| Photos (See all 40 | slideshow) | Videos (see all 11) |
| Jason Schwartzman | ... | Albert Markovski | |
| Isabelle Huppert | ... | Caterine Vauban | |
| Dustin Hoffman | ... | Bernard | |
| Lily Tomlin | ... | Vivian | |
| Jude Law | ... | Brad Stand | |
| Mark Wahlberg | ... | Tommy Corn | |
| Naomi Watts | ... | Dawn Campbell | |
| Angela Grillo | ... | Angela Franco | |
| Ger Duany | ... | Mr. Stephen Nimieri | |
| Darlene Hunt | ... | Darlene | |
| Kevin Dunn | ... | Marty | |
| Benny Hernandez | ... | Davy | |
| Richard Appel | ... | Josh | |
| Benjamin Nurick | ... | Harrison | |
| Jake Muxworthy | ... | Tim | |
| Pablo Davanzo | ... | Bobby | |
| Matthew Muzio | ... | Construction Worker | |
| Shawn Patrick | ... | Fireman | |
| Patrick M. Walsh | ... | Fireman (as Patrick Walsh) | |
| Tippi Hedren | ... | Mary Jane Hutchinson | |
| Ashley Fondrevay | ... | Frosh Girl (as Ashley A. Fondrevay) | |
| Lisa Guzman | ... | Frosh Girl | |
| Scott Wannberg | ... | Bik Schottinger | |
| Altagracia Guzman | ... | Mrs. Echevarria | |
| Saïd Taghmaoui | ... | Translator | |
| Jean Smart | ... | Mrs. Hooten | |
| Sydney Zarp | ... | Cricket | |
| Jonah Hill | ... | Bret | |
| Denis Hayes | ... | Orrin Spence | |
| Matthew Antonio Grillo Russell | ... | Boy at Mancala Hour (as Matthew Grillo-Russell) | |
| Janet Grillo | ... | Boy's Mother | |
| Adam Clinton | ... | Security Guard | |
| Antonio Evans | ... | Security Guard | |
| Robert K. Lambert | ... | Daryl (as Robert Lambert) | |
| Isla Fisher | ... | Heather | |
| Kimberly Cutter | ... | Corporate Board | |
| John Rothman | ... | Corporate Board | |
| Talia Shire | ... | Mrs. Silver | |
| Bob Gunton | ... | Mr. Silver | |
| Kamala Lopez | ... | Molly Corn (as Kamala Lopez-Dawson) | |
| Saige Ryan Campbell | ... | Caitlin Corn | |
| Kaied Hussan | ... | Turkish Man | |
| Chuck Saftler | ... | Dexicorp Attorney | |
| James J. McCoy | ... | Medic (as James J. Mccoy) | |
| Shania Twain | ... | Herself | |
| George Meyer | ... | Formal Couple | |
| Maria Semple | ... | Formal Couple | |
| Jerry Schumacher | ... | Corporate Man | |
| Julie Ann Johnson | ... | Lady in Gown | |
| Jeannie Epper | ... | Lady in Gown (as Jeannie Epper-Kimack) | |
| K.K. Barrett | ... | Maitre'd (as Keith Barrett) | |
| Jake Hoffman | ... | Valet | |
| rest of cast listed alphabetically: | |||
| Stacey Annette | ... | Elevator Cellist (uncredited) | |
| Andrew Cohen | ... | Boy walking dog (uncredited) | |
| Chuck Ford | ... | Brad's Brother (uncredited) | |
| Jay Giannone | ... | Construction worker (uncredited) | |
| Lisa Anne Hillman | ... | Kelly Coulter (uncredited) | |
| Meredith Hines | ... | Girl in Elevator (uncredited) | |
| Richard Jenkins | ... | Mr. Hooten (uncredited) | |
| Michael Lovan | ... | Fireman #6 (uncredited) | |
| Anthony Thomas | ... | Waiting room man (uncredited) | |
| Jamal Weathers | ... | Fireman (uncredited) | |
Directed by | |||
| David O. Russell | |||
Writing credits(WGA) | ||
| David O. Russell | (written by) & | |
| Jeff Baena | (written by) | |
Produced by | |||
| Gregory Goodman | .... | producer | |
| Michael Kuhn | .... | executive producer | |
| Scott Rudin | .... | producer | |
| David O. Russell | .... | producer | |
| Dara Weintraub | .... | co-producer (as Dara L. Weintraub) | |
Original Music by | |||
| Jon Brion | |||
Cinematography by | |||
| Peter Deming | (director of photography) | ||
Film Editing by | |||
| Robert K. Lambert | |||
Casting by | |||
| Mary Vernieu | |||
Production Design by | |||
| K.K. Barrett | |||
Art Direction by | |||
| Seth Reed | |||
Set Decoration by | |||
| Gene Serdena | |||
Costume Design by | |||
| Mark Bridges | |||
Makeup Department | |||
| Howard Berger | .... | prosthetics | |
| David DeLeon | .... | assistant makeup artist (as David De Leon) | |
| Felicia Linsky | .... | key makeup artist | |
| Gail Rowell-Ryan | .... | department head hair (as Gail Ryan) | |
| Laurel Van Dyke | .... | additional hair stylist | |
| Marlene D. Williams | .... | key hair stylist (as Marlene Williams) | |
| Debbie Zoller | .... | department head makeup | |
| René Dashiell Kerby | .... | key makeup artist: reshoots (uncredited) | |
| Stephanie A. Fowler | .... | makeup artist (uncredited) | |
| Teressa Hill | .... | hair stylist (uncredited) | |
| David Williams | .... | makeup artist (uncredited) | |
Production Management | |||
| Tim Pedegana | .... | post-production supervisor | |
| Kimberly Rach | .... | production supervisor (as Kimberly L. Rach) | |
| Dara Weintraub | .... | unit production manager (as Dara L. Weintraub) | |
| Mark Wolfe | .... | executive in charge of production: N1 | |
Second Unit Director or Assistant Director | |||
| Sally Sue Beisel | .... | second assistant director (as Sally Sue Beisel-Lander) | |
| Jodi Lowry | .... | second second assistant director (as Jodi Lowry-Tisher) | |
| Mary Ellen Woods | .... | first assistant director | |
| Lyda Blank | .... | second assistant director: additional photography (uncredited) | |
| Lisa C. Satriano | .... | first assistant director: reshoots (uncredited) | |
| Susan E. Walter | .... | second second assistant director: additional photography (uncredited) | |
Sound Department | |||
| Albert Aquino | .... | boom operator | |
| Rick Ash | .... | sound re-recording mixer | |
| James Bailey | .... | foley artist | |
| Courtney Bishop | .... | adr recordist: Pop Sound | |
| Victor Ray Ennis | .... | supervising sound assistant | |
| Julie Feiner | .... | adr editor | |
| Chris Fitzgerald | .... | adr recordist: Todd AO | |
| Paul Flinchbaugh | .... | sound assistant | |
| George Flores | .... | cable operator | |
| Laura R. Harris | .... | dialogue editor (as Laura Harris) | |
| Mark Harris | .... | mix technician: Todd AO | |
| Chris Hogan | .... | dialogue editor | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Michael Kamper | .... | sound designer | |
| Jay Keiser | .... | adr editor | |
| Tim Kimmel | .... | dialogue editor | |
| Michael McNerney | .... | foley recordist (as Michael Mcnerney) | |
| Michael Miller | .... | adr mixer: Pop Sound (as Michael S. Miller) | |
| Kelly Oxford | .... | supervising sound editor | |
| Greg Steele | .... | adr mixer: Todd AO | |
| Edward Tise | .... | production sound recordist | |
| Tim Walston | .... | sound designer | |
| Wendy Czajkowsky | .... | adr mixer (uncredited) | |
| Doug Mountain | .... | supervising sound engineer (uncredited) | |
| Todd Niesen | .... | dialogue denoising (uncredited) | |
| Margit Pfeiffer | .... | foley editor (uncredited) | |
| Louise Sinclair | .... | sound re-recording mixer (uncredited) | |
| John Soukup | .... | sound transfer (uncredited) | |
| Daniel Tharp | .... | sound engineer: 35 mm magnetic dailies (uncredited) | |
Special Effects by | |||
| Jeff Bresin | .... | special effects foreman | |
| Martin Bresin | .... | special effects coordinator (as Marty Bresin) | |
| Dale Ettema | .... | special effects foreman | |
| Gary D'Amico | .... | special effects coordinator: additional photography (uncredited) | |
| Grady Holder | .... | dental prosthetics (uncredited) | |
| Chris Jones | .... | special effects technician (uncredited) | |
| Jake Valdez | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Russell Barrett | .... | visual effects supervisor | |
| Bobby Bell | .... | executive producer: Howard Anderson Company | |
| Hector Bitar | .... | senior staff: Howard Anderson Company | |
| Richard Eberhardt | .... | line-up and editorial: Howard Anderson Company | |
| Steven Fagerquist | .... | compositing artist: Howard Anderson Company (as Steve Fagerquist) | |
| David Feinner | .... | compositing artist: Howard Anderson Company (as Dave Feinner) | |
| Christopher Grandel | .... | compositing artist: Howard Anderson Company | |
| Michael L. Griffin | .... | line-up and editorial: Howard Anderson Company (as Mike Griffin) | |
| Fred Jimenez | .... | data manager: Howard Anderson Company | |
| Joe F. Kastely | .... | lead visual effects artist (as Joe Kastely) | |
| Peter Koczera | .... | senior digital artist: Howard Anderson Company (as Peter C. Koczera) | |
| Derek Ledbetter | .... | compositing artist: Howard Anderson Company | |
| Charles Mcdonald | .... | title artist: Howard Anderson Company | |
| Bob Micheletti | .... | supervisor of technology: Howard Anderson Company | |
| Shannon Noble | .... | lead digital artist: Howard Anderson Company | |
| John Payne | .... | scanning and recording technician: Howard Anderson Company | |
| Scott Puckett | .... | visual effects producer | |
| Manny Sida | .... | production coordinator: Howard Anderson Company | |
| Jonathan Stern | .... | visual effects producer: Howard Anderson Company | |
| Ray Giarratana | .... | visual effects supervisor (uncredited) | |
Stunts | |||
| Joey Box | .... | stunt player | |
| Ben Bray | .... | stunt coordinator | |
| Ann Chatterton | .... | stunt player (as Anne Chatterton) | |
| Thomas Dewier | .... | stunt player (as Tom Dewier) | |
| Danny Downey | .... | stunt player | |
| Sean Graham | .... | stunt player | |
| Ray Siegle | .... | stunt player | |
| Damien Bray | .... | stunt safety (uncredited) | |
| Keenen Bray | .... | stunt safety (uncredited) | |
| Manny Perry | .... | stunts (uncredited) | |
| Frank Torres | .... | utility stunts (uncredited) | |
Casting Department | |||
| Sande Alessi | .... | extras casting | |
| Venus Kanani | .... | casting assistant | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting (as Caitlin Mckenna) | |
| Shalimar Reodica | .... | casting associate | |
| Mohammed Hassan | .... | extras casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Nancy Collini | .... | on-set costumer | |
| Holly Davis | .... | key costumer | |
| Lisa A. Doyle | .... | on-set costumer | |
| Sabine Huber | .... | costumer | |
| Anne Laoparadonchai | .... | on-set costumer (as Annie Laoparadonchai) | |
| Paul Lopez | .... | costume supervisor (as Paul H. Lopez) | |
| Michael Tereschuk | .... | cutter/fitter | |
| Michael Tereschuk | .... | tailor | |
| Thao T. Vu | .... | wardrobe office coordinator | |
| Sherry Walsh | .... | wardrobe production assistant | |
| Thao T. Vu | .... | costume coordinator (uncredited) | |
Editorial Department | |||
| Mark Bourgeois | .... | additional editor | |
| Darwin Green | .... | editorial assistant | |
| Justin C. Green | .... | assistant editor | |
| Steve Harrow | .... | post-production consultant: N1 | |
| Mo Henry | .... | negative cutter | |
| Pamela March | .... | additional editor | |
| Mato | .... | color timer (as Mateos Deravanessian) | |
| Hillary Murray | .... | digital color timer (as Hilary Murray) | |
| Ronald White | .... | assistant editor | |
| Tracy Barroga | .... | post-production assistant (uncredited) | |
Music Department | |||
| Christine Bergren | .... | music consultant | |
| Tom Biller | .... | score mixer | |
| Tom Biller | .... | score recordist | |
| Jon Brion | .... | musician: all other instruments | |
| Eric Cadieux | .... | additional score engineer | |
| Daphne Chen | .... | musician: string quartet | |
| Debbi Datz-Pyle | .... | musician contractor | |
| Richard Dodd | .... | musician: string quartet | |
| Eric Gorfaine | .... | musician: string quartet | |
| Jonathan Karp | .... | music editor | |
| Jonathan Karp | .... | score collages | |
| Leah Katz | .... | musician: string quartet | |
| Katie Kirkpatrick | .... | musician: harp | |
| Dan Monti | .... | assistant score engineer | |
| Bill Reichenbach | .... | musician: euphonium | |
| Sebastian Steinberg | .... | musician: upright bass | |
| James Walker | .... | musician: flutes (as Jim Walker) | |
| Ian Herzon | .... | assistant music editor (uncredited) | |
| Ronald J. Webb | .... | music editor: temp (uncredited) | |
Transportation Department | |||
| Keith D. Fisher | .... | transportation captain (as Keith Fisher) | |
| Aaron Skalka | .... | transportation coordinator | |
| Ken Farnell | .... | driver (uncredited) | |
| Chris Ferrence | .... | dot supervisor (uncredited) | |
| J. Armin Garza II | .... | driver: camera car (uncredited) | |
| Jason Cooper Hall | .... | driver: Jason Schwartzman, re-shoots (uncredited) | |
| Bill Lopez-Arjona | .... | transportation (uncredited) | |
Other crew | |||
| Anthony Allegre | .... | accounting clerk | |
| Alexandra Arlango | .... | assistant: Michael Kuhn, Qwerty Films | |
| Brad Baena | .... | assistant: David O. Russell | |
| Bobbie Blyle | .... | assistant: Lily Tomlin | |
| Chamonix Bosch | .... | set production assistant | |
| Michael Brewer | .... | location scout | |
| Richards Butler | .... | legal counsel: U.K. | |
| Dustin Thomas Cartmill | .... | assistant: David O. Russell | |
| Kaiser Clark | .... | assistant: Naomi Watts | |
| Kathryn Craig | .... | head of legal affairs: Qwerty Films | |
| Paulette Dauber | .... | unit publicist | |
| Brad Davis | .... | production accountant (as R. Bradley Davis) | |
| Steve Demko | .... | assistant: Dustin Hoffman | |
| Jules Eggli | .... | assistant: Scott Rudin | |
| Tyler Elliott | .... | location scout | |
| Antonio Evans | .... | set medic | |
| Eric L. Fersten | .... | assistant: Dara L. Weintraub | |
| Nicholas Fitzgerald | .... | set production assistant | |
| Austin Formato | .... | assistant: Isabelle Huppert | |
| Alex Fratar | .... | executive assistant: Scott Rudin | |
| Karen Golden | .... | script supervisor | |
| Cory Hall | .... | set production assistant | |
| Quentin Halliday | .... | location scout | |
| Andrew Hildebrand | .... | head of commercial and business affairs: Qwerty Films | |
| Ben Howe | .... | executive assistant: Scott Rudin | |
| Brandon Howe | .... | office production assistant | |
| Michael Hubert | .... | production coordinator (as Mike Hubert) | |
| Ben Jackson | .... | assistant: Jude Law | |
| Fallon Johnson | .... | set production assistant | |
| Merritt Johnson | .... | assistant: Jason Schwartzman | |
| Jennifer Kern | .... | assistant coordinator | |
| Ashley Kravitz | .... | clearance coordinator | |
| Robert Lane | .... | first assistant accountant | |
| Mike Larocca | .... | executive assistant: Scott Rudin | |
| John Ledwon | .... | supplier: Mighty Wurlitzer courtesy of | |
| Suzanne Lehfeldt | .... | production secretary | |
| Alex Leimone | .... | key set production assistant | |
| Annaliese Levy | .... | assistant: Naomi Watts | |
| Michael C. Lund | .... | assistant: Jude Law (as Mike Lund) | |
| Amy L. Lyddy | .... | office production assistant (as Amy Lyddy) | |
| Peter Lüke | .... | production executive: N1 | |
| James R. Maceo | .... | location manager (as Jim Maceo) | |
| Peter Martorano | .... | key assistant location manager | |
| Jonas C. Matz | .... | construction medic (as Jonas Matz) | |
| Nick Mestrundrea | .... | craft service (as Nick Mestrandrea) | |
| Carla Meyer | .... | dialect coach | |
| Guy Morrison | .... | assistant location manager | |
| Aimee Nance | .... | assistant: Dustin Hoffman | |
| Cindy Nevins | .... | payroll accountant | |
| Jona Newhall | .... | assistant: Isabelle Huppert (as Jonathan Newhall) | |
| Sarah Nuttall | .... | production assistant: Qwerty Films | |
| Terry Lee Painovich | .... | craft service assistant (as Terry Painovich) | |
| Richard Philipps | .... | legal counsel: U.K. | |
| Connor Price | .... | assistant: Scott Rudin | |
| Benjamin Rigaud | .... | assistant: Jude Law | |
| Malcolm Ritchie | .... | production executive: N1 and Qwerty Films | |
| Michael Rooney | .... | choreographer | |
| Jon Silk | .... | assistant: Scott Rudin | |
| Chris Sloan | .... | office production assistant | |
| Paul Stenerson | .... | set production assistant (as Paulie Stenerson) | |
| Kim Stretch | .... | second assistant accountant (as Kimberli Strecth) | |
| Jill Tandy | .... | production executive: N1 and Qwerty Films | |
| Jaime Trujillo | .... | chef: Mario's Catering | |
| Lee Tucker | .... | preview engineer | |
| Eddie Vellanoweth Jr. | .... | security coordinator: Cast Security | |
| Dmitri Vigneswaren | .... | production secretary | |
| Eric Weinstein | .... | assistant: Mark Wahlberg | |
| Mark Woolley | .... | chief financial officer: Qwerty Films | |
| Russell Barrett | .... | assistant: David O. Russell (uncredited) | |
| Kofi Burke | .... | production accountant: Qwerty Films (uncredited) | |
| Jeff Castelluccio | .... | production assistant (uncredited) | |
| Deborah J. Chesebro | .... | assistant accountant: re-shoots (uncredited) | |
| Brett Cody | .... | 24 frame supervisor (uncredited) | |
| Julie Cummings | .... | production assistant (uncredited) | |
| Josh Geller | .... | set production assistant (uncredited) | |
| Jason Cooper Hall | .... | assistant: Jason Schwartzman, re-shoots (uncredited) | |
| Michael Heithaus | .... | double: J. Schwartzman (uncredited) | |
| Michael Heithaus | .... | stand-in: J. Schwartzman (uncredited) | |
| James Henderson | .... | stand-in: Jude Law (uncredited) | |
| Andrew S. Kahn | .... | assistant: Scott Rudin (uncredited) | |
| Rob Kalmbach | .... | production assistant: re-shoots (uncredited) | |
| Boyd Kelly | .... | stand-in: Jude Law (uncredited) | |
| Nathan Kimball | .... | set production assistant: re-shoots (uncredited) | |
| Robert W. Morgenroth | .... | 24 frame supervisor (uncredited) | |
| Andrew Pellegrino | .... | assistant: David O. Russell (uncredited) | |
| Diogo Picchi | .... | body double: Jason Schwartzman (uncredited) | |
| Cory Poccia | .... | production office intern (uncredited) | |
| Jurgen Proschinger | .... | finance manager: Qwerty Films (uncredited) | |
| Richard Rowntree | .... | assistant: Steve Harrow (uncredited) | |
| Billy Slaughter | .... | stand-in: Dustin Hoffman (uncredited) | |
| Anne Marie Wilson | .... | production assistant (uncredited) | |
Thanks | |||
| Luke Bourgeois | .... | the producers wish to thank | |
| Pablo Davanzo | .... | the producers wish to thank | |
| Alan Dressler | .... | the producers wish to thank | |
| Ari Emanuel | .... | the producers wish to thank | |
| Chad Griffin | .... | the producers wish to thank | |
| Janet Grillo | .... | the producers wish to thank | |
| Kevin Kelly | .... | the producers wish to thank | |
| John Lesher | .... | the producers wish to thank | |
| Peter Levine | .... | the producers wish to thank | |
| Adam McKay | .... | the producers wish to thank (as Adam Mckay) | |
| Alexander Payne | .... | the producers wish to thank | |
| Kim Pierce | .... | the producers wish to thank | |
| Shira Piven | .... | the producers wish to thank | |
| Bruce M. Ramer | .... | the producers wish to thank | |
| Randy Schnitman | .... | the producers wish to thank | |
| Robert Thurman | .... | the producers wish to thank | |
| Shania Twain | .... | the producers wish to thank | |
| Diane Upson | .... | the producers wish to thank | |
|
|
|
|
|
| Igby Goes Down | American Beauty | Intermission | Kings & Queen | The Upside of Anger |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Complaints about the writing and acting in this movie remind me of when, as an usher at a large church, I overheard the comments of the parishioners after the service. The minister had delivered a plea that we search our souls, but all these people could find to talk about was what she was wearing, or the style of her hair. If you walk into this movie thinking of yourself as a student in a film studies class (especially Hollywood films), you are going to find plenty to complain about.
But the real purpose of this movie is not to snag an Oscar, or even entertain you. And despite its attempts at 'explaining' life, it is not to convince you of any particular philosophy, either. It is, rather, to inveigle you to question your own motives for your behavior in life, and thus your basic presumptions about what you are doing here in the first place. Not a small task; the human psyche constructs many layers of defense, and it is in penetrating these defenses that psychologists spend most of their efforts. The humor in this movie helps break through some of the defenses.
Perhaps you believe you have no use for a psychologist. Brad Stand (Jude Law) didn't either, except to rationalize in his own mind his duplicitous self-serving behavior. But once 'existential detectives' Dustin Hoffman and Lily Tomlin are on the case, there's no getting rid of them until all the dark corners have been exposed. That's both the bad news and the good news. Bad news because all his ploys are exploded. Good news, because now he can start to live a real life.
After all the trailing credits have rolled, what remains on the screen is the single line in the movie that sums it all up: 'How am I not myself?' A question asked throughout the ages, it is not meant to have an answer but, like a good koan, to create an infinitely deep inbox in your mind that you fill as you go through your days. e.e. cummings said it isn't easy to be nobody but yourself, but it's worth it. If you are more concerned about living a genuine life and less about cinematic perfection, this movie is, too.