| Steven Seagal | ... | Jake Hopper | |
| Byron Mann | ... | Sunti | |
| Monica Lo | ... | Lulu | |
| Tom Wu | ... | General Jantapan | |
| Sara Malakul Lane | ... | Jessica Hopper | |
| Patrick Robinson | ... | Leon Washington | |
| Vincent Riotta | ... | Fitch McQuaid | |
| Norman Veeratum | ... | Suthep | |
| Elidh MacQueen | ... | Sara Winthorpe | |
| Siu Tung Chan | ... | Kong | |
| Kevork Malikyan | ... | Fernand Zadir | |
| Pongpat Wachirabunjong | ... | Mongkol | |
| Alastair Vardy | ... | Security Guard #1 | |
| Andy Adam | ... | Security Guard #2 | |
| Shahkrit Yamnarm | ... | Brice (as Shahkritt Yamnarm) | |
| Max Ruddock | ... | Russel | |
| Martin McDougall | ... | Tom Collins | |
| Nicolas Rochette | ... | Masked Man | |
| Ian Robison | ... | Tom Blake | |
| Colin Stinton | ... | Jim Cox | |
| Akaluk Oisingo | ... | Taxi Driver | |
| Wannakit Sirioput | ... | Tommy Taipei (as Wannakit Siriput) | |
| Malin Moberg | ... | Woman in Pool | |
| rest of cast listed alphabetically: | |||
| Don Ferguson | ... | Security Guard (uncredited) | |
| Erik Markus Schuetz | ... | Security Guard (uncredited) | |
Directed by | |||
| Siu-Tung Ching | (as Ching Siu Tung) | ||
Writing credits(in alphabetical order) | ||
| Thomas Fenton | uncredited | |
| Steven Seagal | story (uncredited) | |
| James Townsend | written by | |
Produced by | |||
| Jamie Brown | .... | producer | |
| D.J. Carson | .... | co-producer | |
| Danny Dimbort | .... | executive producer | |
| Randall Emmett | .... | producer | |
| George Furla | .... | producer | |
| Phillip B. Goldfine | .... | co-executive producer | |
| Gary Howsam | .... | producer | |
| Avi Lerner | .... | executive producer | |
| Steven Seagal | .... | producer | |
| Trevor Short | .... | executive producer | |
| John Thompson | .... | executive producer | |
| Charles Wang | .... | producer | |
Original Music by | |||
| Mark Sayer-Wade | |||
Cinematography by | |||
| Danny Nowak | (director of photography) | ||
Film Editing by | |||
| David M. Richardson | (as David Richardson) | ||
Casting by | |||
| Andrea Clark | |||
| Jeremy Zimmermann | |||
Production Design by | |||
| Trevor Murray | |||
Set Decoration by | |||
| Anuradha Mehta | (as Radha Mehta) | ||
Costume Design by | |||
| Katrina McCarthy | |||
Makeup Department | |||
| Mark Landon | .... | makeup artist: Steven Seagal | |
Production Management | |||
| D.J. Carson | .... | unit production manager | |
| Jonathan Shore | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Bob Warwick | .... | first assistant director | |
Sound Department | |||
| Wayne Brooks | .... | sound designer | |
| Wayne Brooks | .... | sound effects editor | |
| Greg Chapman | .... | sound mixer | |
| Mathew Knights | .... | adr recordist | |
| Chris Roberts | .... | dialogue editor | |
| Adam Sharpe | .... | adr mixer | |
| Anna Sulley | .... | adr editor | |
| Rowena Wilkinson | .... | foley artist | |
Special Effects by | |||
| Andy Adam | .... | special effects technician | |
| Phill Robinson | .... | special effects technician | |
| Alastair Vardy | .... | special effects supervisor | |
Visual Effects by | |||
| Larry Adlon | .... | digital compositor: wire/scratch removal | |
| Simeon Asenov | .... | digital compositor | |
| Scott Coulter | .... | visual effects producer | |
| Veselina Georgieva | .... | digital effects artist (as Veselina Haralanova) | |
| Veselina Georgieva | .... | visual effects compositor | |
| Danail Hadzhiyski | .... | digital artist | |
| Milosav Hugasian | .... | visual effects coordinator | |
| Inna Itkin | .... | roto artist | |
| Jivko Ivanov | .... | lead animator | |
| Velichko Ivanov | .... | visual effects | |
| Ekaterina 'Kuki' Korabelnikova | .... | digital effects artist | |
| Jordan Markov | .... | visual effects editor | |
| Maria Mavrova | .... | 3D animator | |
| Peter Nikolov | .... | visual effects support staff | |
| Iasen Pisarov | .... | visual effects | |
| Ivan Sarov | .... | digital artist | |
| Ryan Smith | .... | digital compositing supervisor | |
| Kiri Stenberg | .... | visual effects | |
| Stefan Tchakarov | .... | visual effects supervisor | |
| Mark Tureski | .... | digital opticals effects | |
| Valia Zaharinova | .... | digital artist | |
Stunts | |||
| Dian Hristov | .... | stunt double: lead | |
| David Ismalone | .... | stunts | |
| Erik Markus Schuetz | .... | stunts | |
Camera and Electrical Department | |||
| Ross W. Clarkson | .... | camera operator: "a" camera | |
Costume and Wardrobe Department | |||
| Brie Thorpe | .... | assistant costume designer | |
Editorial Department | |||
| Christopher Robin Bell | .... | first assistant editor | |
| Hsun-Wei David Chang | .... | post-production assistant | |
| Edward Joseph Douglas | .... | assistant on-line editor | |
| Ryan Hogan | .... | final colorist | |
| Bejhan Kalantar | .... | post-production assistant | |
| Mykel Thuncher | .... | color timer | |
Music Department | |||
| Jon Paxman | .... | music arranger | |
| Steven Price | .... | music programmer | |
| Michèle Spoonley | .... | music coordinator | |
| Ashley Waldron | .... | music supervisor (as Ashley Miller) | |
Other crew | |||
| Marcin Borkowski | .... | executive assistant: Steven Seagal | |
| Siu-Tung Ching | .... | action director (as Tony Ching Siu-Tung) | |
| Siu-Tung Ching | .... | kung fu choreographer (as Tony Ching Siu Tung) | |
| Patrina Couling-Bell | .... | production assistant (as Pat Couling) | |
| Helen M. Ferreira | .... | production secretary | |
| Jennifer Ganton | .... | production coordinator | |
| Marilyn Jang | .... | assistant production accountant | |
| Bencharat Labkim | .... | production coordinator | |
| Nikolette Orlandou | .... | assistant to producer: Steven Seagal | |
| Samavee Pummoung | .... | production assistant | |
| Roman Viaris-de-Lesegno | .... | production financing | |
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| The Professional: Golgo 13 | Into the Sun | Double Team | Machete | Live Free or Die Hard |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Canada section |
Jake Hopper is ex-CIA who retired from the job after a bad shooting incident, although he still does work on the side for an old Agency buddy. When his daughter is kidnapped along with her friend (a Senator's daughter) while on a backpacking holiday in the far east, Jake's contact tells him. With official channels working to get the girls' back, Jake joins up with his old partner and begins trawling the underworld looking for the gang that has his girl.
Despite getting consistently burnt, I keep on coming back to Steven Seagal films - I can't help it. I always go to the video store (for that is where Seagal now resides) looking for something to veg out in front of that will entertain me without challenging or stimulating me; it is a sad condemnation of Seagal films that they rarely manage to do even that most basic of requests. However, in some regards, Belly of the Beast is actually a reasonable film. The plot is pretty standard and relies on nonsense to move it forwards - stuck with no clues, a girl approaches Jake with a mystery tattoo on her naked chest that only appears when she gets wet! Talk about an excuse for nudity! This sort of plot device is over used; too often the film has things just happen for a way of moving the plot forward.
The plot is poorly developed and it also has elements that just seem to have been thrown in in order to fulfil the formula. The love interest is one good example of an element that is silly and simply doesn't work. What does work is the action. For once in recent Seagal films, the fight scenes are actually pretty enjoyable even if they do overdo the slowmo effects. Seagal himself is quite effective; despite his weight gain he manages to move quite well here - even if most of it involves upper body work rather than full motion.
As an actor though, Seagal is about as bad as ever: his emotional range is rubbish, as seen in his reaction when told his daughter has been kidnapped (`you don't say' he blankly emotes!). He even is blank when kissing the gorgeous Lo - so what hope is there for him? Having said that, the worst moment in the film is one that is another actor's fault. In one scene Seagal is dubbed by an actor who sounds nothing like him - it is a laughable moment and a sad comment on the effort Seagal is putting into his films now (unable or unwilling to show up for ADR). Luckily for him, his support cast is OK. Mann's sidekick is good and Wu makes for a decent bad guy despite having very low screen time. Monica Lo is very beautiful and sexy - just a shame that her scenes where she gradually falls for Seagal make more for laughter than passion! Even these few good performances are still pretty basic though and the standard is no better than Seagal's usual stuff.
Overall, if you watch Seagal films a lot, then this will probably be better than you are used to, despite not actually being that good a film. The acting, script and plotting are as poor as you would expect but it is in the action stakes where this film improves upon his recent efforts. Understand that this is still not saying a great deal in my opinion but it still makes the film a lot better to have well choreographed and quite exciting fight scenes. If you have to watch a recent Seagal film, then this is probably the one to pick.