| Photos (See all 40 | slideshow) | Videos (see all 11) |
| Jason Schwartzman | ... | Albert Markovski | |
| Isabelle Huppert | ... | Caterine Vauban | |
| Dustin Hoffman | ... | Bernard | |
| Lily Tomlin | ... | Vivian | |
| Jude Law | ... | Brad Stand | |
| Mark Wahlberg | ... | Tommy Corn | |
| Naomi Watts | ... | Dawn Campbell | |
| Angela Grillo | ... | Angela Franco | |
| Ger Duany | ... | Mr. Stephen Nimieri | |
| Darlene Hunt | ... | Darlene | |
| Kevin Dunn | ... | Marty | |
| Benny Hernandez | ... | Davy | |
| Richard Appel | ... | Josh | |
| Benjamin Nurick | ... | Harrison | |
| Jake Muxworthy | ... | Tim | |
| Pablo Davanzo | ... | Bobby | |
| Matthew Muzio | ... | Construction Worker | |
| Shawn Patrick | ... | Fireman | |
| Patrick M. Walsh | ... | Fireman (as Patrick Walsh) | |
| Tippi Hedren | ... | Mary Jane Hutchinson | |
| Ashley Fondrevay | ... | Frosh Girl (as Ashley A. Fondrevay) | |
| Lisa Guzman | ... | Frosh Girl | |
| Scott Wannberg | ... | Bik Schottinger | |
| Altagracia Guzman | ... | Mrs. Echevarria | |
| Saïd Taghmaoui | ... | Translator | |
| Jean Smart | ... | Mrs. Hooten | |
| Sydney Zarp | ... | Cricket | |
| Jonah Hill | ... | Bret | |
| Denis Hayes | ... | Orrin Spence | |
| Matthew Antonio Grillo Russell | ... | Boy at Mancala Hour (as Matthew Grillo-Russell) | |
| Janet Grillo | ... | Boy's Mother | |
| Adam Clinton | ... | Security Guard | |
| Antonio Evans | ... | Security Guard | |
| Robert K. Lambert | ... | Daryl (as Robert Lambert) | |
| Isla Fisher | ... | Heather | |
| Kimberly Cutter | ... | Corporate Board | |
| John Rothman | ... | Corporate Board | |
| Talia Shire | ... | Mrs. Silver | |
| Bob Gunton | ... | Mr. Silver | |
| Kamala Lopez | ... | Molly Corn (as Kamala Lopez-Dawson) | |
| Saige Ryan Campbell | ... | Caitlin Corn | |
| Kaied Hussan | ... | Turkish Man | |
| Chuck Saftler | ... | Dexicorp Attorney | |
| James J. McCoy | ... | Medic (as James J. Mccoy) | |
| Shania Twain | ... | Herself | |
| George Meyer | ... | Formal Couple | |
| Maria Semple | ... | Formal Couple | |
| Jerry Schumacher | ... | Corporate Man | |
| Julie Ann Johnson | ... | Lady in Gown | |
| Jeannie Epper | ... | Lady in Gown (as Jeannie Epper-Kimack) | |
| K.K. Barrett | ... | Maitre'd (as Keith Barrett) | |
| Jake Hoffman | ... | Valet | |
| rest of cast listed alphabetically: | |||
| Stacey Annette | ... | Elevator Cellist (uncredited) | |
| Andrew Cohen | ... | Boy walking dog (uncredited) | |
| Chuck Ford | ... | Brad's Brother (uncredited) | |
| Jay Giannone | ... | Construction worker (uncredited) | |
| Lisa Anne Hillman | ... | Kelly Coulter (uncredited) | |
| Meredith Hines | ... | Girl in Elevator (uncredited) | |
| Richard Jenkins | ... | Mr. Hooten (uncredited) | |
| Michael Lovan | ... | Fireman #6 (uncredited) | |
| Anthony Thomas | ... | Waiting room man (uncredited) | |
| Jamal Weathers | ... | Fireman (uncredited) | |
Directed by | |||
| David O. Russell | |||
Writing credits(WGA) | ||
| David O. Russell | (written by) & | |
| Jeff Baena | (written by) | |
Produced by | |||
| Gregory Goodman | .... | producer | |
| Michael Kuhn | .... | executive producer | |
| Scott Rudin | .... | producer | |
| David O. Russell | .... | producer | |
| Dara Weintraub | .... | co-producer (as Dara L. Weintraub) | |
Original Music by | |||
| Jon Brion | |||
Cinematography by | |||
| Peter Deming | (director of photography) | ||
Film Editing by | |||
| Robert K. Lambert | |||
Casting by | |||
| Mary Vernieu | |||
Production Design by | |||
| K.K. Barrett | |||
Art Direction by | |||
| Seth Reed | |||
Set Decoration by | |||
| Gene Serdena | |||
Costume Design by | |||
| Mark Bridges | |||
Makeup Department | |||
| Howard Berger | .... | prosthetics | |
| David DeLeon | .... | assistant makeup artist (as David De Leon) | |
| Felicia Linsky | .... | key makeup artist | |
| Gail Rowell-Ryan | .... | department head hair (as Gail Ryan) | |
| Laurel Van Dyke | .... | additional hair stylist | |
| Marlene D. Williams | .... | key hair stylist (as Marlene Williams) | |
| Debbie Zoller | .... | department head makeup | |
| René Dashiell Kerby | .... | key makeup artist: reshoots (uncredited) | |
| Stephanie A. Fowler | .... | makeup artist (uncredited) | |
| Teressa Hill | .... | hair stylist (uncredited) | |
| David Williams | .... | makeup artist (uncredited) | |
Production Management | |||
| Tim Pedegana | .... | post-production supervisor | |
| Kimberly Rach | .... | production supervisor (as Kimberly L. Rach) | |
| Dara Weintraub | .... | unit production manager (as Dara L. Weintraub) | |
| Mark Wolfe | .... | executive in charge of production: N1 | |
Second Unit Director or Assistant Director | |||
| Sally Sue Beisel | .... | second assistant director (as Sally Sue Beisel-Lander) | |
| Jodi Lowry | .... | second second assistant director (as Jodi Lowry-Tisher) | |
| Mary Ellen Woods | .... | first assistant director | |
| Lyda Blank | .... | second assistant director: additional photography (uncredited) | |
| Lisa C. Satriano | .... | first assistant director: reshoots (uncredited) | |
| Susan E. Walter | .... | second second assistant director: additional photography (uncredited) | |
Sound Department | |||
| Albert Aquino | .... | boom operator | |
| Rick Ash | .... | sound re-recording mixer | |
| James Bailey | .... | foley artist | |
| Courtney Bishop | .... | adr recordist: Pop Sound | |
| Victor Ray Ennis | .... | supervising sound assistant | |
| Julie Feiner | .... | adr editor | |
| Chris Fitzgerald | .... | adr recordist: Todd AO | |
| Paul Flinchbaugh | .... | sound assistant | |
| George Flores | .... | cable operator | |
| Laura R. Harris | .... | dialogue editor (as Laura Harris) | |
| Mark Harris | .... | mix technician: Todd AO | |
| Chris Hogan | .... | dialogue editor | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Michael Kamper | .... | sound designer | |
| Jay Keiser | .... | adr editor | |
| Tim Kimmel | .... | dialogue editor | |
| Michael McNerney | .... | foley recordist (as Michael Mcnerney) | |
| Michael Miller | .... | adr mixer: Pop Sound (as Michael S. Miller) | |
| Kelly Oxford | .... | supervising sound editor | |
| Greg Steele | .... | adr mixer: Todd AO | |
| Edward Tise | .... | production sound recordist | |
| Tim Walston | .... | sound designer | |
| Wendy Czajkowsky | .... | adr mixer (uncredited) | |
| Doug Mountain | .... | supervising sound engineer (uncredited) | |
| Todd Niesen | .... | dialogue denoising (uncredited) | |
| Margit Pfeiffer | .... | foley editor (uncredited) | |
| Louise Sinclair | .... | sound re-recording mixer (uncredited) | |
| John Soukup | .... | sound transfer (uncredited) | |
| Daniel Tharp | .... | sound engineer: 35 mm magnetic dailies (uncredited) | |
Special Effects by | |||
| Jeff Bresin | .... | special effects foreman | |
| Martin Bresin | .... | special effects coordinator (as Marty Bresin) | |
| Dale Ettema | .... | special effects foreman | |
| Gary D'Amico | .... | special effects coordinator: additional photography (uncredited) | |
| Grady Holder | .... | dental prosthetics (uncredited) | |
| Chris Jones | .... | special effects technician (uncredited) | |
| Jake Valdez | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Russell Barrett | .... | visual effects supervisor | |
| Bobby Bell | .... | executive producer: Howard Anderson Company | |
| Hector Bitar | .... | senior staff: Howard Anderson Company | |
| Richard Eberhardt | .... | line-up and editorial: Howard Anderson Company | |
| Steven Fagerquist | .... | compositing artist: Howard Anderson Company (as Steve Fagerquist) | |
| David Feinner | .... | compositing artist: Howard Anderson Company (as Dave Feinner) | |
| Christopher Grandel | .... | compositing artist: Howard Anderson Company | |
| Michael L. Griffin | .... | line-up and editorial: Howard Anderson Company (as Mike Griffin) | |
| Fred Jimenez | .... | data manager: Howard Anderson Company | |
| Joe F. Kastely | .... | lead visual effects artist (as Joe Kastely) | |
| Peter Koczera | .... | senior digital artist: Howard Anderson Company (as Peter C. Koczera) | |
| Derek Ledbetter | .... | compositing artist: Howard Anderson Company | |
| Charles Mcdonald | .... | title artist: Howard Anderson Company | |
| Bob Micheletti | .... | supervisor of technology: Howard Anderson Company | |
| Shannon Noble | .... | lead digital artist: Howard Anderson Company | |
| John Payne | .... | scanning and recording technician: Howard Anderson Company | |
| Scott Puckett | .... | visual effects producer | |
| Manny Sida | .... | production coordinator: Howard Anderson Company | |
| Jonathan Stern | .... | visual effects producer: Howard Anderson Company | |
| Ray Giarratana | .... | visual effects supervisor (uncredited) | |
Stunts | |||
| Joey Box | .... | stunt player | |
| Ben Bray | .... | stunt coordinator | |
| Ann Chatterton | .... | stunt player (as Anne Chatterton) | |
| Thomas Dewier | .... | stunt player (as Tom Dewier) | |
| Danny Downey | .... | stunt player | |
| Sean Graham | .... | stunt player | |
| Ray Siegle | .... | stunt player | |
| Damien Bray | .... | stunt safety (uncredited) | |
| Keenen Bray | .... | stunt safety (uncredited) | |
| Manny Perry | .... | stunts (uncredited) | |
| Frank Torres | .... | utility stunts (uncredited) | |
Casting Department | |||
| Sande Alessi | .... | extras casting | |
| Venus Kanani | .... | casting assistant | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting (as Caitlin Mckenna) | |
| Shalimar Reodica | .... | casting associate | |
| Mohammed Hassan | .... | extras casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Nancy Collini | .... | on-set costumer | |
| Holly Davis | .... | key costumer | |
| Lisa A. Doyle | .... | on-set costumer | |
| Sabine Huber | .... | costumer | |
| Anne Laoparadonchai | .... | on-set costumer (as Annie Laoparadonchai) | |
| Paul Lopez | .... | costume supervisor (as Paul H. Lopez) | |
| Michael Tereschuk | .... | cutter/fitter | |
| Michael Tereschuk | .... | tailor | |
| Thao T. Vu | .... | wardrobe office coordinator | |
| Sherry Walsh | .... | wardrobe production assistant | |
| Thao T. Vu | .... | costume coordinator (uncredited) | |
Editorial Department | |||
| Mark Bourgeois | .... | additional editor | |
| Darwin Green | .... | editorial assistant | |
| Justin C. Green | .... | assistant editor | |
| Steve Harrow | .... | post-production consultant: N1 | |
| Mo Henry | .... | negative cutter | |
| Pamela March | .... | additional editor | |
| Mato | .... | color timer (as Mateos Deravanessian) | |
| Hillary Murray | .... | digital color timer (as Hilary Murray) | |
| Ronald White | .... | assistant editor | |
| Tracy Barroga | .... | post-production assistant (uncredited) | |
Music Department | |||
| Christine Bergren | .... | music consultant | |
| Tom Biller | .... | score mixer | |
| Tom Biller | .... | score recordist | |
| Jon Brion | .... | musician: all other instruments | |
| Eric Cadieux | .... | additional score engineer | |
| Daphne Chen | .... | musician: string quartet | |
| Debbi Datz-Pyle | .... | musician contractor | |
| Richard Dodd | .... | musician: string quartet | |
| Eric Gorfaine | .... | musician: string quartet | |
| Jonathan Karp | .... | music editor | |
| Jonathan Karp | .... | score collages | |
| Leah Katz | .... | musician: string quartet | |
| Katie Kirkpatrick | .... | musician: harp | |
| Dan Monti | .... | assistant score engineer | |
| Bill Reichenbach | .... | musician: euphonium | |
| Sebastian Steinberg | .... | musician: upright bass | |
| James Walker | .... | musician: flutes (as Jim Walker) | |
| Ian Herzon | .... | assistant music editor (uncredited) | |
| Ronald J. Webb | .... | music editor: temp (uncredited) | |
Transportation Department | |||
| Keith D. Fisher | .... | transportation captain (as Keith Fisher) | |
| Aaron Skalka | .... | transportation coordinator | |
| Ken Farnell | .... | driver (uncredited) | |
| Chris Ferrence | .... | dot supervisor (uncredited) | |
| J. Armin Garza II | .... | driver: camera car (uncredited) | |
| Jason Cooper Hall | .... | driver: Jason Schwartzman, re-shoots (uncredited) | |
| Bill Lopez-Arjona | .... | transportation (uncredited) | |
Other crew | |||
| Anthony Allegre | .... | accounting clerk | |
| Alexandra Arlango | .... | assistant: Michael Kuhn, Qwerty Films | |
| Brad Baena | .... | assistant: David O. Russell | |
| Bobbie Blyle | .... | assistant: Lily Tomlin | |
| Chamonix Bosch | .... | set production assistant | |
| Michael Brewer | .... | location scout | |
| Richards Butler | .... | legal counsel: U.K. | |
| Dustin Thomas Cartmill | .... | assistant: David O. Russell | |
| Kaiser Clark | .... | assistant: Naomi Watts | |
| Kathryn Craig | .... | head of legal affairs: Qwerty Films | |
| Paulette Dauber | .... | unit publicist | |
| Brad Davis | .... | production accountant (as R. Bradley Davis) | |
| Steve Demko | .... | assistant: Dustin Hoffman | |
| Jules Eggli | .... | assistant: Scott Rudin | |
| Tyler Elliott | .... | location scout | |
| Antonio Evans | .... | set medic | |
| Eric L. Fersten | .... | assistant: Dara L. Weintraub | |
| Nicholas Fitzgerald | .... | set production assistant | |
| Austin Formato | .... | assistant: Isabelle Huppert | |
| Alex Fratar | .... | executive assistant: Scott Rudin | |
| Karen Golden | .... | script supervisor | |
| Cory Hall | .... | set production assistant | |
| Quentin Halliday | .... | location scout | |
| Andrew Hildebrand | .... | head of commercial and business affairs: Qwerty Films | |
| Ben Howe | .... | executive assistant: Scott Rudin | |
| Brandon Howe | .... | office production assistant | |
| Michael Hubert | .... | production coordinator (as Mike Hubert) | |
| Ben Jackson | .... | assistant: Jude Law | |
| Fallon Johnson | .... | set production assistant | |
| Merritt Johnson | .... | assistant: Jason Schwartzman | |
| Jennifer Kern | .... | assistant coordinator | |
| Ashley Kravitz | .... | clearance coordinator | |
| Robert Lane | .... | first assistant accountant | |
| Mike Larocca | .... | executive assistant: Scott Rudin | |
| John Ledwon | .... | supplier: Mighty Wurlitzer courtesy of | |
| Suzanne Lehfeldt | .... | production secretary | |
| Alex Leimone | .... | key set production assistant | |
| Annaliese Levy | .... | assistant: Naomi Watts | |
| Michael C. Lund | .... | assistant: Jude Law (as Mike Lund) | |
| Amy L. Lyddy | .... | office production assistant (as Amy Lyddy) | |
| Peter Lüke | .... | production executive: N1 | |
| James R. Maceo | .... | location manager (as Jim Maceo) | |
| Peter Martorano | .... | key assistant location manager | |
| Jonas C. Matz | .... | construction medic (as Jonas Matz) | |
| Nick Mestrundrea | .... | craft service (as Nick Mestrandrea) | |
| Carla Meyer | .... | dialect coach | |
| Guy Morrison | .... | assistant location manager | |
| Aimee Nance | .... | assistant: Dustin Hoffman | |
| Cindy Nevins | .... | payroll accountant | |
| Jona Newhall | .... | assistant: Isabelle Huppert (as Jonathan Newhall) | |
| Sarah Nuttall | .... | production assistant: Qwerty Films | |
| Terry Lee Painovich | .... | craft service assistant (as Terry Painovich) | |
| Richard Philipps | .... | legal counsel: U.K. | |
| Connor Price | .... | assistant: Scott Rudin | |
| Benjamin Rigaud | .... | assistant: Jude Law | |
| Malcolm Ritchie | .... | production executive: N1 and Qwerty Films | |
| Michael Rooney | .... | choreographer | |
| Jon Silk | .... | assistant: Scott Rudin | |
| Chris Sloan | .... | office production assistant | |
| Paul Stenerson | .... | set production assistant (as Paulie Stenerson) | |
| Kim Stretch | .... | second assistant accountant (as Kimberli Strecth) | |
| Jill Tandy | .... | production executive: N1 and Qwerty Films | |
| Jaime Trujillo | .... | chef: Mario's Catering | |
| Lee Tucker | .... | preview engineer | |
| Eddie Vellanoweth Jr. | .... | security coordinator: Cast Security | |
| Dmitri Vigneswaren | .... | production secretary | |
| Eric Weinstein | .... | assistant: Mark Wahlberg | |
| Mark Woolley | .... | chief financial officer: Qwerty Films | |
| Russell Barrett | .... | assistant: David O. Russell (uncredited) | |
| Kofi Burke | .... | production accountant: Qwerty Films (uncredited) | |
| Jeff Castelluccio | .... | production assistant (uncredited) | |
| Deborah J. Chesebro | .... | assistant accountant: re-shoots (uncredited) | |
| Brett Cody | .... | 24 frame supervisor (uncredited) | |
| Julie Cummings | .... | production assistant (uncredited) | |
| Josh Geller | .... | set production assistant (uncredited) | |
| Jason Cooper Hall | .... | assistant: Jason Schwartzman, re-shoots (uncredited) | |
| Michael Heithaus | .... | double: J. Schwartzman (uncredited) | |
| Michael Heithaus | .... | stand-in: J. Schwartzman (uncredited) | |
| James Henderson | .... | stand-in: Jude Law (uncredited) | |
| Andrew S. Kahn | .... | assistant: Scott Rudin (uncredited) | |
| Rob Kalmbach | .... | production assistant: re-shoots (uncredited) | |
| Boyd Kelly | .... | stand-in: Jude Law (uncredited) | |
| Nathan Kimball | .... | set production assistant: re-shoots (uncredited) | |
| Robert W. Morgenroth | .... | 24 frame supervisor (uncredited) | |
| Andrew Pellegrino | .... | assistant: David O. Russell (uncredited) | |
| Diogo Picchi | .... | body double: Jason Schwartzman (uncredited) | |
| Cory Poccia | .... | production office intern (uncredited) | |
| Jurgen Proschinger | .... | finance manager: Qwerty Films (uncredited) | |
| Richard Rowntree | .... | assistant: Steve Harrow (uncredited) | |
| Billy Slaughter | .... | stand-in: Dustin Hoffman (uncredited) | |
| Anne Marie Wilson | .... | production assistant (uncredited) | |
Thanks | |||
| Luke Bourgeois | .... | the producers wish to thank | |
| Pablo Davanzo | .... | the producers wish to thank | |
| Alan Dressler | .... | the producers wish to thank | |
| Ari Emanuel | .... | the producers wish to thank | |
| Chad Griffin | .... | the producers wish to thank | |
| Janet Grillo | .... | the producers wish to thank | |
| Kevin Kelly | .... | the producers wish to thank | |
| John Lesher | .... | the producers wish to thank | |
| Peter Levine | .... | the producers wish to thank | |
| Adam McKay | .... | the producers wish to thank (as Adam Mckay) | |
| Alexander Payne | .... | the producers wish to thank | |
| Kim Pierce | .... | the producers wish to thank | |
| Shira Piven | .... | the producers wish to thank | |
| Bruce M. Ramer | .... | the producers wish to thank | |
| Randy Schnitman | .... | the producers wish to thank | |
| Robert Thurman | .... | the producers wish to thank | |
| Shania Twain | .... | the producers wish to thank | |
| Diane Upson | .... | the producers wish to thank | |
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| Igby Goes Down | American Beauty | Intermission | Kings & Queen | The Upside of Anger |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Giving credence to the phrase "everything old is new again." I HEART HUCKABEES is a pleasing throwback to the 1960's. Not unlike Mike Myers's pop-edelic Austin Powers sagas, HUCKABEES is as much a taste of nostalgia as it is a pleasurable respite from the blood-soaked Quentin Tarantino legacy of the 1990's (which fittingly enough is little more than a dirtied up version of the tough-guy B-movies of the 1950's).
At any rate, HUCKABEES is a clear descendant of films like MORGAN!, LORD LOVE A DUCK, YOU'RE A BIG BOY NOW, HAROLD AND MAUDE, not to mention THE GRADUATE and a variety of other films that feature disillusioned young men trying to find meaning to life and purpose in existence in a world of absurdity. Not surprisingly, I suppose, once again America is in a troubled war, political protest is almost tiresomely routine and society is defined by extreme political, social and ethical differences. At a time when we are bombarded from an untold number of sources about how we should talk, think and act (left-wing politically correct conformity strangely mirroring the right-wing cold war conformity of the 1950's), HUCKABEES turns to a radically old-fashioned concept: Go figure it out for yourself.
In a press release for HUCKABEES, director David O. Russell writes "Philosophy interests me only insofar as it is practical and makes people feel more alive and open -- not closed." As such HUCKABEES doesn't seem so much aimed at presenting Russell's personal philosophy so much as musing over some of the possibilities. The film revolves around Albert Markovski (played by Jason Schwartzman, as sort of Russell's surrogate), a not-particularly-successful environmentalist. Albert has a rivalry with/ friendship to /hatred of /crush on Brad Strand (Jude Law), a corporate cog who works for Huckabees, a Wal-Mart-like chain wanting to place a new store on a plot of landscape that Albert is doing a rather poor job of protecting. For different reasons, they both turn to "existential detectives" Bernard and Vivian Jaffe, (Dustin Hoffman and Lily Tomlin), who presumably investigate/stalk their clients to figure out what makes them tick. Basically, Bernard and Vivian are a conscience for hire. Hot on Bernard and Vivian's heels is Caterine Vauban (Isabell Huppert), an ex-pupil turned rival, who is bent on spreading the word that life is meaningless and valueless.
In battling for Albert's psyche, if not his soul, the two factions offer conflicting views of the world. Bernard argues that life is a blanket, one interconnecting fabric of existence where all things are related. Caterine offers a world of random chaos where values are arbitrary. Being versus nothingness. Responsibility versus indifference. Hope versus despair. Light versus dark. Good versus evil.
As philosophy, it is probably pretty simplistic, but philosophy isn't the point so much as the absurdity of life which makes it so difficult to keep one's bearings. If Albert (and Russell) never quite cut through the chaos and ultimately only find peace through compromise, that is probably the best anyone can really hope for. But like any movie (or mystery or therapy) the ending is possibly not necessarily as important as the journey getting there. Which is a good thing for HUCKABEES because the film gradually peters out, but it is an unpredictable ride, shared with oddball characters, while it lasts.
And it is something of a sentimental journey. I doubt it is entirely a coincidence that Schartzman bears more than a passing resemblance to a youthful Hoffman (in a Beatles' haircut, no less), whose performance in THE GRADUATE will forever grant him iconic status as a symbol of the 1960's. HUCKABEES echoes many of the themes from that 1968 landmark film: the questioning of prevailing values, battling consumerism, searching for identity and, last but not least, seduction by an older woman.
Though not entirely successful, there is something just so wonderfully refreshing about I HEART HUCKABEES. It is a film that tries to be about ideas, without being self-consciously pretentious, like Woody Allen. It flirts with the sweetness of a Spielberg film, but in the humanistic style of a Robert Altman, but without his souring streak of cynicism. But most of all it stays miles away from the cold-blooded nihilism of Scorsese, Tarantino and the bunch. This is a film without villains, only comrades who, to one degree or another, are searching for peace of mind.