5.7/10
3,867
39 user 42 critic

The Last Shot (2004)

A movie director-screenwriter finds a man to finance his latest project but soon discovers that the producer is actually an undercover FBI agent working on a mob sting operation.

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Cast

Cast overview, first billed only:
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Tommy Sanz
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Marshal Paris
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Lonnie Bosco
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Agent Nance
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Agent Ray Dawson
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Agent Pike
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Willie Gratzo
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Troy Haines
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Agent McCaffrey
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Abe White

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Storyline

FBI director Jack Devine always sets up his brother Joe as undercover to trick mobsters. His latest cover is as movie producer Joe Diamond, to get Tommy Sanz for Teamster racketeering. His cover requires a script - the one movie theater manager Steven Schats and his brother Marshall 'Paris' wrote, supposedly a cancer biopic. So Steven is hired as director, his greatest dream, even if producing an Arizona desert drama on Rhode Island is far from ideal. When a former Oscar nominee volunteers to star, the cover gets out of hand till everyone believes in it, even the FBI brass- or not? Written by KGF Vissers

Plot Summary | Add Synopsis

Taglines:

The true story of the greatest movie never made.

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated R for language and some sexual content | See all certifications »

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Details

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Release Date:

5 November 2004 (Brazil)  »

Also Known As:

Providence  »

Box Office

Opening Weekend:

$164,801 (USA) (24 September 2004)

Gross:

$463,730 (USA) (12 November 2004)
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Company Credits

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Technical Specs

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1.85 : 1
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Did You Know?

Trivia

The play Matthew Broderick's character references, "Your Arms Too Short to Box with Moses" is an obvious tongue-in-cheek reference to the hit Broadway musical, "Your Arms Too Short to Box with God." See more »

Goofs

The movie is set in the mid 80's. When Agent Devine is sitting on a bench asking people for script ideas, a green VW New Beetle passes by. See more »

Quotes

Joe Devine: At this time, I would like to introduce Fanny Nash, the producer of the hit comedy "No Means No" to discuss proper Hollywood protocol.
Fanny Nash: I am over 35 years old. I am physically unable to bear children. And I pay alimony to my ex-husband, who is a faggot. Yet I am willing to bet that all of you would fuck me over that desk right now if you knew you'd be having lunch with Harrison Ford as soon as you blew your wad. If you wanna carry yourself like you're in the movie business, you need to act like ...
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Crazy Credits

The opening credits are written on objects in a movie theater, for example "Alec Baldwin" is written on a Coca-Cola jug and "Toni Collette" is carved into the wooden arm rest of a seat. See more »

Connections

References Papillon (1973) See more »

Soundtracks

No me quieras tanto
(1949)
Written by Rafael Hernández (as Rafael Hernandez)
Performed by Los Panchos (as Trios Los Panchos)
Courtesy of Sony Music Entertainment, S.A. de C.V.
By Arrangement with Sony Music Licensing
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User Reviews

 
A work of film
26 December 2004 | by (Timisoara, Romania) – See all my reviews

I suppose I went to this movie for the actors: enigmatic Alec Baldwim, charming Matthew Broderick, turned-sardonic Tony Shalhoub, mafia man Ray Liotta (who resembles a "cappo di tutti cappo" even as the director of the FBI) and thin Calista Flockhart. In the end I came to like it because of what it actually is: a frank story about goodness and dreams and not "another" cover up story for a gang heist.

So you've got undercover agent Joe (Baldwin) who is so dedicated to his job, that he lets someone cut his finger off, just in order to get a longer sentence. Then there's Steven (Broderick), a want-to-be film director, who's still searching for his pot of gold...ah, luck. The rest of the characters orbit gently around these two propellers, spawning a genuine web of film-making personnel. Joe and Steven get to know each other when the detective plans to frame a certain low-ranker of the notorious Gotti family (in this particular case, Tommy Sanz, played by Shalhoub) and decides to pose as a film producer in order to fulfill his assignment. He meets Steven, the fate less anonymous screenwriter and the cameras start rolling...well, more or less.

The film proves to be a productive comedy - as in you'll get plenty of chances to prove your laughing capabilities - and is also dubbed by a layer of "sensfullness", meaning it's a smart comedy. Not all the time,I have to admit, but often enough. If I were to compare it with, let's say, "Get Shorty", a rather similar movie, I think I'd go for this one simply because its got more juice to squeeze. Director/screenwriter Nathanson efficiently parodies a lot of wacko attitudes of Hollywood, even though some of these particular scenes did seem to have been forced into the film. All in all, I'd say it's worth your time!

And one more thing...the intro credits are simply brilliant!


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