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Anchorman: The Legend of Ron Burgundy (2004)

 -  Comedy  -  9 July 2004 (USA)
7.3
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Ratings: 7.3/10 from 218,720 users   Metascore: 63/100
Reviews: 571 user | 180 critic | 38 from Metacritic.com

Ron Burgundy is San Diego's top rated newsman in the male-dominated broadcasting of the 70's, but that's all about to change for Ron and his cronies when an ambitious woman is hired as a new anchor.

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Cast

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Hot Blonde
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Storyline

In 1970s San Diego, journalism was a well respected profession and people actually cared about what they saw on TV. And the top rated anchor man in the city is Ron Burgundy. He enjoys his run at the top, and has for the last five years. And his news team is equally as good as he is. Professional jock and former professional baseball player Champ Kind handles the sports, the curiously dim witted Brick Tamland - who's a few channels short of a cable subscription - handles the weather, and ladies' man Brian Fantana - whose collection of fine scents would be in the Guinness Book Of Records - handles the on-field reporting. But now all that is about to change forever. The TV station Burgundy works for, Channel 6, has embraced diversity and has hired a beautiful new female anchor named Veronica Corningstone. While Ron Burgundy and the rest of the Channel 6 news team enjoys fighting with competitors, drinking, and flirting with the ladies, Veronica quietly climbs her way to the top. And ... Written by halo1k

Plot Summary | Plot Synopsis

Taglines:

They bring you the news so you don't have to get it yourself. See more »

Genres:

Comedy

Motion Picture Rating (MPAA)

Rated PG-13 for sexual humor, language and comic violence | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Release Date:

9 July 2004 (USA)  »

Also Known As:

Action News  »

Box Office

Budget:

$26,000,000 (estimated)

Opening Weekend:

$573,025 (Australia) (22 October 2004)

Gross:

$1,492,415 (Australia) (5 November 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (extended) | (unrated)

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

A good portion of scenes from the trailers are completely omitted from the film's final cut. These scenes include Burgundy taking a bullet for Veronica and a later shot of him and her emerging from a TV van to a cheering crowd with Burgundy visibly showing a bandaged wound. The line where Ron asks Garth about his divorce while at a party is also missing. Other shots cut include Ron walking into a filing cabinet and falling over, alternate dialog when Ron asks Veronica what her dream is, Veronica and Ron tackling each other on the conference room table, collapsing (with Ron shouting "Let's make a baby!"), Ron admiring his own billboard, Ed Harken asking what a "lead" is, sitting by a poolside, standing by the side of the road with a long beard and guitar on his back trying to hitchhike, and others. See more »

Goofs

When Ron is first talking to his dog Baxter, the dog's front paws change position on the chair between shots (from standing to kneeling). See more »

Quotes

[first lines]
Bill Lawson: [narration] There was a time, a time before cable. When the local anchorman reigned supreme. When people believed everything they heard on TV. This was an age when only men were allowed to read the news. And in San Diego, one anchorman was more man then the rest. His name was Ron Burgundy. He was like a god walking amongst mere mortals. He had a voice that could make a wolverine purr and suits so fine they made Sinatra look like a hobo. In other words, Ron Burgundy was the balls.
See more »

Crazy Credits

The end credits feature outtakes from the film, as well as one outtake from the film Smokey and the Bandit II (1980) See more »

Connections

Features That's Incredible! (1980) See more »

Soundtracks

Treat Her Like a Lady
Written by Eddie Cornelius
Performed by Cornelius Brothers & Sister Rose
Courtesy of EMI Records
Under license from EMI Film & Television Music
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Consistent and thorough silliness keep this above-average comedy afloat
12 July 2004 | by (Washington, DC) – See all my reviews

I went to "Anchorman" expecting another super-mainstream, lowest-common-denominator, SNL-derived romp. Now, these aren't the worst movies in the world, to be sure. "Happy Gilmore" and "Old School" are pretty agreeable ways to while away the time. But usually about an hour in to these affairs, I've had enough of the broadness and predictability, which starts to get downright oppressive. It's not just that they're lowbrow--it's that they're so overwhelmingly, disappointingly conventional.

Luckily, this isn't what "Anchorman" is. "Anchorman" is a refreshingly off-kilter outing from an unlikely source--Will Ferrell, the current reigning lord of middle-of-the-road fratboy Sandlerism. The film has a lot more in common with Mel Brooks and Zucker-Abrahams-Zucker than anything in the SNL family tree. It prizes out-and-out silliness and absurdity over bathroom humor and penis jokes (though there's plenty of the latter, don't worry), and pulls it off admirably. In essence, the key to this stuff is never letting off of the goofiness even for a second--the audience should never be allowed to take anything seriously.

"Anchorman" achieves this with exceedingly silly and bizarre dialogue complemented by killer comic performances from Ferrell, Paul Rudd, Vince Vaughn and Steve Carrel. You'd have to be lobotomized to maintain a straight face through lines like "It's made with bits of real panther. So you know it's good." and "I'm riding a big, furry tractor!" The direction and pacing are also pretty solid at times, and the requisite celeb cameos are very nicely done (especially in one particular scene which I wouldn't dream of ruining).

The film's not without its flaws, certainly. Chief among them is the wasting of one of the best comic character actors in the biz: Fred Willard. If ever there was someone born to play a smarmy local TV newsman, Willard is it. But he's inexplicably cast here as a dull station suit, while David Koechner plods through the sportscaster role that was clearly meant for him--passable but certainly not as inspired as Willard would have been. Also, I think that the story would have benefited if Vaughn and his cronies, the closest thing to villains in this lightheaded romp, had a little more face time.

But these are comparatively minor problems--the point is that Ferrel has given us something that's really funny in a way that's appreciably different from the endless SNL movie-mill. It's not Monty Python, but it is a healthy departure from what has become the comic mainstream. Most importantly, the laughs are frequent, long, and deep--check it out and you won't be disappointed.


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