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Rebecca Da Costa
Amidst a haze of cigarette smoke and uneaten food, the family of Enda Doyle gathers in Dublin for his wake. A university librarian, poet and rascal, he has left behind a trail of unresolved issues, a dysfunctional family, and a disturbing mystery. Enda's dazed widow, Moya, anxiously prepares for the next day's funeral with her still stuck-at-home, twenty-something daughter Medbh lending a loving hand. Moya's desperation to keep her family together and Medbh's sharp tongue provide the backdrop for the arrival of headstrong older sister Catherine from New York with her handsome but awkward boyfriend Tom in tow. They doubt that London-based Johnny, the angry black sheep brother of the family, will even appear at all. Sorting through boxes of Enda's books, the women discover a cache of self-recorded video diaries that might shed light on who Enda Doyle really was and some of the secrets that he was never able to share with them. At the funeral, the daughters see a distraught young woman ... Written by
I enjoyed the film. The casting was perfect, I especially enjoyed the performances of Heather Juergensen and Max Beesley. I was entertained by the story and moved by the characters. The director did a fine job translating a story for the stage to the screen. If you belong to a family you'll relate to this film.
5 of 9 people found this review helpful.
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