A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
Lewis is a brilliant inventor who meets mysterious stranger named Wilbur Robinson, whisking Lewis away in a time machine and together they team up to track down Bowler Hat Guy in a showdown that ends with an unexpected twist of fate.
Stephen J. Anderson
Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
Simon J. Smith
Boog, a domesticated 900lb. Grizzly bear finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
Even in a world populated entirely by mechanical beings Rodney Copperbottom is considered a genius inventor. Rodney dreams of two things, making the world a better place and meeting his idol, the master inventor Bigweld. On his journey he encounters Cappy, a beautiful executive 'bot with whom Rodney is instantly smitten, the nefarious corporate tyrant Ratchet who locks horns with Rodney, and a group of misfit 'bots known as the Rusties, led by Fender and Piper Pinwheeler. Written by
Originally, Rodney's co-passenger in the cross-town express sequence was an old lady knitting calmly. For some long shots, the old lady is simply colored red rather than replaced with Fender. This version of the scene was the one used in movie clips featured in the film's video game. See more »
When Rodney uses Wonder-bot to help his father wash dishes in the kitchen at the diner, his dad has 3 dirty plates already in his "stomach dishwasher". Wonder-bot adds 6 more plates, bringing the total of dirty plates inside dad to 9. Seconds later when Wonder-bot takes the newly cleaned plates out of dad's "stomach", there are only the 6 that were added. The original three are missing. See more »
Never try, never fail. Those are the words I live by.
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The producers wish to thank the following for their assistance: -The families of the Blue Sky crew for supporting us through the final rivet -LucasFilm Ltd. -United States Postal Service -Rendering hardware by Hewlett-Packard -Kent Beyda See more »
I'm an animator and I can appreciate the work that went into this film. Its visually interesting, but at the same time cluttered. So from a technical stand point it had its pros. Overall the story was mildly interesting. It started out really slow and I wasn't sure whether I would be able to get through the whole movie. But it did pick up a little bit as the movie went on. Now for the major negative points.
There are too many characters. The supporting cast is numerous and
uninteresting. It comes off as if the art department designed a bunch of robots first then decided they didn't want to give up any of the designs.
The characters personalities are kind of flat. Even the main
characters don't really invoke an emotional connection. The secondary characters are just robots that happen to talk once and a while.
I don't know what is with the trend to put in popular music into
animated pictures but it just seems so off when you are watching in. When the story is progressing and then a bunch of characters break out into a dance routine set to a Britney Spears song its like someone suddenly turned on another TV in the room. And this kind of thing happens numerous times. Its even noticeable in the fight sequences and some others which appear to be designed to show funky and interesting animation rather than advance or even fit into the story.
Bottom line, Blue Sky Studios did a much better job on Ice Age. Just like PDI did a much better job on Shrek compared to Shark's Tale (Which was garbage). They just need to get some people involved who can trim the fat of the story and keep people who think they are directing a music video out of the editing room.
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