|Index||3 reviews in total|
Paul Thomas Anderson makes a pretty engaging lead in this documentary about the making of "Magnolia," but the director, Mark Rance wastes a lot of running time. For example, we are treated to hearing an orchestra record the score, but why are there no scenes of Anderson and Jon Brion discussing the score? There are also scenes showing pre-production meetings, but apart from discussions about difficulties in scheduling the actors, the rest could be cut in favor of more Anderson/Robert Elswit footage. I would like to see a doc about Paul Thomas Anderson in the tradition of "Directed by Andrei Tarkovsky." I can't help but feel there is a better doc in the footage not used.
as an ardent fan of paul anderson i must admit this at times fascinating documentary was informative but ultimately a let down. where was tom cruise? apart from two fabulous interviews with the late, great jason robards in sadly one of his last appearrances and that superb character actor william h. macey; most of the footage tends to be too self indulgent and meanders. methinks more thought and construction should have been given in the editing stages. i absolutely love 'boogie nights' and 'magnolia' yet it's a shame that this does not do the latter any real credit. still well worth watching for the frogs! (not the french).
Starting off with Paul Thomas Anderson talking about some of his
influences and screen writing process - that he wanted to write
originally something 'small' and then spent eight months writing it
(with a rush of a couple of weeks of most of the writing in Macy's
cabin) - we then see in That Moment how this man makes a movie. It may
not be with every actor (apparently Tom Cruise's people didn't want him
to appear in this loose a context), but you get to see many of those
little things that happen on a set, how energetic Anderson is with his
actors but how they're all eager to reach up to what he's asking for,
and it helps to make the film more valuable. Just how he talks to the
kids who will be on the game show set, how he's written some things and
not others, is precious. And how he especially looks for collaboration
from all of his players is incredible.
Oh sure, you may find it tedious to see all of the frogs dropped over and over in the gas station. But you see how little things get done (how can Julianne Moore know all the words to the song - mic in her ear that no one sees, that's how), and what his actors are like on set; Philip Seymour Hoffman has a funny, warm story to tell, and Jason Robards has LOTS of stories to tell, and does tell one of them. That he was just treated for cancer and then doing this role is amazing and touching, and you see the affection he has for PT Anderson and for playing this role (if not Earl Partridge, who is dying and bitter). You get the sense that this filmmaker loves filmmaking so much, and the creativity and steps taken to making this massive, intimate epic is revelatory - I only wish it was longer.
|Plot summary||Ratings||External reviews|
|Parents Guide||Main details||Your user reviews|
|Your vote history|