A movie director-screenwriter finds a man to finance his latest project but soon discovers that the producer is actually an undercover FBI agent working on a mob sting operation.
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The comic 'Bluntman and Chronic' is based on real-life stoners Jay and Silent Bob, so when they get no profit from a big-screen adaptation they set out to wreck the movie.
When a blonde sorority queen is dumped by her boyfriend, she decides to follow him to law school to get him back and, once there, learns she has more legal savvy than she ever imagined.
Director:
Robert Luketic
Stars:
Reese Witherspoon,
Luke Wilson,
Selma Blair
A calamity at Dante and Randall's shops sends them looking for new horizons - but they ultimately settle at Mooby's, a fictional Disney-McDonald's-style fast-food empire.
Director:
Kevin Smith
Stars:
Brian O'Halloran,
Jeff Anderson,
Jason Mewes
FBI director Jack Devine always sets up his brother Joe as undercover to trick mobsters. His latest cover is as movie producer Joe Diamond, to get Tommy Sanz for Teamster racketeering. His cover requires a script - the one movie theater manager Steven Schats and his brother Marshall 'Paris' wrote, supposedly a cancer biopic. So Steven is hired as director, his greatest dream, even if producing an Arizona desert drama on Rhode Island is far from ideal. When a former Oscar nominee volunteers to star, the cover gets out of hand till everyone believes in it, even the FBI brass- or not? Written by
KGF Vissers
This movie was based on the real life FBI sting operation in the 1980s to infiltrate the Boston mob teamsters. An FBI agent went undercover as a movie studio executive and contracted George Moffly, an aspiring filmmaker, to create it. Throughout the whole time George had no idea that he was making a fake movie. The sting only captured a few minor Mob members. The details of this unusual story can be found in a GQ article (March 2000). See more »
Goofs
While Emily French is in the restaurant she is smoking a cigarette. She puts it out to pee in a cup. After she finishes, her cigarette is back intact and she takes a drag of it. See more »
Quotes
Valerie Weston:
I'm gonna go home, Steven. That's right. I'm serious. Because of you, I'm gonna get gangbanged, Steven. Gangbanged in Woodland Hills.
Steven Schats:
A lot of great actresses started out in porn.
See more »
Crazy Credits
Special thanks to ... The Dan Blocker Family, The Victor Sen Young Family ... See more »
"Do You Really Want to Hurt Me"
(1982)
Written by Boy George, Jon Moss, Mikey Craig (as Michael Craig) and Roy Hay
Performed by Culture Club
Courtesy of Virgin Records
Under license from EMI Film & Television Music See more »
This is a brilliant small budget movie that deserves much more buzz and play that it has received. It is similar in plot structure to Joseph Heller's Catch 22.
Both start out with an odd but "realistic" beginning. Each progresses in small steps to more and more outlandish and unbelievable situations with a blurred line between possible and "this can't really be happening."
In Catch 22, the story begins with an odd but possible situation in the European theater in World War II. At the end of the story Milo Minderbinder, an American officer, is contracting with both the Germany and the Allies to bomb the other's military installations.
In the Last Shot, the story begins Baldwin, an FBI agent trying to make a name for himself, voluntarily allowing the bad guys to cut of one of his fingers so that he can charge the bad guys with more serious crimes.
The plot progresses with Baldwin setting up a façade of making a movie to trap other Mafia types. Obviously, no one expects that the movie will ever be made. It then progresses to a point where Baldwin and his superiors at the FBI are making what appears to be a real deal for a "three picture deal" and negotiating over marketing rights.
That progression, together with some wonderful side trips,cameos by Joan Cusack and Buck Henry, caused something that is rarely heard in multiplex theaters with relatively small audiences-outright loud laughter and even a bit of applause as the movie ended.
This movie is not Gone with the Wind or Citizen Kane. It is just good fun with laughs enhanced by the progression of not likely but possible to outright absurdity. The kicker is that the movie, according to the producers was based on a true story. If so truth may really be stranger than fiction.
16 of 24 people found this review helpful.
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This is a brilliant small budget movie that deserves much more buzz and play that it has received. It is similar in plot structure to Joseph Heller's Catch 22.
Both start out with an odd but "realistic" beginning. Each progresses in small steps to more and more outlandish and unbelievable situations with a blurred line between possible and "this can't really be happening."
In Catch 22, the story begins with an odd but possible situation in the European theater in World War II. At the end of the story Milo Minderbinder, an American officer, is contracting with both the Germany and the Allies to bomb the other's military installations.
In the Last Shot, the story begins Baldwin, an FBI agent trying to make a name for himself, voluntarily allowing the bad guys to cut of one of his fingers so that he can charge the bad guys with more serious crimes.
The plot progresses with Baldwin setting up a façade of making a movie to trap other Mafia types. Obviously, no one expects that the movie will ever be made. It then progresses to a point where Baldwin and his superiors at the FBI are making what appears to be a real deal for a "three picture deal" and negotiating over marketing rights.
That progression, together with some wonderful side trips,cameos by Joan Cusack and Buck Henry, caused something that is rarely heard in multiplex theaters with relatively small audiences-outright loud laughter and even a bit of applause as the movie ended.
This movie is not Gone with the Wind or Citizen Kane. It is just good fun with laughs enhanced by the progression of not likely but possible to outright absurdity. The kicker is that the movie, according to the producers was based on a true story. If so truth may really be stranger than fiction.