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Boog, a domesticated 900lb. Grizzly bear, finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
Lewis is a brilliant inventor who meets mysterious stranger named Wilbur Robinson, whisking Lewis away in a time machine and together they team up to track down Bowler Hat Guy in a showdown that ends with an unexpected twist of fate.
Stephen J. Anderson
A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
Simon J. Smith
Even in a world populated entirely by mechanical beings Rodney Copperbottom is considered a genius inventor. Rodney dreams of two things, making the world a better place and meeting his idol, the master inventor Bigweld. On his journey he encounters Cappy, a beautiful executive 'bot with whom Rodney is instantly smitten, the nefarious corporate tyrant Ratchet who locks horns with Rodney, and a group of misfit 'bots known as the Rusties, led by Fender and Piper Pinwheeler. Written by
The filmmakers wanted the music score to sound like it was recorded by the "Robot Philharmonic". To that effect, they hired performance artists Blue Man Group, known for performing on musical instruments made from industrial piping and other found objects, to do special percussion effects. See more »
In the board meeting with Ratchet, the small television with Bigweld talking is not visible as the shot pans over the big chair. When we see it from the front, the TV is sitting high enough that it would have been seen from the back. See more »
[Herb has just been running through the town, yelling "I'm going to be a dad!" and runs into his house, where Mrs. Copperbottom is standing next to a window]
Oh, honey, I'm so sorry. You missed the delivery.
[holds up a box with a picture of a robot on it]
But it's okay. Making the baby's the fun part.
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During the end credits, there are 2-D drawings of robots. See more »
I left this film feeling high. Not because I literally ingested anything before arriving at the theatre, but because the movie provided that familiar feeling of one's brain being reduced to a muddled receptor for bright colors and funny noises.
So about the story: boy robot leaves his home for the big-city, must defeat evil robot trying to control the robot world. During this epic quest he encounters a series of Disney-ish archetypes, including: wacky robot sidekick (voiced by Robin Williams, natch), bland robot love interest (Halle Berry, spending all of maybe three hours in the recording studio), and a spunky tomboy robot (voiced by some unmemorable tween star).
The storyline, such as it is, could probably fill a single half-hour slot on Nickelodeon. There are a few funny bits of dialogue (provided by off-Broadway scribe David Lindsay Abaire), but mostly the script is just the filler before the next elaborate visual sequence dreamed up by the animators.
And don't get me wrong: those visual sequences are pretty cool. I can't quite decide which is more impressive: the hyperkinetic ride through the immaculately detailed robot city or a complicated sequence involving thousands of dominoes. The art department clearly put a mind-boggling amount of effort into creating a fully realized world.
But that, unfortunately, is all there is. An awesomely rendered environment with nothing in the foreground. Many of the characters, particularly the protagonist, feel like little more than rough outlines. The relationships between characters feel like tacked-on afterthoughts. This is compounded by the most lackluster and non-distinctive voice work I've ever heard from major movie stars (Ewan McGregor and Halle Berry sound so bored, I would have preferred they hire interns from the accounting department).
I recommend this film slightly, simply because of the stunning visuals. But otherwise, with the success of truly subversive CGI films like The Incredibles and Shrek, Robots just doesn't cut it.
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