The love life of Charlotte is reduced to an endless string of disastrous blind dates, until she meets the perfect man, Kevin. Unfortunately, his merciless mother will do anything to destroy their relationship.
Mary Fiore is San Francisco's most successful supplier of romance and glamor. She knows all the tricks. She knows all the rules. But then she breaks the most important rule of all: she falls in love with the groom.
John Clark is a middle aged Chicago estate lawyer. He loves his family, which includes his wife Beverly, but their combined busy schedules and getting caught in a rut after two decades of marriage has left him feeling unfulfilled. While taking the el train home every night, he notices the same young, beautiful contemplative woman staring out of one of the windows of Miss Mitzi's Dance Studio, which specializes in ballroom. He is intrigued enough with her beauty and sadness to go in one evening on his way home. He learns that she is Paulina, one of the instructors and a former world class ballroom dancer. Because of her, he signs up for beginner group dance lessons, regardless of them being taught by Miss Mitzi herself, and not Paulina. As time progresses, John gets caught up in the lives of those at Miss Mitzi's: his two fellow classmates - overweight Vern who wants to learn to dance for his upcoming wedding, and Chic, who wants to impress the ladies - and two of the studio's ... Written by
In the first ballroom lesson Miss Mizzie teaches standard slow waltz mirror-inverted: she teaches "left foot forward, right foot side, right close..." which are ladies 2nd part steps. Men's are "right foot forward, left foot side, right close". See more »
I do not remember when was the last time I left the movie theater with such positive feelings and in such a good mood as after seeing this movie. Having not seen the Japanese original and having known only that the movie did not perform extremely well in the US, I did not know what to expect when I went in. I was very pleasantly surprised. The movie is very entertaining, sweet and kind in commenting on people's little quirks. Emotionally there is not a single false moment. And there a couple of genuinely funny moments (none better than the Gere-Tucci moment in the men's room). It does help, I guess, if you are over forty (like myself) to understand the yearning of the main character (Gere) who has no reason NOT to be happy in his life, yet he cannot help but missing "something". I loved all the little stories of the supporting characters and I loved the fact that the movie took the time to wrap up all the stories in the end. I guess the movie underperformed because it was seen as a star vehicle whereas it is more an ensemble piece. That is not to say that Gere, Sarandon or Lopez are miscast. Not at all, in fact now that I have seen the movie twice, it is difficult to imagine a different cast, they all seem to be perfectly chosen for their parts. But it is really the supporting cast which really makes the movie work. It is difficult to chose just one, but Stanley Tucci is quite exquisite in his role. Though the movie is rather light in its tone, Sarandon character's observations on the reason why people get married is rather interesting and stays with you after leaving the theater. I hope Peter Chelsom will continue making movies like Serendipity" and this one: there are definitely not enough movies of this kind around anymore. This is a movie I will return to each time I will be feeling down. And a special mention goes to the soundtrack. Chelsom seems to really have a hand for picking the right tunes (Serendipity soundtrack is one of the best movie soundtracks ever) and here the choice of the music really helps to define the emotional core of the movie.
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