A 7 year old Pakistani boy and his father belonging to the untouchable Hindu caste accidentally cross the border and spend years in an Indian jail while the mother on the other side doesn't know what has happened to them.
Fatima, a committed schoolteacher living the cosmopolitan high life in Karachi, has her life shattered when her nanny, Nusrat, inexplicably disappears. Though her friends and family beg her... See full summary »
After losing his parents in a car accident, Mukesh stays at his Aunt's house in Delhi. Enrolled in a good for nothing course in college he finds peace by playing chess at the local cemetery... See full summary »
The film incorporates elements of dark humour, melodrama, crime, passion and revenge and is based on Anthony Shaffer's play, Sleuth. The film's hero is Rizwan Ahmed (Omair Rana) a ... See full summary »
Based on real events, Kanebaaz follows the journey of Siddiq (Mohib Mirza), a straight-talking car mechanic with a penchant for card gambling. In the ultimate shuffle, the small-time ... See full summary »
In the days leading up to Partition, a Hindu woman is abducted by a Muslim man. Soon, she finds herself not only forced into marriage, but living in a new country as the borders between India and Pakistan are drawn.
Chandra Prakash Dwivedi
Islamabad, Pakistan. A group of privileged and westernised twenty-something friends while away their days and nights driving around town, partying, surfing the internet and smoking shisha ... See full summary »
Aisha Linnea Akthar,
Osman Khalid Butt
Set in 1979 Pakistan, General Zia-ul-Haq has imposed martial law and, within a few months, the country is decreed a Muslim state. Aicha, a well-adjusted woman in her forties, devotes her life to the education of her eighteen-year-old son Salim, in the little village of Charkhi, in the Pakistani Penjab. Salim is a quiet dreamer, but the fast moving political situation fills Aicha with anxiety, since her son is changing out of all recognition. Written by
Sujit R. Varma
A crucible brimming over with the reality of Pakistani existence
Khamosh Pani will go down in Pakistani history as the most important work of art and politic since the country's inception. The story documents the era (1979) of the CIA-assisted killing of the democratically elected prime minister Bhutto and the installation of fundamentalist dictator General Zia ul-Haq. The film chronicles the death of love and the birth of hate as part of a continuing cycle of violence that has besieged that part of the world. Religious intolerance, bigotry and ignorance are the fierce villains of the movie. The film has managed to humanize the tragedy of the Pakistani people's struggle with fanaticism and imported agendas. What I particularly love about this film, besides the fact that it is technically remarkable, is the fact that it does not glorify death or killing. This is not a Bollywood or Lollywood melodrama. Beautiful punjabi language script adds to the authenticity of this true-to-life cinema representation of the people of the land. This film is brave to acknowledge the atrocities of displacement; of the violence against Sikhs and against women that was part of the partition of India and Pakistan. Well acted, well written and extremely well directed. Bravo!
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