Clark Kellogg is a young man starting his first year at film school in New York City. After a small time crook steals all his belongings, Clark meets Carmine "Jimmy the Toucan" Sabatini, an... See full summary »
The critically-acclaimed comedian, actor, writer, and voice of Remy the Rat (the Oscar-winning Ratatouille) takes time out from his many film and television outings to return to the comedy stage for his fourth stand-up special.
Matt Mulhern stars as an out of work sit-com actor visiting his empty childhood home on the Jersey shore while struggling to make sense of the loss of his father, his past, and, for one funny and heartbreaking week, himself.
Australian Diana Spencer wins a competition in a women's magazine, and as a prize gets a trip for two to London, where she wants to meet her idol and namesake, Princess Diana. She goes ... See full summary »
A conflict develops between a troubled Vietnam veteran and the sister he lives with when she becomes involved romantically with the army buddy who reminds him of the tragic battle they both... See full summary »
FBI director Jack Devine always sets up his brother Joe as undercover to trick mobsters. His latest cover is as movie producer Joe Diamond, to get Tommy Sanz for Teamster racketeering. His cover requires a script - the one movie theater manager Steven Schats and his brother Marshall 'Paris' wrote, supposedly a cancer biopic. So Steven is hired as director, his greatest dream, even if producing an Arizona desert drama on Rhode Island is far from ideal. When a former Oscar nominee volunteers to star, the cover gets out of hand till everyone believes in it, even the FBI brass- or not? Written by
When Alec Baldwin's character tells 'Tony Shaloub''s character that they are considering replacing the burro with a Bald Eagle he exclaims "What is this, a Disney Picture?!?" The movie was produced by Touchstone Pictures and distributed by Buena Vista Pictures, both of which are part of the Disney Corporation. See more »
The same extras playing tourists, wearing the same clothes (notably a woman with a fringed leather jacket), can be seen watching the "Ponderosa" theme park show, in two different scenes supposedly months apart. See more »
It's my face, Willie. The guys back home can't stand to look at me. I thought after the second surgery things would change.
Did you talk to that plastic surgeon?
He said he wanted to take skin from my ass cheeks and put it on my face. I beat that cocksucker with his own chair.
See more »
In the middle of the closing credits, a scene with Steven is shown where he has a new girlfriend, a deaf one this time to tackle the "barking dog" problem. See more »
No me quieras tanto
Written by Rafael Hernández (as Rafael Hernandez)
Performed by Los Panchos (as Trios Los Panchos)
Courtesy of Sony Music Entertainment, S.A. de C.V.
By Arrangement with Sony Music Licensing See more »
I suppose I went to this movie for the actors: enigmatic Alec Baldwim, charming Matthew Broderick, turned-sardonic Tony Shalhoub, mafia man Ray Liotta (who resembles a "cappo di tutti cappo" even as the director of the FBI) and thin Calista Flockhart. In the end I came to like it because of what it actually is: a frank story about goodness and dreams and not "another" cover up story for a gang heist.
So you've got undercover agent Joe (Baldwin) who is so dedicated to his job, that he lets someone cut his finger off, just in order to get a longer sentence. Then there's Steven (Broderick), a want-to-be film director, who's still searching for his pot of gold...ah, luck. The rest of the characters orbit gently around these two propellers, spawning a genuine web of film-making personnel. Joe and Steven get to know each other when the detective plans to frame a certain low-ranker of the notorious Gotti family (in this particular case, Tommy Sanz, played by Shalhoub) and decides to pose as a film producer in order to fulfill his assignment. He meets Steven, the fate less anonymous screenwriter and the cameras start rolling...well, more or less.
The film proves to be a productive comedy - as in you'll get plenty of chances to prove your laughing capabilities - and is also dubbed by a layer of "sensfullness", meaning it's a smart comedy. Not all the time,I have to admit, but often enough. If I were to compare it with, let's say, "Get Shorty", a rather similar movie, I think I'd go for this one simply because its got more juice to squeeze. Director/screenwriter Nathanson efficiently parodies a lot of wacko attitudes of Hollywood, even though some of these particular scenes did seem to have been forced into the film. All in all, I'd say it's worth your time!
And one more thing...the intro credits are simply brilliant!
29 of 35 people found this review helpful.
Was this review helpful to you?