In 1870's Tokyo, Den steals to support the daughter of her first marriage and her consumptive second husband. She falls in love with a young policeman, but is coerced into becoming the ...
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The descendant of the servant of a cruel and vicious samurai returns to the town where she was born, only to find that a cat who is possessed by the spirits of those murdered by the samurai is trying to kill her.
A blind masseur visits a samurai to request the return of a loan. The samurai kills him in anger, then has his servant dump the body in the Kasane swamp. However, the ghost of the masseur ... See full summary »
In 1870's Tokyo, Den steals to support the daughter of her first marriage and her consumptive second husband. She falls in love with a young policeman, but is coerced into becoming the mistress of and procurer for a vice boss. After the deaths of her second husband and daughter, Den moves to Yokohama. There she runs a casino for the vice boss. Her remorseful first husband and the disgraced policeman follow her. Den kills her former husband and the vice boss, but when she tries to escape with the casino takings, she's arrested and returned to Tokyo to stand trial. Written by
Roger Keightley <firstname.lastname@example.org>
This period melodrama portrays the descent of a basically caring person into a heartless, money-obsessed killer. The plot-heavy narrative is held together by Kazuko Wakasugi's passionate commitment to putting emotional flesh on the title character's bones. She went on to play the even more tragic Iwa in 'Tokaido Yotsuya kaidan'.
Director Nakagawa keeps things moving at a brisk enough pace to gloss over the story's improbabilities. Continuing to experiment with his visuals, he includes an unusually large number of high-angle shots, suggesting the powerlessness of the main characters.
Although not one of the director's best films, 'Dokufu' is still an above-average entry in its genre.
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