FBI director Jack Devine always sets up his brother Joe as undercover to trick mobsters. His latest cover is as movie producer Joe Diamond, to get Tommy Sanz for Teamster racketeering. His cover requires a script - the one movie theater manager Steven Schats and his brother Marshall 'Paris' wrote, supposedly a cancer biopic. So Steven is hired as director, his greatest dream, even if producing an Arizona desert drama on Rhode Island is far from ideal. When a former Oscar nominee volunteers to star, the cover gets out of hand till everyone believes in it, even the FBI brass- or not? Written by
When Alec Baldwin's character tells 'Tony Shaloub''s character that they are considering replacing the burro with a Bald Eagle he exclaims "What is this, a Disney Picture?!?" The movie was produced by Touchstone Pictures and distributed by Buena Vista Pictures, both of which are part of the Disney Corporation. See more »
The same extras playing tourists, wearing the same clothes (notably a woman with a fringed leather jacket), can be seen watching the "Ponderosa" theme park show, in two different scenes supposedly months apart. See more »
At this time, I would like to introduce Fanny Nash, the producer of the hit comedy "No Means No" to discuss proper Hollywood protocol.
I am over 35 years old. I am physically unable to bear children. And I pay alimony to my ex-husband, who is a faggot. Yet I am willing to bet that all of you would fuck me over that desk right now if you knew you'd be having lunch with Harrison Ford as soon as you blew your wad. If you wanna carry yourself like you're in the movie business, you need to act like ...
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In the middle of the closing credits, a scene with Steven is shown where he has a new girlfriend, a deaf one this time to tackle the "barking dog" problem. See more »
Proof that a Seed of Truth is Stranger/Funnier than Fiction
THE LAST SHOT is best viewed with a bit of info to let the patient viewer understand what is coming. The opening titles are clever, dealing with movie paraphernalia that serve as matrices for the stars and production staff names and should give a sense of what is to come. But it isn't until the first 20 or so minutes into the film that the significance of the movie can be appreciated.
Based on an apparently true news article, THE LAST SHOT takes a pot shot at not only Hollywood, but also organized crime, production magnates, the FBI, and little people with big dreams lost in the elusive utopia of fame.The plot is well outlined on these pages. Suffice it to say that the FBI sends Joe Devine (Alec Baldwin) to Hollywood to pose as a producer to lure the underground crime lord Tommy Sanz (Tony Shalhoub) to surface and be caught. Devine needs a script as he discovers from the gross Fanny Nash (Joan Cusack at her hilarious best) and gradually encounters Steven Schats (Matthew Broderick) who with his pathetic brother Marshall Paris (Tim Blake Nelson) has written an unmarketable, non-salable script called 'Arizona'. Devine grabs on to the project, making Schats the director (his dream come true) and casts the film with has-been actress with box office draw Emily French (Toni Collette who looks terrific and adds yet another priceless cameo to her brilliant repertoire) and Valerie Weston (Calista Flockhart) who just happens to be Schats' squeeze.
The process of film-making and the infectious delirium of Hollywood affects everyone in this film - even the FBI and especially Devine who softens into a man who wants to provide the 'littleman' Schats with his dream. The humor is broad, WAY over the top, crude, and slapstick and in so many ways this movie mimics all of the intangible oddities that make Hollywood what it is. The performances by Baldwin, Broderick, Cusack, Flockhart - and, well, all of the inserted cameos - are excellent. Once you get the premise of this film it moves from being inane to being a really terrific parody with some sensitive metaphors. Grady Harp
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