When his job along with that of his co-worker are threatened, Walter takes action in the real world embarking on a global journey that turns into an adventure more extraordinary than anything he could have ever imagined.
The manager of the negative assets sector of Life magazine, Walter Mitty, has been working for sixteen years for the magazine and has a tedious life, not going anywhere but from his home to his job and vice-versa. He is an escapist, daydreaming into a world of fantasy many times a day. Walter has a crush on the recently hired Cheryl Melhoff but he is too shy to invite her on a date and he is trying to contact her via online dating. The magazine is preparing to release its last printed edition and the loathsome manager of transition Ted Hendricks is preparing an inevitable downsizing over the next few days. Walter has been the liaison between the magazine and the mysterious independent photographer Sean O'Connell who has sent to him a package of negatives and a wallet as a gift for his work. Sean also suggests to the senior management the use of negative 25 for the cover of the last edition. However, Walter cannot find the negative that is missing. Walter has no means to contact Sean ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Sean O'Connell's camera is a Nikon F3/T, a titanium version of the Nikon F3 (1980-2001) in limited production in the 1980s. The champagne colored version seen in the film was made from 1982-1985. Later versions were black. See more »
When Walter shows Cheryl's son skateboard tricks in the park, Walter's briefcase moves from the right side of the park bench, where he puts it down initially, to the left side when he and Rich are in the background and Cheryl is on the phone. See more »
I have given this a "10" rating. There was one minor issue I had with the movie that would make it not quite that in my mind, but a "9" rating would be an injustice to this extraordinary film and, since I'm unable to give it a 9.75 or something like that, "10" it is.
This movie strikes an incredible balance between indy/art-house and Hollywood epic. The pathos of the main character is well-captured in subtle ways, as are the feelings of triumph when he is able to go beyond his own self-imposed limitations. The cinematography is extraordinary-- this is a drama that *must* be seen in theaters. I expect that most adults with any sensitivity at all will find this a highly satisfying experience that speaks to their very cores. My wife and I were privileged to see it in an advanced screening, and can't believe we have to wait another couple of weeks for the official release to go back and see it again.
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