A fateful event leads to a job in the film business for top mixed-martial arts instructor Mike Terry. Though he refuses to participate in prize bouts, circumstances conspire to force him to consider entering such a competition.
Early 20th century England: while toasting his daughter Catherine's engagement, Arthur Winslow learns the royal naval academy expelled his 14-year-old son, Ronnie, for stealing five ... See full summary »
Maverick Ranger Scott, known for ruthless, unorthodox methods but good results, is called in to help the secret service after a Washington big wig's brat daughter is abducted while studying at Harvard. Scott quickly realizes the protection detail's prime suspect, her boyfriend Michael Blake, is innocent and dumped her for being a drug-addicted slut. Next he traces her to a bordello, only to realize the captors didn't realize who she is but simply recruited her for the Middle Eastern white slavery market, and are likely to dispose of her rather than confront her father. But instead of the support expected in such high-profile cases, Scott gets orders to work in secret before the press catches on, and even finds his quest sabotaged. Written by
The cast underwent military weapons training for their roles. See more »
When Scott tosses the straw dummy to throw off the Sniper in the boat it lands with brown shoes on - when the scene cuts to him sitting behind the boat house he has on brown shoes and the dummy has on black ones. See more »
You had your whole life to prepare for this moment. Why aren't you ready?
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As close as movies come to the world of spooks and special ops . . .
I've been a fan of David Mamet since The Untouchables, and a half a dozen films since, including Glengarry Glen Ross and Ronin. His writing is so exacting - it's surgical. And among the best in the Industry. It seems no writer in film exemplifies the dominant (lone) male psyche better than he does - he is one of my favorite writers. I say lone because most of the leads in his films are either solo, or if married you don't know it. Even in The Winslow Boy, which was a period piece. In his films, the Dialog is definitely the star. Realizing that is key to enjoying his films.
As a Deep Sea Diver in the U.S. Navy for many years, who spent time with the Special Boat Unit and 5 years with EOD (the bomb squad), I can tell you that he speaks the language of the military elite, and the military at large - better than anyone. In his film Spartan, we have the perfect marriage of the nuances subtleties and atmosphere of the shadowy world where special ops are used as federal assets for unofficial or non military missions. I believe Spartan is as close to capturing this as movie making ever comes.
Val Kilmer is a much better actor than many of his more famous contemporaries, and is probably the performer they wished they were. Though he's never really gained the notoriety or superstar status. I think most guys would agree that his Doc Holliday in Tombstone was the best ever, with due applause to Dennis Quaid's. Here he plays a Marine Gunny (a Master Gunnery Sergeant here) assigned to special ops (probably after Recon) and was the perfect fit for both this film and Mamet's script, which combined with his talent - was one of his best. Tom Clancy is the only other modern writer of this caliber that captures the military mindset and does it so well, but in a different way. Though the title probably refers to the Spartan ideology of one well trained man being better than a hundred who are not, there is a picture here offered of the very Spartan lifestyle lived by so many in the military of any nation and is well represented. A great film! I couldn't recommend it more.