A musical drawing room farce set in Paris in October, 1925. Gilberte, in middle-age, flirts with men but loves her husband Georges, wishing he were more demonstrative. He's negotiating a ... See full summary »
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In Paris in the 1920s, a concert violinist meets and falls in love with a stylish young flapper who's the wife of an old friend. Romaine instigates the affair with Marcel, and carries it ... See full summary »
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Irrestisible charm and talent helps Serge Alexandre alias Stavisky, small-time swindler, to make friends with even most influential members of French industrial and political elite during ... See full summary »
A musical drawing room farce set in Paris in October, 1925. Gilberte, in middle-age, flirts with men but loves her husband Georges, wishing he were more demonstrative. He's negotiating a deal with an American, Eric Thomson, who turns out to be Gilberte's first husband from an annulled and secret stateside marriage. Along with her sister Arlette, Gilberte begs Eric not to tell Georges about the marriage. Meanwhile, a young artist, Charly, pursues Gilberte while Arlette tries to match him with the young Huguette, who loves him. Will Eric play along or try to re-win Gilberte's affection? Can Gilberte play one off against another? And who will manage to kiss whom on the lips? Written by
This is classic French farce, very theatrical with a 1920s score, entirely interior sets (best being the 3rd act bachelor pad) and ridiculous intertwining relationships. It is tempting to see it almost as an Amelie remake, complete with lush visuals and two leads from that film. It has the same romantic view of French life, the same emphasis on relationships, the same reliance on a sparkling performance by Tatou. It is slow, and hard to follow with subtitles - you really need to speak French to get much out of this (esp the excruiating accent of the American). Some interesting little touches - the spoken credits at the start (very Godardian!) and the way that characters leaving the stage just vanish. It is very witty, brittle and bright. A curiosity rather than a masterpiece.
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