillers or "The Heart Is a Lonely Hunter" or Terrence Malick, whose producer imprimatur the movie bears. These associations pop up because indeed the story is not brilliantly original, even if the texture and look are as distinctive as those of Green's earlier movies. Two thirds of the way through, "Undertow's" narrative arouses expectations of momentum and suspense that are temporarily disappointed, because in the course of flight and pursuit the movie starts to wander a bit. The idiosyncratic dialogue and fresh characters are what makes Green's work so interesting, but they do slow things down, particularly here. In the end neither the die-hard fans nor newcomers will be completely satisfied. It's his very independence that keeps him from completely pleasing anybody but himself.

Green has gone too conventional in some ways, such as cheesy opening titles and an initial series of attention-grabbing freeze-frames, which also continue to reappear sporadically throughout the picture at random moments. The former amateurishness has been replaced with some pointless over-slickness. The cinematography by Green regular Tim Orr is lovely though, with its rich locales and saturated color.

Green's earlier movies fell flat for me -- "George Washington" was singular and engaging but went nowhere, and "All the Real Girls" had more character development but suffered from bad casting and embarrassing dialogue. At its worst moments, which tended to stick in the mind, both movies seemed like Hallmark cards for rural retards.

But "Undertow" does not disappoint, despite its flaws. It retains the distinctive style. And this time because it's successfully plot-driven from very early on, the meanderings -- having a firm foundation in action and character -- come to seem engaging digressions rather than mere self-indulgence. The stuff about a chocolate cake at Tim's ruined birthday party, Chris's run with the plank stuck to his foot, even Tim's disgusting-seeming habit of eating mud and crud and paint and throwing up, wake you up and make you pay attention because of their particularity. It's true that Lucas and Mulroney are too much the Hollywood hunks, just as Zooey Deschanel in "Real Girls" was too much the Indie pinup queen: Green may still have some problems with casting. But not with Jamie Bell, who's about perfect. And he still stays true to the composite southern milieu he grew up in. The grandparents who appear in the denouement are priceless, like so many of the incidental characters.

Deel's arrival at the farm is electric in its effect. From then on the scene is nothing but tension. Mulroney and Lucas, if we discount the too-perfect hunkiness, make a good pair of brothers. Both are big, physical, attractive men whose faces aren't unalike. Mulroney has sullenness about him; Lucas is edgy and aggressive. It turns out John's late wife was Deel's girlfriend first, and John stole her away from him, so the fraternal conflict was truly primal. Their confrontation makes you realize how successfully violence conveys a sense of structure in any story.

After that, the boys run off pursued by Deel, carrying away the gold coins Deel thinks he should have gotten from his father instead of John. There are hints of "Huckleberry Finn" in the boys' adventures when they go wandering on the run from Deel, while the boys' meditative voiceovers suggest Malick. It's strange that the sickly little Tim is the one who runs carrying the bag that has both his books and the couple dozen gold coins in it. But despite such inconsistencies and the suggestion by critics and viewers that the narrative is hackneyed, the treatment and the mood are pure David Gordon Green.

With this third film his methods finally make sense. Rather than thinking of Seventies actioners and the movie "The Heart Is a Lonely Hunter," you'd do better to refer to Carson McCullers, whose novel that film is based on, or to the stories of Truman Capote or Eudora Welty or William Faulkner, or -- closer to today -- the early novels of Cormac McCarthy; or to the photographs of Ralph Eugene Meatyard or Sally Mann. Like those artists, and unlike any Hollywood director, Green has a rich, particular, overripe, deeply southern vision. The fun is in the particularity -- in the cashier, for instance, who flirts with Deel and chokes on her gum; in her mechanic husband who rambles on about some obscure musical group called the Storics; in Tim's storytelling from his books and the way he is filing them at home according to their smell. "Despite a few narrative confusions," Jonathan Rosenbaum has written of "Undertow," "I found it pure magic." You could be cynical and say it would take magic to justify the confusions. But Rosenbaum isn't far wrong. For whatever faults it has, "Undertow" really sings.


53 of 85 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for:
?