From the Pulitzer Prize-winning author of "The Hours" comes a story that chronicles a dozen years in the lives of two best friends who couldn't be more different. From suburban Cleveland in... See full summary »
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Jonathan Rhys Meyers,
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Elisabeth Dermot Walsh,
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From the Pulitzer Prize-winning author of "The Hours" comes a story that chronicles a dozen years in the lives of two best friends who couldn't be more different. From suburban Cleveland in the 60s, to New York City in the 80s, where they meet an older woman, the film charts a journey of trials, triumphs, loves and losses. Now the question is: can they navigate the unusual triangle they've created and hold their friendship together? Written by
I was profoundly touched by the film, but I can see why people needing a strong linear narrative might be left feeling incomplete.
The tagline doesn't quite capture the key to the film-- it's not precisely about redefining family-- I suspect the marketing folks thought that would resound with a likely target audience. (Like the Frameline GLBT Film Festival in SF.) To me it's about the need to belong-- to find a place in this world and then take that ride. The struggle is to find equilibrium with all the surprises that may come one's way.
Although the movie has its share of sadnesses, there are also quiet triumphs. In an odd way, this film touches some of the same chords as the far more eccentric "The World According To Garp" and "Cider House Rules."
To the director's and screenwriter's credit, they resisted the temptation to pack too much onto the film. I found the characterizations just specific enough. Fine performances from all. Beautifully established in youth.
The film trusts both your intelligence and intuition to carry you through the trip. Don't see this if you're hungering for car chases!
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