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*** This review may contain spoilers ***
The beginning had a good plot, she was the only one who remembered her son. But then, when people started getting sucked into the sky, that was just dumb. It was actually funny. The movie made no sense. Her husband forgot her, and I don't understand that. At the end, at the playground, how come Lauren recognized her, and Ash didn't? It's just not very good. I don't like supernatural movies, they just don't seem real. How did that alien guy survive getting hit by a car, and getting shot? What experiment did they try on everyone? I didn't get the experiment. This movie is only good for 14 year people and older. Any people younger than that, the movie isn't even worth it.
First off, I saw the extended version, so I don't know what the
original ending is or what extra scenes I saw.
The Forgotten was a movie about how a woman lost her son in a plane
crash, but apparently it never happened. As she looks through
memorabilia, the reality sets in that she never had a son.
The point of this movie was all about alien contact, and if knowing
that before I rented the movie, I probably wouldn't have. The plot of
the movie gets taken away so easily from the alien experiment. To make
a movie great, you can't take something like a forgotten son (and of
course forgotten daughter) and turn it into an alien project, because
that defeats the purpose. Any movie about aliens can be solved,
examples: why is everyone dying when they urinate?... because aliens
made them. Why can't I see my reflection in the mirror?... because
aliens won't let you. And, why don't I remember my dead children?...
because aliens made me forget. You can use aliens to do anything in any
movie, and it will fit into any situation because we don't yet
understand the universe and the power it holds.
4 out of 10. I didn't think this movie was well made, but the idea was
phenomenal. Also, how can you run from police four different times and
still get away? You're lucky if you make it one time.
Although I enjoyed watching The Forgotten especially with its
introverted paranormal aspect I was annoyed by the for-the-children
tinkle music. It really got on my nerves to the point of distraction.
I did however enjoy the performances and even the story was developed
enough. The only other item that bothered me was when Ash and the
Friendly Man fell out the window and it was very unclear which one went
up and which one went down as this was very important to the plot. I
looked at it fifteen ways till Sunday as I have the DVD and I could
only make a guess because they were dressed very similarly and yet the
angle of the way they started to fall and the way they were falling was
of some help. I can also make a logical guess but by then the scene
moves on.
Over all I did like the movie. Julianne Moore was never lovelier so it
was worth seeing.
Man alive do I hate tinkle music. In this movie it is non stop. I'm
taking a look at Paycheck right now with Ben Affleck and Uma Thurman.
There is a light violin that introduces the moment Ben's character
gazes upon Uma's lovely eyes that slides in delicately to introduce
Uma's character like Mozart's 40th - with subtlety and thought. I
didn't hear any tinkle music to ruin anything.
*** This review may contain spoilers ***
I just recently saw the Twilight Zone episode "And When the Sky Was Opened" and I must say, definite correlations between this and the movie. If only the movie had been done in the same unique way it seems only Rod Serling is capable of delivering. Sometimes, I think it's best to leave some conclusions to the imagination instead of bumbling through an out-of-nowhere discovery just to give your audience answers. I think this movie could be used as an example of how sometimes it's better not to show us everything and/or explain everything, which more than not, will creep us out more. Special effects are great and all, but how necessary was people blowing out through the tops of buildings into the sky necessary? And, more importantly, I think we as an audience do not crave and need a "happy" ending at the finale of a movie in order to make it an enjoyable experience. Just ask Rod Serling.
In her long lasting mourning because of her lost son, Mrs. Paretta
(particular selection for a name, huh?) keeps her son memories very
much alive after more that a year of his disappearance. One not special
day, all of her material memories start changing: pictures disappear or
modified, all of the sudden nobody remembers anything of her son, not
even her husband, the very robotic Anthony Edwards. Although she keeps
recalling her son very vividly, there are no clues of why she does it
and everybody else don't. I guess there are interesting clues developed
about this fact later on during the movie. Unfortunately, I
particularly didn't catch them if there is any. She joins efforts with
the father of another disappeared kid along with her son. Aliens start
to be major suspects here without a plausible or natural reason and
spectacular abductions occur during these people search for the truth.
Unlike major special effects movies, here the abduction where major
part of the trailers, being the top spectacular scenes in the movie
itself, so the reaction is "Oh yeah.. that was in the trailer..." In
the search of "her son". Mrs Paretta (Julianne Moore) says "I want my
son back" and "Where is my son" so many times that at some point I
wished her son never showed up, and now I've been waking up in the
middle of the night shouting "I WANT MY SON BACK!". The dialog is
mediocre all the way, excessively naive and repetitive, many time falls
in the ridicule and absurd (see the "Memorable Quotes" page and you'll
understand). Repited scenes of her son, recalled by her, coming once
and again, and over and over again is actually tiring! The phrase "my
son" I believe is approximately 90% of the script. I think the director
had no clear idea on how to establish the actions among the characters,
I got the sensation that their movements, actions and reactions were
many times random and loose. There's a particular scene almost at the
end, with broken windows, that totally spontaneously produced a strong
loud laugh in me, I couldn't help it. There is too an annoying noise
when aliens are near or influencing the scene that sounds like worms
and termites fighting inside a decomposing body.
I personally strongly wish the aliens come, abduct me and erase this
movie from my mind, make me forget I watched it, and thus it become a
forgotten movie in my life.
*** This review may contain spoilers ***
I can't entirely place it. I think perhaps it's very poor directing on
whoever got stuck with this script. I'm giving this review coming from
the slant of the directors cut. Since the theatrical version made no
sense towards the end.. But even at that, the directors cut still
leaves you with more questions than answers. And what happened to
Anthony?
I actually think that who ever created the plot musta been watching
Dark City.... totally forgot he was watching it and wrote this silly
script out thinking the idea was his (or hers). I wouldn't call this
scary, more like a major headache. As your wondering exactly what it
was you saw. The running time of the extended version is of question.
The blank at the end shows 11 minutes of credits, but after awhile
thinking something was wrong with the DVD player... they really musta
hard wired the DVD ROM into making the DVD players around go haywire
trying to skip to and fro to actually use the extended version. There
had to have been a better way to do that.
Oh well, if you wanna loose 90 minutes of your life to a movie that'll
continue to bug you as to what it was you saw (who were they? never was
explained) go right on. As for me. YUCK!!!
4/10
Quality: 2/10 Entertainment: 5/10 Replayable: 1/10
This movie is based entirely on the premise of someone having their
child erased with no character development or plot to speak of. That
might work if you're Rod Serling and you're trying to make a 22 minute
script for TV but it always fails as a rule for the Big Screen.
What was the point of the Anthony Edwards character? The only
indication that they ever had a relationship at all was that they had
the kid together. If their marriage went bad, go on ahead and WRITE
THAT INTO THE FILM. As it stands, they just seem like strangers who are
together for the lone sake of giving Moore a child to forget.
And if you're going to make the kid the central point of Moore's
existence, WRITE SOME SCENES FOR HIM. A meaningful flashback, the
present from his POV, anything.
If you're going to write an alcoholic character, you have to make some
attempt to make that plausible to an audience. Aside from the two
scenes where they talk about alcoholism, the character seems otherwise
unaffected by this disorder - being lucid enough to think his way
through this conspiracy and fight off multiple NSA agents with his bare
hands. We have to be constantly reminded that he has a drinking problem
by having him walk around sober with a bottle in his hand. It insults
the intelligence of the audience and leads nowhere in the story.
The whole plot line about alcoholism {if you can call it that} is just
a device to give the Moore character something other to say aside from
"Don't you remember my son?"; "Where is my son?"; "We have to find my
son.", etc.
Don't write sub-plots that overshadow your main story: Don't spend
half-an-hour having the Police and NSA chase your main characters
around for nothing and then spend 5 minutes at the end trying to work
in an alien-experimentation angle that has nothing to do with the rest
of the story. This isn't suspenseful, it's annoying and fragmented {in
retrospect, the scene between Alfre Woodard and the NSA agent add
nothing to the plot or the main characters - they just eat up film,
pushing the length of the movie closer and closer to the required
length of a feature film}
After a slow start, the movie grabs you as the questions start popping up left and right. But then it plods along with OK acting, dialog, cinematography, directing to an ending that suggests much more power held by the friendly man and his colleagues than the question in their experiment would suggest. If they could make all the necessary changes -- first to support the experiment, then to undo it for the ending we're given -- their abilities are way beyond the question posed on the experiment. It would be like NASA not yet understanding what makes a '68 Ford Mustang work. Even with our emotional attachment to the Stang, as science, it's pretty simple.
Every day she follows a routine that involves going into her son's room and thinking about him, but then she starts to have memory lapses that everyone attributes to her post-trauma. She starts to feel like someone is trying to make her forget, her psychiatrist tries to convince her she's nuts, but in reality she's on the trail of a mystery that revolves around her son's death. The film had a lot of potential due to Julianne Moore in the lead and what seemed to be a thriller with a twist type of movie. However, I found it rather anti-climatic. The film, in my opinion, lacked conflict. Everything seemed to fall into place rather conveniently and the "twist" was unfullfilling. The resolution is somewhat simple and, again, anti-climatic.
The only reason I didn't give this movie a 1 out of 10 is because I wanted to give whoever thought of the story one point for effort (even thought it was a REALLY bad attempt). The Forgotten was a horrible attempt at a thriller. The plot didn't make sense, yet I understood everything that happened (meaning, it wasn't rocket science but there were several holes in the story). It was a cute idea that wasn't elaborated on thoroughly enough so the outcomes don't connect well. Life is short. Don't waste the time watching, renting, or sitting in complete anger that this movie would provide. Seriously. DO NOT. I want my 3.79 back that I paid at the video store PLUS the .2 miles of gas to get there.
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