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I'll Bury You Tomorrow (2002)

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Is there love after death? The small rural community of Port Oram can answer that. When deranged young Dolores Finley (Zoë Daelman Chlanda) appears out of nowhere to begin work at the ... See full summary »



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Cast overview, first billed only:
Zoe Daelman Chlanda ...
Dolores Finley
Bill Corry ...
Percival Beech
Nettie Beech
Jerry Murdock ...
Jake / Mitch Geraldi
Kristen Overdurf ...
Ellen Gallagher
Renee West ...
Tina Clark
Corey Nichols
P.J. Mehaffey ...
Eddie Gallagher
Michael Valentino ...
Train station attendent
Tina Kay ...
Mrs. Clark
Sandra Schaller ...
Sandra Clark
Karenann Sinocchi ...
Edwina Wilkes
Austin Sears ...
Dr. Gross
Client / Lt. Scallpone
Mia Demarco ...
Shana, the stripper


Is there love after death? The small rural community of Port Oram can answer that. When deranged young Dolores Finley (Zoë Daelman Chlanda) appears out of nowhere to begin work at the Beech's Funeral Home, the local mortuary soon becomes more than just a quiet place of rest. Dolores' passion for cadavers gives new meaning to the phrase "disturbing the peace". Written by Alan Rowe Kelly <

Plot Summary | Add Synopsis


Laid To Rest



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Release Date:

17 June 2002 (USA)  »

Box Office


$980,000 (estimated)

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Did You Know?


Won Best Feature awards at the 2002 Telluride Indiefest, the 2002 New York Independent Film & Video Film Festival, the 2003 Key West Indiefest, and the Gore-Gore Award 2002 Festival of the Macabre See more »


I'll Bury You Tomorrow
Written by Tom Burns and Chris Preston
Performed by Volume
2002 Really Horrible Music
See more »

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User Reviews

fine full throttle exercise
18 February 2006 | by (Greenwich - London) – See all my reviews

Exemplary no budget indie that knows exactly where it is going at all times, even if we do not. Most confident showing by director/ writer and super lead performance by Zoe Daelman make this, despite it's length a characterful, engaging and ultimately relentless ride. Full of sex and gore, although admittedly more of the latter and it all works so well because time has been spent in the early sequences introducing us to this bunch of (likeable) nutters. There is eventually a certain inevitability about proceedings but one is never really sure how far a scene will go or whether we really are going to delve into those little dark corners, like necrophilia or child abuse. I'm astonished (but glad) that this film has been released uncut in the UK where up until a few years ago a film would be banned if it used the word 'chainsaw'!! How times have changed and allowed us such delights as this fine full throttle exercise which whilst it has humourless moments does not clown about all the time. Excellent.

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