At a time of international incident, the body of a young female staffer is found in a White House wash room. Homicide detective Harlan Regis is called in to investigate the murder only to ... See full summary »
At the offices of a Japanese corporation, during a party, a woman, who's evidently a professional mistress, is found dead, apparently after some rough sex. A police detective, Web Smith is ... See full summary »
Coming together to solve a series of murders in New York City are a police detective whose family was slain as part of a conspiracy and an assassin out to avenge her sister's death. The duo will be hunted by the police, the mob, and a ruthless corporation.
Maverick Ranger Scott, known for ruthless, unorthodox methods but good results, is called in to help the secret service after Washington big whig's brat daughter is abducted while studying at Harvard. Scott quickly realizes the protection detail's prime suspect, her boyfriend Michael Blake, is innocent and dumped her for being a drug-addicted slut. Next he traces her to a bordello, only to realize the captors didn't realize who she is but simply recruited her for the Middle Eastern white slavery market, and are likely to dispose of her rather than confront her father. But instead of the support expected in such high-profile case, Scott gets orders to work in secret before the press catches on, and even finds his quest sabotaged. Written by
Many audiences became more familiar with the film after it's release on home video amidst the 2004 United States Presidential Campaign, due to Vanessa Kerry's supporting role as a bartender. Kerry's father, then-Massachussetts Senator John Kerry was running for President as the Democratic candidate. See more »
When Curtis brings the scoped rifle up to his eye, the front cover on the scope is down. See more »
You had your whole life to prepare for this moment. Why aren't you ready?
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'Spartan' may be the best spy movie ever made by a practicing playwright/director.
'Spartan' may be the best spy movie ever made by a practicing playwright/director. Director and frequent screen writer David Mamet ('House of Games,' 'State and Main,' 'Spanish Prisoner,' 'Heist,') has crafted a thriller peppered with his stylized, epigrammatic dialogue that takes on the presidency and world corruption in equal parts of vitriol and savvy. The Pulitzer Prize winner of 'Glengarry Glen Ross' shows he can keep suspense without sacrificing intelligence.
When special ops officer Scott (Val Kilmer, 'Wonderland') describes himself as no 'planner. I ain't a thinker. I never wanted to be,' I knew I was in Mamet territory, where the speeches are street-poetic, terse, and redolent of subtext. Scott eventually has to be more than just an obedient Spartan, as he moves to the conscientious soldier who begins to see much more than just the kidnapping of the president's daughter.
Mamet lets us see that this plot is much more than a potboiler about the lost daughter of a lascivious, ruthless president, for it comments on the hidden forces behind the electoral process. Typical of Mamet, there is much more than what the eye thinks it sees. In fact, I must remind myself to have students write essays about appearance and reality in Mamet's films.
Kilmer is once more a surprise--he is one of our most underrated film actors. When he played an FBI agent in 'Thunderheart,' I was impressed by his low-key interpretation of a Native American in hiding. I am slowly becoming a fan by shedding my feelings that after successfully playing Jim Morrison, he could never successfully play anyone else. As Scott he too must shed his old ways from being a 'worker bee' to being an operative affecting world politics by following his instincts rather than his orders.
Some might claim Mamet loads his dramatic dice with contrived plot twists. I claim he develops his characters with such precision and care that his plots exemplify 'distributed exposition,' where each turn is another piece of the character puzzle.
Denys Arcand must be credited for bathing me in languid prose in 'Barbarian Invasion.' David Mamet must be credited for reinvigorating me with muscular prose. Both writers outstrip David Koepp's lame attempt to reveal a writer in heat in 'Secret Window,' starring Johnny Depp as a Stephen King surrogate.
The title 'Spartan' has several possible meanings, including the Battle of Thermopylae allusion in the film. However, the one I like best is the reference to Spartan lawgiver Lycurgus, who said, 'Those who are trained and disciplined in the proper discipline can determine what will best serve the occasion.' Mamet best serves this occasion with a superior thriller about a man of discipline serving his country in spite of itself.
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