From the Pulitzer Prize-winning author of "The Hours" comes a story that chronicles a dozen years in the lives of two best friends who couldn't be more different. From suburban Cleveland in... See full summary »
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Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.
Two best friends living on the streets of Portland as hustlers embark on a journey of self discovery and find their relationship stumbling along the way.
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.
Director:
Todd Field
Stars:
Kate Winslet,
Jennifer Connelly,
Patrick Wilson
A naive young woman comes to New York and scores a job as the assistant to one of the city's biggest magazine editors, the ruthless and cynical Miranda Priestly.
A group of New Yorkers caught up in their romantic-sexual milieu converge at an underground salon infamous for its blend of art, music, politics, and carnality.
From the Pulitzer Prize-winning author of "The Hours" comes a story that chronicles a dozen years in the lives of two best friends who couldn't be more different. From suburban Cleveland in the 60s, to New York City in the 80s, where they meet an older woman, the film charts a journey of trials, triumphs, loves and losses. Now the question is: can they navigate the unusual triangle they've created and hold their friendship together? Written by
Anonymous
Is an adaptation from Michael Cunningham's 1990 novel of the same name, which in turn was expanded from a short story entitled "White Angel", published in the New Yorker in 1988. See more »
Goofs
At the end of the movie when Jonathan walks in the house, and Bobby is still standing outside. The light turns on in the upstairs window at the same time Jonathan is seen walking inside the first floor window. Yet they are supposed to be alone at the house. See more »
Quotes
[first lines]
[Emily is having sex with Carlton and sees Bobby in the doorway]
Emily:
Oh my god!
Carlton Morrow:
Come on, Em, Bobby doesn't care!
Emily:
I care!
Carlton Morrow:
Just relax!
Emily:
Kiss my ass!
See more »
"Somebody to Love"
Written by Darby Slick
Performed by Jefferson Airplane
Courtesy of The RCA Records Label, a Unit of BMG Music
Under License from BMG Film & Television Music See more »
Michael's Cunningham's book is so moving I was afraid to be deeply disappointed by the movie adaptation. Although 90 min is barely enough to narrate the story in its emotional complexity, the movie is very faithful to the book, probably because the screenplay is from Cunningham himself. The acting is excellent, and the soundtrack featuring Laura Nyro is beautiful, and if some of the book's interest is lost in translation, it still makes a pretty good movie. I find some detractors' arguments pretty amazing, as if all they'd watched was the trailer. To suggest that after Jules & Jim any movie containing a threesome is worthless, that any movie taking place in the 70s-80s is obsolete, that there was too much or not enough sex scenes, or that the AIDS theme is not developed enough, is plain ludicrous. This is not a movie about an era, about homosexuality, or about the AIDS epidemics. This is about (re)creating a place out of time and geography, where the world makes sense (again). A home, in other words. This is about loving another being (or two, since one is never complete, never enough) irrespective of family links, gender, and the established social codes. The characters are struggling to escape the rules to enjoy the "big noisy world around" and find a natural place in it. They are the opposite of stereotypical characters, at least once they are fully revealed to themselves. As for the end, it is not "unconclusive", it is what is called an open ending, and probably in this case the perfect ending, which means the only possible one. My advice: watch it, and read the novel too.
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Michael's Cunningham's book is so moving I was afraid to be deeply disappointed by the movie adaptation. Although 90 min is barely enough to narrate the story in its emotional complexity, the movie is very faithful to the book, probably because the screenplay is from Cunningham himself. The acting is excellent, and the soundtrack featuring Laura Nyro is beautiful, and if some of the book's interest is lost in translation, it still makes a pretty good movie. I find some detractors' arguments pretty amazing, as if all they'd watched was the trailer. To suggest that after Jules & Jim any movie containing a threesome is worthless, that any movie taking place in the 70s-80s is obsolete, that there was too much or not enough sex scenes, or that the AIDS theme is not developed enough, is plain ludicrous. This is not a movie about an era, about homosexuality, or about the AIDS epidemics. This is about (re)creating a place out of time and geography, where the world makes sense (again). A home, in other words. This is about loving another being (or two, since one is never complete, never enough) irrespective of family links, gender, and the established social codes. The characters are struggling to escape the rules to enjoy the "big noisy world around" and find a natural place in it. They are the opposite of stereotypical characters, at least once they are fully revealed to themselves. As for the end, it is not "unconclusive", it is what is called an open ending, and probably in this case the perfect ending, which means the only possible one. My advice: watch it, and read the novel too.