Matt Mulhern stars as an out of work sit-com actor visiting his empty childhood home on the Jersey shore while struggling to make sense of the loss of his father, his past, and, for one funny and heartbreaking week, himself.
Australian Diana Spencer wins a competition in a women's magazine, and as a prize gets a trip for two to London, where she wants to meet her idol and namesake, Princess Diana. She goes ... See full summary »
Clark Kellogg is a young man starting his first year at film school in New York City. After a small time crook steals all his belongings, Clark meets Carmine "Jimmy the Toucan" Sabatini, an... See full summary »
Everything is not as it seems for a man who recovers from a plane crash in which his family is killed. After plastic surgery and rehabilitation, he determines that he worked for a secret ... See full summary »
The critically-acclaimed comedian, actor, writer, and voice of Remy the Rat (the Oscar-winning Ratatouille) takes time out from his many film and television outings to return to the comedy stage for his fourth stand-up special.
FBI director Jack Devine always sets up his brother Joe as undercover to trick mobsters. His latest cover is as movie producer Joe Diamond, to get Tommy Sanz for Teamster racketeering. His cover requires a script - the one movie theater manager Steven Schats and his brother Marshall 'Paris' wrote, supposedly a cancer biopic. So Steven is hired as director, his greatest dream, even if producing an Arizona desert drama on Rhode Island is far from ideal. When a former Oscar nominee volunteers to star, the cover gets out of hand till everyone believes in it, even the FBI brass- or not? Written by
In the "burro casting" sequence neither of the animals being considered are burros. They are both mules - the sterile offspring of a burro (donkey) and a horse. See more »
Though the film is set in 1985, the United Airlines plane shown at the Rhode Island airport is painted in a color scheme that was not used until the mid-1990s. See more »
Delores, I have these presents I wanna give to Sasha. Where is she?
I'm sorry, sir. Your dog is dead. She killed herself.
The Jacuzzi. She threw herself into the Jacuzzi. I tried to find you. It was horrible.
Oh, no. Maybe she fell in.
Oh, there was a witness. Alejandro, the gardener's son. It was suicide.
She was lonely. She couldn't stand it any more.
Then why the fuck didn't you go outside and play with her? Throw the little red ball with her?
I'm sorry, Mr Devine. I know you ...
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Special thanks to ... The Dan Blocker Family, The Victor Sen Young Family ... See more »
Let the Good Times Roll
Written by Spo-De-Odee and Fleecie Moore
Performed by Ray Charles
Courtesy of Atlantic Recording Corp./Rhino Entertainment Company
By Arrangement with Warner Strategic Marketing See more »
Proof that a Seed of Truth is Stranger/Funnier than Fiction
THE LAST SHOT is best viewed with a bit of info to let the patient viewer understand what is coming. The opening titles are clever, dealing with movie paraphernalia that serve as matrices for the stars and production staff names and should give a sense of what is to come. But it isn't until the first 20 or so minutes into the film that the significance of the movie can be appreciated.
Based on an apparently true news article, THE LAST SHOT takes a pot shot at not only Hollywood, but also organized crime, production magnates, the FBI, and little people with big dreams lost in the elusive utopia of fame.The plot is well outlined on these pages. Suffice it to say that the FBI sends Joe Devine (Alec Baldwin) to Hollywood to pose as a producer to lure the underground crime lord Tommy Sanz (Tony Shalhoub) to surface and be caught. Devine needs a script as he discovers from the gross Fanny Nash (Joan Cusack at her hilarious best) and gradually encounters Steven Schats (Matthew Broderick) who with his pathetic brother Marshall Paris (Tim Blake Nelson) has written an unmarketable, non-salable script called 'Arizona'. Devine grabs on to the project, making Schats the director (his dream come true) and casts the film with has-been actress with box office draw Emily French (Toni Collette who looks terrific and adds yet another priceless cameo to her brilliant repertoire) and Valerie Weston (Calista Flockhart) who just happens to be Schats' squeeze.
The process of film-making and the infectious delirium of Hollywood affects everyone in this film - even the FBI and especially Devine who softens into a man who wants to provide the 'littleman' Schats with his dream. The humor is broad, WAY over the top, crude, and slapstick and in so many ways this movie mimics all of the intangible oddities that make Hollywood what it is. The performances by Baldwin, Broderick, Cusack, Flockhart - and, well, all of the inserted cameos - are excellent. Once you get the premise of this film it moves from being inane to being a really terrific parody with some sensitive metaphors. Grady Harp
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