The Last Shot (2004)

User Rating:

5.7/10   

Director:

Jeff Nathanson

Writers (WGA):

Steve Fishman (article)
Jeff Nathanson (written by)

Release Date:

5 November 2004 (Brazil)

Genre:

Comedy

Tagline:

The true story of the greatest movie never made.

Plot:

A movie director-screenwriter finds a man to finance his latest project but soon discovers that the producer is actually an undercover FBI agent working on a mob sting operation.

Plot Keywords:

Sting Operation | FBI | Undercover | FBI Agent | Bed Scene

Cast

Matthew Broderick	...	Steven Schats
Alec Baldwin	...	Joe Devine
Toni Collette	...	Emily French
Tony Shalhoub	...	Tommy Sanz
Calista Flockhart	...	Valerie Weston
Tim Blake Nelson	...	Marshal Paris
Buck Henry	...	Lonnie Bosco
Ray Liotta	...	Jack Devine
Ian Gomez	...	Agent Nance
Troy Winbush	...	Agent Ray Dawson
Thomas McCarthy	...	Agent Pike (as Tom McCarthy)
W. Earl Brown	...	Willie Gratzo
Evan Jones	...	Troy Haines
Glenn Morshower	...	Agent McCaffrey
James Rebhorn	...	Abe White

Also Known As:

Providence (USA) (working title)

MPAA:

Rated R for language and some sexual content.

Runtime:

93 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Australia:M (DVD rating) | Iceland:12 (video rating) | Iceland:14 | USA:R (certificate #40240) | Netherlands:12 | South Korea:15 | Argentina:16 | Australia:PG | Finland:K-15 | Germany:12 | Singapore:NC-16 | UK:15

Filming Locations:

Grauman's Chinese Theater - 6925 Hollywood Blvd., Hollywood, Los Angeles, California, USA

Company:

Morra, Brezner, Steinberg and Tenenbaum Entertainment (MBST)

Trivia:

When Alec Baldwin's character tells 'Tony Shaloub''s character that they are considering replacing the burro with a Bald Eagle he exclaims "What is this, a Disney Picture?!?" The movie was produced by Touchstone Pictures and distributed by Buena Vista Pictures, both of which are part of the Disney Corporation.

Goofs:

Anachronisms: This movie is set in the mid-1980s. The Westin Hotel was built in 1994. The Providence Place Mall opened in 1999. Both are shown in the movie.

Quotes:

Joe Devine: Can you help me find a script?
Fanny Nash: This is Hollywood. Just go outside and ask anyone you see to give you a script. A gardener, a cripple, a child molester. They've all got 'em.

Movie Connections:

Features Casablanca (1942)

Soundtrack:

Looks Like We Made It

Someone point the radar back at this film

The Last Shot is a quirky, enjoyable art-house comedy based on the true story of an FBI agent, Garland Schweickhardt, who was in charge of an elaborate operation named "Dramex" to nab mob influences in the film business.

The Schweickhardt character in the film is named Joe Devine (Alec Baldwin). After a brief character establishing scene and an amazing title/opening credits sequence (featuring movie theater objects) that's one of the most creative and cute ones I've seen yet, Devine is transferred to the Providence, Rhode Island FBI office and learns of Tommy Sanz' (Tony Shalhoub) illegal mob dealings with the local teamsters. He figures that the best way to bust Sanz is to set up a fake film shoot and try to get him to make a deal to avoid having to use (and more importantly pay for) union truckers. So Devine, who knows next to nothing about the film business, poses as a producer and heads to Hollywood.

He gets a crash course in the industry from insider Fanny Nash (Joan Cusack in a hilarious extended cameo), and he begins his search for a script and director. Enter struggling screenwriter Steven Schats (Matthew Broderick), who has a day job as a ticket taker at Mann's Chinese Theater and who lives next to a noisy (of course) dog kennel, a fact that profoundly annoys his struggling actress girlfriend, Valerie Weston (Calista Flockhart). Schats has been shopping his script, "Arizona", for a number of years to no avail. Devine sets up a meeting with him and immediately offers him a deal, including casting power, final cut and points. Of course Schats jumps on the deal.

There's only one problem. The script calls primarily for location shots in the desert, including Hopi Indian cave scenes. It's integral to the story. But Devine insists that they shoot in Rhode Island. The bulk of The Last Shot hinges on a few different conflicts, including the FBI's reservations about Devine's plan, which keeps snowballing and turning into a more far reaching lie.

Although it's not every day that the FBI sets up a bogus film production, director and writer Jeff Nathanson uses his debut film as a helmer to comment on various levels of the typical craziness of the movie business. Devine's FBI superiors function as executive producers who are regularly perplexed about where their money is going, but who are easily enough talked into furthering their support as Devine pitches additional time and resources they need to acquire. On a more literal level, Nathanson is also able to spoof agents, directors, actors, and many processes, such as location scouting and casting. Much of this material is hilarious, and viewers do not need to have any intimacy with the film industry to "get it", or to get that there is probably a lot more truth to these scenes than is usually admitted.

The cast is excellent, including Baldwin and Broderick. They may not be the first two names many cineastes would think of when they imagine an art-house film propelled by humorous but poignant performances, but The Last Shot just shows why such conventional wisdom views are off the track. A lot of sizable stars take roles with far less screen time than normal--including Shalhoub, Flockhart and Ray Liotta, but this is a well-written script that turned out to be well directed, so it was a good move for them.

At the same time that Nathanson enables a somewhat sarcastic, cynical view of the film-making process, there is a parallel plot featuring Devine that emphasizes a much more romantic view of the lure of the business. It becomes increasingly clear as The Last Shot unfolds that Devine is no longer concerned with just or even primarily nabbing mobsters. He's trying to plunge deeper into making his "fake" feature because he's falling in love with the idea of film-making. There's a particular line of dialogue delivered by one of Devine's superiors in the FBI, having to do with continuing Devine's project, that is not only a hilarious line in context, it's virtually the climax of the film. Devine has triumphed. The sham has become not what he tells Schats, but what he tells his supervisors. The subsequent conclusion of the film is thus heartwarming and a bit melancholy/tragic at the same time. It's a nice change of pace from more stereotypically "Hollywood" endings.

This is a very good, near-excellent film that has not received the attention it deserves. Although there is an art-house atmosphere to it, it's really more of a mainstream film that should have opened wide in multiplexes with a big publicity campaign. I never even noticed the film on its theatrical release, and I live in New York City and usually pay attention to what's playing the art-house theaters. I only noticed the DVD through my weekly scouring of release schedules to make sure I don't miss anything. Give it a chance and make sure you tell a friend or two about it.