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The Last Shot (2004)

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A movie director-screenwriter finds a man to finance his latest project but soon discovers that the producer is actually an undercover FBI agent working on a mob sting operation.

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Cast

Cast overview, first billed only:
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Tommy Sanz
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Marshal Paris
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Lonnie Bosco
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Agent Nance
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Agent Ray Dawson
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Agent Pike
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Willie Gratzo
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Troy Haines
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Agent McCaffrey
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Abe White
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Storyline

FBI director Jack Devine always sets up his brother Joe as undercover to trick mobsters. His latest cover is as movie producer Joe Diamond, to get Tommy Sanz for Teamster racketeering. His cover requires a script - the one movie theater manager Steven Schats and his brother Marshall 'Paris' wrote, supposedly a cancer biopic. So Steven is hired as director, his greatest dream, even if producing an Arizona desert drama on Rhode Island is far from ideal. When a former Oscar nominee volunteers to star, the cover gets out of hand till everyone believes in it, even the FBI brass- or not? Written by KGF Vissers

Plot Summary | Add Synopsis

Taglines:

The true story of the greatest movie never made.

Genres:

Comedy

Motion Picture Rating (MPAA)

Rated R for language and some sexual content | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

5 November 2004 (Brazil)  »

Also Known As:

Providence  »

Box Office

Opening Weekend:

$164,801 (USA) (24 September 2004)

Gross:

$463,730 (USA) (12 November 2004)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When Alec Baldwin's character tells 'Tony Shaloub''s character that they are considering replacing the burro with a Bald Eagle he exclaims "What is this, a Disney Picture?!?" The movie was produced by Touchstone Pictures and distributed by Buena Vista Pictures, both of which are part of the Disney Corporation. See more »

Goofs

The same extras playing tourists, wearing the same clothes (notably a woman with a fringed leather jacket), can be seen watching the "Ponderosa" theme park show, in two different scenes supposedly months apart. See more »

Quotes

Tommy Sanz: It's my face, Willie. The guys back home can't stand to look at me. I thought after the second surgery things would change.
Willie Gratzo: Did you talk to that plastic surgeon?
Tommy Sanz: He said he wanted to take skin from my ass cheeks and put it on my face. I beat that cocksucker with his own chair.
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Crazy Credits

In the middle of the closing credits, a scene with Steven is shown where he has a new girlfriend, a deaf one this time to tackle the "barking dog" problem. See more »

Connections

References Star Angel (1986) See more »

Soundtracks

No me quieras tanto
(1949)
Written by Rafael Hernández (as Rafael Hernandez)
Performed by Los Panchos (as Trios Los Panchos)
Courtesy of Sony Music Entertainment, S.A. de C.V.
By Arrangement with Sony Music Licensing
See more »

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User Reviews

 
A work of film
26 December 2004 | by (Timisoara, Romania) – See all my reviews

I suppose I went to this movie for the actors: enigmatic Alec Baldwim, charming Matthew Broderick, turned-sardonic Tony Shalhoub, mafia man Ray Liotta (who resembles a "cappo di tutti cappo" even as the director of the FBI) and thin Calista Flockhart. In the end I came to like it because of what it actually is: a frank story about goodness and dreams and not "another" cover up story for a gang heist.

So you've got undercover agent Joe (Baldwin) who is so dedicated to his job, that he lets someone cut his finger off, just in order to get a longer sentence. Then there's Steven (Broderick), a want-to-be film director, who's still searching for his pot of gold...ah, luck. The rest of the characters orbit gently around these two propellers, spawning a genuine web of film-making personnel. Joe and Steven get to know each other when the detective plans to frame a certain low-ranker of the notorious Gotti family (in this particular case, Tommy Sanz, played by Shalhoub) and decides to pose as a film producer in order to fulfill his assignment. He meets Steven, the fate less anonymous screenwriter and the cameras start rolling...well, more or less.

The film proves to be a productive comedy - as in you'll get plenty of chances to prove your laughing capabilities - and is also dubbed by a layer of "sensfullness", meaning it's a smart comedy. Not all the time,I have to admit, but often enough. If I were to compare it with, let's say, "Get Shorty", a rather similar movie, I think I'd go for this one simply because its got more juice to squeeze. Director/screenwriter Nathanson efficiently parodies a lot of wacko attitudes of Hollywood, even though some of these particular scenes did seem to have been forced into the film. All in all, I'd say it's worth your time!

And one more thing...the intro credits are simply brilliant!


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