| Photos (See all 19 | slideshow) | Videos (see all 4) |
| Tia Texada | ... | Jackie Black | |
| Derek Luke | ... | Curtis | |
| Val Kilmer | ... | Scott | |
| Jeremie Campbell | ... | Cadre Candidate | |
| Bob Jennings | ... | Grace's Aide | |
| Lionel Mark Smith | ... | Colonel Blane | |
| Johnny Messner | ... | Grace | |
| Chris LaCentra | ... | Cpl. Sattler (as Chris J. Lacentra) | |
| Renato Magno | ... | Grossler | |
| Mark FitzGerald | ... | Training Facility Guard | |
| Tony Mamet | ... | Parker | |
| Clark Gregg | ... | Miller | |
| Ron Butler | ... | Headquarters Agent | |
| Steven Culp | ... | Gaines (as Stephen Culp) | |
| Vincent Guastaferro | ... | Naylor | |
| Robert Bella | ... | Davio | |
| Lana Bilzerian | ... | Undercover Agent | |
| Aaron Stanford | ... | Michael Blake | |
| Annie Morgan | ... | Secret Service Agent (as Ann Morgan) | |
| Geoff Pierson | ... | Pearce | |
| Sophia Adella Luke | ... | Agent | |
| Alexandra Kerry | ... | Bartender | |
| Andy Davoli | ... | Zimmer | |
| J.J. Johnston | ... | Night Club Manager | |
| Natalija Nogulich | ... | Nadya | |
| Margot Farley | ... | Young Whore | |
| William H. Macy | ... | Stoddard | |
| Ed O'Neill | ... | Burch | |
| Rick Levy | ... | Sedan Man | |
| Jim Frangione | ... | Stakeout Agent | |
| Danny Hovanesian | ... | Stakeout Driver (as Dan Hovanesian) | |
| Norm Compton | ... | Essex House Man #1 | |
| Chino Binamo | ... | Essex House Man #2 | |
| Saïd Taghmaoui | ... | Tariq Asani | |
| Mark Pellegrino | ... | Convict | |
| Mordecai Finley | ... | Cadre Operator (as Mordechai Finley) | |
| Jonathan Rossetti | ... | Medic | |
| Gail Silver | ... | Pharmacist | |
| Scott Barry | ... | Cadre Team Leader | |
| Robert Castro | ... | State Police Liaison Officer | |
| Deb Martin | ... | Debriefer | |
| Richard L. Friedman | ... | Crew Chief | |
| David Aranovich | ... | Cadre Technician | |
| Jody Snider | ... | Harvard Square Reporter | |
| Virginia Pereira | ... | TV Anchor Woman | |
| Morris Lamore | ... | Billy | |
| Clara Mamet | ... | Billy's Daughter | |
| Matt Malloy | ... | Mr. Reese | |
| Deborah Bartlett | ... | Mrs. Newton | |
| Linda Kimbrough | ... | Donny | |
| Moshe Ivgy | ... | Avi | |
| Christopher Kaldor | ... | Yitzik | |
| Ektimal Shbib | ... | Stewardess | |
| Nasser Faris | ... | Customs Official (as Al Faris) | |
| Zosia Mamet | ... | Bedouin Woman | |
| Kick Gurry | ... | Jones | |
| Kristen Bell | ... | Laura Newton | |
| Damon Caro | ... | Balcony Shooter | |
| Ken Moreno | ... | Bodyguard #1 | |
| J.J. Perry | ... | Bodyguard #2 (as JJ Perry) | |
| Michael Hilow | ... | Perimeter Guard | |
| Steve Martinez | ... | Gate Keeper #1 | |
| Max Daniels | ... | Gate Keeper #2 | |
| Sandra Lindquist | ... | Swedish Reporter | |
| Neil Pepe | ... | News Cameraman | |
| Tim Fleming | ... | Night Sun Operator | |
| Marc-Allen Barker | ... | Pilot | |
| Chelle Cerceo | ... | Marine Flight Crew Chief | |
| Jennifer Ritchkoff | ... | Marine Captain | |
| Stephen Greif | ... | Business Man | |
| rest of cast listed alphabetically: | |||
| Michael Kuroiwa | ... | Swat Team Member | |
| Lauren Bowles | ... | Entertainment Reporter (uncredited) | |
| Yasmine Hanani | ... | Arabic Girl (uncredited) | |
| Shireen Kadivar | ... | Arab Woman (uncredited) | |
| Camden Munson | ... | Bicycle Boy (uncredited) | |
| David Paymer | ... | TV News Anchor (uncredited) | |
| Christopher Tandon | ... | Professor Gerald Sloan (uncredited) | |
Directed by | |||
| David Mamet | |||
Writing credits(WGA) | ||
| David Mamet | (written by) | |
Produced by | |||
| David Bergstein | .... | producer | |
| Moshe Diamant | .... | producer | |
| Kareem Elseify | .... | associate producer | |
| Jan Fantl | .... | co-producer | |
| James A. Holt | .... | executive producer (as James Holt) | |
| Frank Hübner | .... | executive producer (as Frank Huebner) | |
| Jerry P. Jacobs | .... | line producer: additional unit | |
| Art Linson | .... | producer | |
| Joseph Merhi | .... | co-producer | |
| Rick Nathanson | .... | line producer | |
| Elie Samaha | .... | producer | |
| Tracee Stanley | .... | executive producer | |
| Paul Tivers | .... | line producer: London | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| Juan Ruiz Anchía | (director of photography) | ||
Film Editing by | |||
| Barbara Tulliver | |||
Casting by | |||
| Cassandra Kulukundis | |||
Production Design by | |||
| Gemma Jackson | |||
Art Direction by | |||
| Christopher Tandon | |||
Set Decoration by | |||
| Susan Emshwiller | |||
Costume Design by | |||
| Shay Cunliffe | |||
Makeup Department | |||
| John R. Bayless | .... | key makeup artist | |
| Candida Conery | .... | key hair stylist (as Candy Conery) | |
| Tarra D. Day | .... | makeup artist: Mr. Kilmer (as Tarra Day) | |
| Nicole DeFrancesco | .... | assistant hair stylist (as Nicole Frank) | |
| Brenda McNally | .... | hair stylist: Boston unit | |
| Peter Robb-King | .... | makeup department head (as Peter Robb King) | |
| Annie Townsend | .... | hairdresser: London | |
Second Unit Director or Assistant Director | |||
| Anne Berger | .... | second second assistant director (as Anne M. Berger) | |
| Max Day | .... | first assistant director: second unit | |
| Maximillian D. Day | .... | first assistant director: second unit | |
| Cas Donovan | .... | first assistant director | |
| Lucy Egerton | .... | third assistant director: London | |
| Richard Gonzales | .... | second assistant director: second unit | |
| Michael Helfand | .... | second assistant director | |
| Stuart Renfrew | .... | first assistant director: London | |
| Nickie Sault | .... | second assistant director: London | |
| Lisa Zimble | .... | additional first assistant director | |
Art Department | |||
| Suzy Abbott | .... | charge scenic: Boston | |
| Peter Bankins | .... | property master | |
| Robert Bankins | .... | assistant props | |
| Chris Barnes | .... | lead painter | |
| Thomas Bean | .... | art department assistant: Boston | |
| Bobby Bednar | .... | general foreman | |
| Palma Bellardoni | .... | art department assistant | |
| Cliff Berns | .... | painter | |
| Greg Berry | .... | set designer (as Gregory A. Berry) | |
| Mark Borg | .... | propmaker | |
| Alex Boswell | .... | props: London | |
| Jesse Brown | .... | propmaker (as Jesse J. Brown) | |
| David T. Cannon | .... | construction coordinator | |
| Angela Cimarusti | .... | painter | |
| Graham Cole | .... | stand-by carpenter: London | |
| Chris Coulson | .... | lead man | |
| Jack Coyle | .... | construction foreman: Boston | |
| Roy Dickson | .... | propmaker | |
| Oliver Doering | .... | props: second unit | |
| Gretchen Engel | .... | art department coordinator | |
| Jennifer Engel | .... | swing: Boston (as Jennifer Engle) | |
| Rodger Enochson | .... | propmaker | |
| Alice Felton | .... | buyer: London | |
| Paulette Fox | .... | painter | |
| Kyra Friedman Curcio | .... | set decorator: Boston (as Kyra Friedman-Curcio) | |
| Stephen Garner | .... | propmaker foreman | |
| Simon Georgiou | .... | painter | |
| Paul W. Gorfine | .... | stand-by painter: Boston (as Paul Gorfine) | |
| Elizabeth Hart | .... | painter | |
| Jay Heyman | .... | set dresser: Boston | |
| Johnmichael Hull | .... | stand-by scenic artist | |
| Robert Andrew Johnson | .... | digital set designer: additional photography | |
| Barry Jones | .... | paint foreman | |
| Colin Thomas Kass | .... | propmaker (as Collin Kaas) | |
| Morgan Kling | .... | art department assistant: Boston | |
| Gary Laca | .... | laborer | |
| Eric Levenson | .... | scenic foreman | |
| Nancy Lowry | .... | swing | |
| Lyle Maves | .... | plasterer foreman | |
| Butch McCarthy | .... | key greens (as John 'Butch' McCarthy) | |
| Anthony Medina | .... | propmaker (as Tony Medina) | |
| Kenji Messenger | .... | swing: Boston | |
| Walt Mikolwski | .... | propmaker | |
| Alberto Miyares | .... | propmaker | |
| Christina Moore | .... | art director: London | |
| Christina Moore | .... | set decorator: London | |
| Kris Moran | .... | third props: Boston | |
| Gregory Morell | .... | set dresser: Boston (as Greg Morell) | |
| Masael Paraja | .... | laborer (as Misael Paraja) | |
| Darryl Paterson | .... | props: London (as Darryll Patterson) | |
| Peter Ramsey | .... | storyboard artist | |
| Stuart Rankine | .... | assistant property master | |
| Paul Richards | .... | lead man: Boston | |
| George Rivera Jr. | .... | laborer | |
| James Ruvalcaba | .... | laborer | |
| Phillip Ruvalcaba | .... | general labor foreman | |
| Kurt Smith | .... | construction coordinator: Boston | |
| Sharon Speller | .... | painter | |
| Carl Sprague | .... | art director: Boston | |
| Pedro Vides | .... | propmaker | |
| Ray Yamagata | .... | assistant art director | |
| Fante Zamora | .... | set dresser | |
Special Effects by | |||
| Charles Cooley | .... | special effects technician | |
| Roger Danchik | .... | special effects assistant: Boston | |
| Timothy B. Graham | .... | special effects | |
| John Harajovic | .... | special effects coordinator: Boston | |
| Mario Presterone | .... | third special effects assistant: Boston | |
| Tom Seymour | .... | special effects key | |
| J.D. Streett | .... | special effects supervisor | |
| Blumes Tracy | .... | special effects technician | |
Visual Effects by | |||
| Johnathan R. Banta | .... | digital supervisor: Sassoon Film Design | |
| Barry Berman | .... | compositor | |
| Chris Brown | .... | visual effects supervisor (as Chris 'CB' Brown) | |
| Travis Dutch | .... | scanning and recording | |
| Jason Jue | .... | compositor | |
| Jeremy Nicolaides | .... | digital compositor | |
| Tim Sassoon | .... | visual effects producer | |
| Chie Yoshii | .... | compositor | |
Stunts | |||
| Danny Aiello III | .... | stunt coordinator: Boston | |
| Damon Caro | .... | stunt performer | |
| Keith Davis | .... | stunt double: Curtis | |
| Jared S. Eddo | .... | stunt double: Jones/Zimmer (as Jared Eddo) | |
| Cory Fleming | .... | ground coordinator | |
| Michael Hilow | .... | utility stunts | |
| Toby Holguin | .... | stunt double: Guy | |
| Norman Howell | .... | stunt double: Scott | |
| Brian Imada | .... | stunt coordinator: second unit | |
| Jeff Imada | .... | stunt coordinator | |
| Cinda-Lin James | .... | stunt double: Laura Newton (as Cinda James) | |
| Brett A. Jones | .... | stunt double: Convict (as Brett Jones) | |
| Alex Madison | .... | stunts (as Gail Monian) | |
| Greg Wattkis | .... | stunt double: Derek Luke | |
| Scott Waugh | .... | stunt double: Assani | |
| Danny Weselis | .... | stunt double: Trooper | |
Casting Department | |||
| John Barba | .... | casting associate | |
| Khadj Edison | .... | casting assistant: Boston | |
| Elaine Fallon | .... | casting: London | |
| Tamara Hood | .... | casting assistant: Boston | |
| Jennifer Lurey | .... | regional casting | |
| Angela Peri | .... | extras casting: Boston | |
Costume and Wardrobe Department | |||
| Danielle Baker | .... | set costumer | |
| Debbie Holbrook | .... | wardrobe supervisor: Boston (as Deb Holbrook) | |
| Amy Lin | .... | wardrobe production assistant | |
| Marcus Love-McGuirk | .... | costume designer: UK | |
| Marcus Love-McGuirk | .... | costume supervisor: UK | |
| Daniel Grant North | .... | costume supervisor | |
| Margaret Palmer | .... | costumer: Boston | |
| Amy Elise Roberts | .... | key costumer | |
| Jaci Rohr | .... | extras set costumer | |
| Tim Wegman | .... | set costumer | |
Editorial Department | |||
| Daniel Boccoli | .... | apprentice editor | |
| Mo Henry | .... | negative cutter | |
| David Kaldor | .... | apprentice editor | |
| Dennis McNeill | .... | color timer | |
| Eric Osmond | .... | first assistant editor | |
| Jim Passon | .... | co-color timer | |
| Jared Seltzer | .... | post-production assistant | |
| Michal Shemesh | .... | first assistant editor | |
Music Department | |||
| Sandy DeCrescent | .... | orchestra contractor | |
| Steve Genewick | .... | assistant score recordist | |
| Stephen Krause | .... | music scoring mixer | |
| Ken Kugler | .... | conductor | |
| Ken Kugler | .... | orchestrator | |
| David Low | .... | music contractor | |
| Maria Newman | .... | musician | |
| Cindy O'Connor | .... | music assistant: additional arrangements | |
| Mark Reveley | .... | assistant score recordist | |
| David Speltz | .... | musician: cello | |
| Joshua Winget | .... | music editor | |
| Elliott Goldkind | .... | assistant music editor (uncredited) | |
| Elliott Goldkind | .... | composer: additional music (uncredited) | |
| Scott McRae | .... | music preparation (uncredited) | |
Transportation Department | |||
| Bobby Anderson | .... | picture car coordinator | |
| Jeff L. Anderson | .... | transportation office coordinator | |
| Denise Avallon | .... | driver | |
| Bob Carnes | .... | driver | |
| Daniel Davis | .... | driver: base camp generator | |
| Bob Dorn | .... | production driver | |
| Jimmy Flynn | .... | transportation captain: Boston | |
| J. Armin Garza II | .... | driver: camera car | |
| Stephen A. Latina | .... | transportation coordinator | |
| Robert Martini | .... | transportation coordinator: Boston | |
| Mike Middleton | .... | picture car coordinator | |
| William O'Brien | .... | driver | |
| John 'J.P.' Pratt | .... | transportation co-captain (as John Pratt) | |
| Timothy P. Ryan | .... | transportation captain | |
| Harry Zabounian | .... | transportation coordinator | |
|
|
|
|
|
| The Interpreter | The Departed | The Baader Meinhof Complex | The Professional: Golgo 13 | Munich |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
David Mamet first caught my attention when he did a small grifter film called House of Games. It was released three years prior to The Grifters and I am quite certain that The Grifters took a lot of inspiration from House of Games. The Grifters had a high priced cast and more money was spent on the production but it was not quite as good as Mamet's masterpiece. Later, I would learn that Mamet would go on to write some of the best dialogue in all of film with movies like The Untouchables (just like a Wop, brings a knife to a gunfight), The Heist ( everyone loves money, that's why they call it money) and my favourite Mamet film, Glengarry Glenross ( I make $900,000 a year, that's why...). Mamet has a gift for the way people sound and the way they might deliver a line. Spartan continues his trend of interesting and crisp dialogue and fascinating characters. I have to agree with Roger Ebert when he says that this is Val Kilmer's best performance since Tombstone. He nails the character Scott, to a tee. Where as many action thrillers are about guns and explosions and certain bad acting, this is more about the characters. I am not saying that dumb action thrillers aren't fun sometimes, because they are. But if you like films that treat you like you already know what you need to know, and then proceed to show you things that you don't, then Spartan, like The Bourne Identity, is a film that you should enjoy.
Val Kilmer plays perhaps a member of the Secret Service, or perhaps he is just one of those covert operatives that is so good at what he does that he is just an invisible spook who shows up to do a job that others have trouble with. Mamet has given us a character that is so exemplary and pensive and good at what he does that he is the paradigm that all others in his line of work should emulate. There is no hesitation with him. He is driven and he is serious and like The Terminator, he will not stop, ever, until he has finished the job.
In this film, that job is to rescue the president's daughter, who was kidnapped while the Secret Service agent watching over her claims he was sleeping while she disappeared. But what the real reason is we may never know. There is the possibility that her disappearance may have political ramifications that would go as high up as the President himself. It is learned that Laura Newton may have been kidnapped in a scheme that involves an international sex trade with American women. The kidnappers do not know they have the president's daughter. And that may complicate things.
What makes Kilmer's character so fascinating is the way Mamet writes him. This is a man who has seen much and done much and when the time calls for it, he does not hesitate to use whatever force is necessary to acquire information. He hunts down bar owners, prostitution ring leaders and terrorists. He kills death row inmates to get information, he roughs up middle aged women who hold keys to the case and he holds an extreme form or prejudice towards anyone who may be a link in solving the case. This is a job to Scott and he treats it like that. I think this is the fundamental difference in a film like Spartan and many other less intelligent films that try to glamorize political espionage thrillers. This film talks and sounds like you are literally witnessing what happens behind closed doors. It gives you the feeling that what are witnessing is everything that does not get reported in the papers. This is about as raw as it gets and Mamet can take full credit for writing and directing the film as beautifully as he did and Val Kilmer can be proud of what he brought to the table.
This is one of the best films of the young 2004 and while it will be forgotten soon enough, when it comes out on video, it is a film that must be seen.
9/10